Anita Hill received standing ovations at last weekend’s two screenings of Anita at Hot Docs — perhaps 22 years overdue. In 1991, Anita Hill was a law professor from Oklahoma when she appeared at a U.S. Senate hearing and accused U.S. Supreme Court nominee Clarence Thomas of sexual harassment. Ironically, Thomas was Hill’s boss at the U.S. Department of Education and the Equal Employment Opportunity Commission a few years earlier. Hill accused Thomas of talking about things like pubic hairs on Coke cans and the girth of his manhood. A panel of 14 male politicians challenged Hill, painting her as …

Twenty years ago another recession was gripping America, documentarians were shooting on film, and D.A. Pennebaker and Chris Hegedus were immortalizing the election campaign of Bill Clinton. The renowned duo behind Kings of Pastry, Jimi Plays Monterey and many other films, is presenting The War Room at a 20th anniversary screening at Toronto’s Hot Docs Documentary Festival this week. “It was an idea we always wanted to do,” Hegedus told Filmmaker, “to see a man become President.” In 1960, Pennebaker gained valuable experience by co-editing and doing sound on the very first campaign doc, Primary by Robert Drew. Shot in …

Paul Schrader presented a screening of Taxi Driver in Toronto last weekend and spoke to the capacity audience of 450 at the Royal Cinema for an hour afterwards about his career and the changing state of filmmaking. As part of the Seventh Art Live Directors Series and presented by The Royal, he also showed a scene from his forthcoming The Canyons, starring Lindsay Lohan. Many in the audience watched Taxi Driver for the first time on the big screen, since many were not even born when the film shocked audiences in 1976. A major critical and box-office success, it launched …

Sally Potter spoke to a sold-out, mostly female audience on a springlike afternoon in Toronto. She was the latest world-renowned director to sit in the interview at the TIFF Bell Lightbox, and she discussed with journalist Johanna Schneller her experiences and views on filmmaking while clips of her films burst on the screen including her latest, Ginger & Rosa. The session started with a moment from her little-seen 1979 short, Thriller. It’s an experimental short consisting of grainy black-and-white photos married to the opera La Boheme and Bernard Hermann’s theme from Psycho. “The decisions I made were about trying to bring …

John Singleton was raised on silent movies. The 45-year-old director of Boyz in the Hood and the Shaft remake grew up next to the Century Drive-In in Inglewood, California. As a boy, he’d literally peek out his window and watch his heroes Bruce Lee and Billy Jack‘s Tom Laughlin battle on-screen without sound. “The first breast I saw was Pam Grier’s,” Singleton confessed to a rapt audience at Toronto’s TIFF Bell Lightbox Tuesday night, hosted by director Clement Virgo as part of the city’s Black History Month celebrations. “Every time I see Pam Grier I tell her, ‘You made me want …

David Chase loves the Stones. Anyone who watched his hit series, The Sopranos, and heard the soundtrack will know. Nor will they be be surprised that his feature film debut, Not Fade Away, is about a bunch of suburban kids from New Jersey who pick up guitars and grow their hair after they see The Rolling Stones on TV in 1964. “It’s not autobiographical,” Chase insisted at a recent  preview in Toronto. “The events didn’t play out as they happened in this movie.” In fact, both Chase and his protagonist Douglas (John Magaro) came of age in suburban New Jersey …

We expect a lot from Quentin Tarantino.  A generation ago, we lined up in the cold and fought for tickets to behold the next Kubrick opus or the latest Star Wars episode.  Today we do it for QT. This time, he unleashes Django Unchained.  It’s an historical shoot-em-up drama set in the antebellum era of the American South.  Django (Jamie Foxx) is a slave-turned-bounty hunter who sets out to rescue his wife (Kerry Washington) from a sadistic plantation owner (Leonard DiCaprio).  At his side is his mentor, a German bounty hunter named Dr. King Schultz (Christoph Waltz who brilliantly played …

We file past a solemn priest down the stairs into the church basement. My friend and I excited.“There are the infected. There are the survivors. Then there is you.” That’s what the e-mail boasted when it arrived 30 hours earlier, promising a mix of live theatre and film called a 360 Screening. We were part of a sold-out audience of 200 that paid $60 apiece to see a film without knowing the title until the last minute. This was the third 360 Screening in Toronto and its first Hallowe’en edition. Tonight it was taking place in the old Berkeley Church …

Rock “documentaries” are self-serving films that fawn over their subjects so their record companies can move more product. The typical rock doc strings together concert highlights with studio clips and innocuous musician quotes that add up to a fun, but facile movie. The L.A. band 30 Seconds To Mars turns this formula upside-down in Artifact, which enjoyed its world premiere at TIFF on Friday. Actor/musician Jared Leto’s band wants to leave their record label, EMI, when multimillionaire British tycoon Guy Hands devours the ailing company and sues 30 Seconds To Mars for $30 million. Artifact tells their battle as they struggle to …

Ruba Nadda, whose Cairo Time captured Best Canadian Feature in 2009, returns to TIFF with Inescapable. Both star leading man Alexander Siddig and are set in the Middle East. However, Inescapable is anything but a charming romance, but rather a fast-paced political thriller set in the most dangerous country in the world, Syria. When he learns that his daughter has gone missing in Syria, Adib (Siddig) leaves his comfy business in Toronto to track her down in Syria. Turns out that the Syrian government has abducted Adib’s journalist daughter and that a shady Canadian diplomat (Joshua Jackson) knows more about it …