A few weeks back, I posted a breakdown of the camera packages selected by this year’s Oscar-nominated cinematographers. RED was nowhere to be found. After a long delayed release, the 6K RED Dragon finally hit shelves this summer alongside some pretty nice test footage from Mark Toia. Making another case for ARRI’s underling is some new airborne footage from Freefly, shot with a 11-16 mm lens. In places, the images are so clean, they almost look computer generated.