Promising newcomerDaniel Patrick Carbone’s Hide Your Smiling Faces, well received at festivals such as Berlin, Tribeca and Abu Dhabi, is a sumptuously shot meditation on the difficulties faced by a couple of rural New Jersey teenage brothers following the untimely death of a friend. The film’s delicately designed frames, as well as its super spare screenplay, studiously withhold information — artfully, but perhaps somewhat tediously, denying the audience pleasure. (That pleasure is subsequently generated, however, by the beauty of Hide Your Smiling Face‘s overall visual aesthetic.) The picture’s rather chilly style is somewhat reminiscent of Alastair Banks Griffin’s Two Gates of Sleep, with […]
by Brandon Harris on Mar 22, 2014Based on Jon Savage’s 2007 book Teenage: The Creation of Youth Culture, Matt Wolf’s elliptical and handsome documentary Teenage delves into the history of teen-hood, revealing how those formative years between 12 and 20 produced generations that were cultural forces to be reckoned with in the West during the 20th century’s earliest decades. Using a collage style that includes archival footage, newsreels, dramatic reenactments (anchored by recognizable young actors such as Jenna Malone and total newcomers found by street-casting impresario Eleonore Hendricks), the movie takes us to pre-war Germany, through the pages of diaries of midwestern 15-year-olds, and to dance […]
by Brandon Harris on Mar 16, 2014For aging, married academics Nick (Jim Broadbent) and Meg (Lindsay Duncan), romance doesn’t come so easy anymore in Roger Michell’s wise and often very funny anti-rom-com Le Week-end. They jet off to Paris to recapture some of the spirit of their initial honeymoon 30 years before. But the trip is miserable from the start. She refuses to stay in the hotel from the honeymoon, sickened by its beige paint job. They check into a place far too expensive for their budget and enjoy the view of the Eiffel Tower, but little magic is rekindled with Meg, who is especially uninterested […]
by Brandon Harris on Mar 14, 2014Unlike nearly everywhere else in the culture, bigger is not necessarily better at the Eastern Oregon Film Festival. It’s a slender event in a small town. Eleven features and 21 shorts across three days and two venues. Still, they don’t call this stretch of fully enclosed valley “La Grande” for nothing. Despite only containing about 12,000 souls, this mountainous hamlet, like Ian Clark and Benjamin Morgan’s program, leaves you plenty of room to explore. The festival opened on a Thursday night in late February, commencing with a dinner for its supporting members in the town’s recently renovated arts center. Over beer, […]
by Brandon Harris on Mar 7, 2014In David Grovic’s The Bag Man, John Cusack plays the title character, a courier for an underworld figure named Dragna (a genuinely terrific Robert De Niro), who’s charged with fetching a mysterious bag and staying put in a fleabag motel until the silver-suited and -haired criminal overlord can come to pick up the goods. It’s the type of movie that has no business being good and not just because the constituent parts feel, well, worn out — the motel that the movie takes place in bears an eerily resemblance to the one Cusack spent most of the forgettable 2003 thriller […]
by Brandon Harris on Feb 26, 2014Pompeii, so-called vulgar auteurist Paul W. S. Anderson’s latest extravaganza, is a love story and a disaster movie, a prison film and a paean to a certain kind of tried-and-true action pic many directors attempt but few make as involving and effortlessly enjoyable as “the other” Paul Anderson. Since his 1994 debut, Shopping, he has, with moxie and aplomb, uncorked one high-concept genre thrill ride after another. In his first film since 2008 without his wife, the actress and model Milla Jovovich, the British veteran deftly takes on the sword-and-sandals adventure epic. After opening with an odd epigraph about the […]
by Brandon Harris on Feb 22, 2014A probing look at homophobia in the black community and its most important institutions (the church) through the prism of Maryland’s landmark passage of gay marriage during last year’s election, Yoruba Richen’s The New Black sheds new light on the battle over who gets to define what civil rights is. Richen talks to black Marylanders from all walks of life and activists on both sides of the ballot issue, from Conservative clergyman to LGBT volunteers, coaxing incredible candor from most of them. Not surprisingly, The New Black reports things that anyone who actually spends much time around black communities would know, but still seem […]
by Brandon Harris on Feb 10, 2014Titled The Philosophers in Europe, John Huddles’ most recent film After the Dark is a sneakily beautiful, remarkably thoughtful rumination on the final day of school for a portion of Abercrombie & Fitch photo shoot-ready philosophy students at an international school in Indonesia who engage in a thought experiment with their equally fetching professor (James D’Arcy). The experiment? Were the world to be nearly destroyed that very day by nuclear war, who amongst the group would be chosen to take shelter in a bunker, one too small for all of them, during the atomic holocaust and be charged with repopulating the world? Feelings are hurt, suppositions about […]
by Brandon Harris on Feb 7, 2014The uncompromising yet lovely vérité doc Aatsinki: The Story of Arctic Cowboys takes an unadorned, soulful look at a year in the lives of a pair of brothers who are among a collective of reindeer herders in rural Finland. A departure in many ways from the zany Beetle Queen Conquers Tokyo, Jessica Oreck’s new film is bloody and ice bound, showcasing a world of rustic north European life rarely glimpsed on screen. The grim slaughter of reindeer and the daily tribulations of running such an operation doesn’t escape the director’s eye; neither does the tenderness and decency of the people doing such work. […]
by Brandon Harris on Feb 3, 2014Ostensibly based on a true story, Trevor White’s Jamesy Boy recounts the ascension, demise and redemption of James Burns, a cavalier gang member whose story is an all too American one — he fell into a life of crime on the streets of Baltimore as a 14 year old, did some hard time, and was, somewhat astoundingly given the unrepentantly punitive nature of our disenfranchisement factories known as prisons, the better for it. He’s played by a promising newcomer, Spencer LoFranco, who is joined by an accomplished cast including Ving Rhames, Mary-Louise Parker and James Woods, in a somewhat surprising turn, […]
by Brandon Harris on Jan 31, 2014