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ARRI Reigns Supreme at the Oscars

ARRI, ARRI, ARRI ARRI, ARRI, ARRI

Setlife Magazine has generously compiled the technical specifications of the films nominated for the Cinematography, Directing and Best Picture Oscars, and let’s just say ARRI shows up more than once. All of the Cinematography nominees were photographed on an ARRI (3 Alexas versus 2 Arricams), with a mix of Panavision, Zeiss, Cooke and Angenieux lenses. Also noted were the films’ negatives and prints, which bandied back and forth between Kodak and Fuji.

Only her (C300) and The Wolf of Wall Street (EOS C500) opted for Canon, in addition to their arsenal of Alexas and Arricams. Notably absent is any sign of Red. Visit Setlife‘s Facebook page for the full breakdown.

 

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