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CAMERA TEST

Jamie Stuart tests out the Panasonic AG-HPX500P.

EDIT POINTS

See the Fall '07 issue where Benjamin Crossley-Marra reports on the different post production options four directors chose to finish their films. PLUS From Script to Screen: Editor Jay Cassidy reviews the Avid ScriptSync.

PLAY AGAIN

Head Trauma director Lance Weiler on gaming and worlds beyond independent film.

...AND NOTHING BUT THE TRUTH?

In attempting to define documentary filmmaking Arne Johnson learns the line between ficiton and non is very blurry.

THE POWERS THAT BE

Alicia Van Couvering helps indies strategize for the upcoming strike.

SUPPORT GROUP

Scott Macaulay recaps the 2007 IFP Narrative Rough Cut Lab.


REPORTS

The Orphanage; Handbangers Ball; Canvas; MobMov; Mexican Revolution; Maysles; Screenwriting book; IFP Market.


Fall 2007 Table Of Contents

FEATURES

THE UNSEEN HAND

Amir Bar-Lev got more than he bargained for when he followed child painter Marla Olmstead and her family for a year in the riveting documentary My Kid Could Paint That. By Jason Guerrasio

PRAY FOR ROCK 'N' ROLL

See the Fall '07 issue where Jason Guerrasio sits down with John Sayles to discuss the future of filmmaking and the challenges of making his latest film Honeydripper. PLUS Reaching Out: 10 years of grassroots casting for John Sayles. By Lizzie Martinez.

THE HOLLYWOOD LIFE

Anthony Hopkins blurs fantasy and reality in the disorienting Slipstream. By Scott Macaulay

THE JIGSAW MAN

Todd Haynes examines the life and mythology of Bob Dylan in I'm Not There.

THE OVERACHIEVER

Ryan Gosling chats with screenwriter Oren Moverman about his latest achievements, I'm Not There and Married Life, along with the unique collaberative relationships he has with his directors.

SENIOR MOMENTS

Nine years after making Slums of Beverly Hills, Tamara Jenkins returns to feature films with a comical but highliy emotional look inside one family's turbulent relationship with The Savages. By Ray Pride

THE LAST DRAFT

Justin Lowe talks to Andrew Wagner about his sophmore effort, the deeply resonant drama Starting Out In The Evening.

THE INSIDE MAN

In The Diving Bell and the Butterfly, Julian Schnabel makes Jean-Dominiqie Bauby's best-selling memoir into a funny, moving and wise contemplation of morality and the artist. By Scott Macaulay

SOMETHING MUST BREAK

Joy Division frontman Ian Curtis is put under the microscope in Anton Corbijn's debut feature Control. By Nick Dawson

MY SUPER SWEET 16

Jason Reitman delves into teen pregnancy (with a little help from first-time screenwriter Diablo Cody) in his follow up to Thank You for Smoking, Juno. By Lisa Y. Garibay


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