“If there is a giant who sits astride the history of Uzbek cinema, it’s Ali Khamraev, one of those rare talents like Welles or Godard or Scorsese whose love for the medium is so intense that his best films burst with criss-crossing energies and insights, like a fireworks display.” –Kent Jones Ali Khamraev (b. 1937, Tashkent) is one of the great living filmmakers whose work has been too-little-seen in the western world. Throughout his career Khamraev has exhibited extraordinary artistic range, transitioning from realist social dramas to the “Ostern” (“Eastern”) genre of films— which transpose American Western tropes onto the regional history, […]
by Filmmaker Staff on Nov 6, 2025
Greenlight Coverage was proud to partner with Gotham Week this year, offering script analysis and story development support to a remarkable range of submissions. Out of the many compelling entries, three projects stood out for their creativity, emotional resonance, and cinematic potential: The Ballad of Tita and the Machines, The Poem, and The Camford Experiment. Based on Greenlight’s coverage reports these screenplays ranked among the highest across every evaluation category, earning top marks for storytelling, originality, and thematic depth. The Ballad of Tita and the Machines – Scored 8.7/10 Set against the strawberry fields of California, The Ballad of Tita […]
by Filmmaker Staff on Oct 22, 2025
In 1972, a thief and two accomplices stole two Gauguins, one Picasso and a Rembrandt from the Worcester Art Museum in Massachusetts. At the time, it was the largest art heist (and the first armed art heist) in American history; the thief, Florian Monday, would have entered the criminal pantheon had he not been swiftly captured after indiscreetly bragging about his crime. As she reveals in her conversation below with director Yorgos Lanthimos, Kelly Reichardt has kept an “art theft” file over the years, with an article on the 50th anniversary of the Worcester crime providing inspiration for her latest […]
by Filmmaker Staff on Sep 17, 2025
Click here to read this year’s 25 New Faces of Independent Film list.
by Filmmaker Staff on Sep 17, 2025
With Ira Sachs’s highly recommended Peter Hujar’s Day opening today at New York’s Film Forum from Janus Films, we’re unlocking our paywall on Azazel Jacobs’s interview with Sachs from our Fall, 2025 print issue. (See also my interview with Sachs out of this year’s Sundance Film Festival.) Both Sachs and Rebecca Hall will be doing Q&As this opening weekend. — Scott Macaulay The “making of,” in which process is made visible through behind-the-scenes chronicles—documentaries, YouTube tutorials and explainers of all sorts—is its own journalistic genre. These pieces invariably fixate on the facts. When it comes to feature films, for example, […]
by Filmmaker Staff on Sep 17, 2025
The Shorenstein Center announced today the Fall 2025 cohort of Documentary Film Fellows, who will be working closely with the Documentary Film in the Public Interest (DFPI) initiative. Through the Fellows’ projects, the Shorenstein Center will engage in examinations of public impact and media policy. Shorenstein Center Director Nancy Gibbs said in a press release, “We are eager to welcome these exceptional leaders into our research community. Prof. Aufderheide’s groundbreaking work on ethical practice, and Jax DeLuca’s on the civic power of documentary, could not be more timely at this critical moment for the field.” The Fall 2025 Fellows will […]
by Filmmaker Staff on Sep 10, 2025
Film at Lincoln Center announced Currents for the 63rd New York Film Festival, taking place from September 26 through October 13 at Lincoln Center and in venues across the city. The Currents slate includes 16 feature films and 24 short films in five programs, representing 28 countries. “In a film landscape that is so often homogeneous by design, this year’s Currents lineup is energizing for being a showcase of the boundless possibilities of cinematic language,” said Dennis Lim, Artistic Director, New York Film Festival, in a press release. “Resurrecting old technologies and subverting new ones, the filmmakers and artists here use an ingenious array of styles and forms to investigate the past and illuminate the present, in […]
by Filmmaker Staff on Aug 7, 2025
Greek nonprofit Oxbelly has announced in a press release the participants of the 2025 Oxbelly Retreat, taking place June 28–July 6 at Costa Navarino in Messinia, Greece. The Oxbelly Retreat is an annual gathering of international storytellers, dedicated to the exchange of ideas, deepening of craft and broadening of artistic horizons through intercultural dialogue. Now in its tenth year, the 2025 Oxbelly Retreat includes programs for writers working in film and literary fiction. The Retreat is founded on the principles of embracing independence and risk-taking, as fellows move from early to mid-career and develop work they seek to bring to […]
by Filmmaker Staff on Jun 27, 2025
Breaking into the entertainment industry can be a tough process, especially if you don’t know where to start, lack the proper skills, or even know what fields that are available to make your dreams into a reality. Since 1999, The Los Angeles (L.A.) Film School has been at the forefront of producing the next generation of entertainment industry professionals, through serving its mission of fostering creativity, collaboration, and exploration among its students. The L.A. Film School’s approach to learning takes the student out of the classroom–and their comfort zone–and places them onto sets, behind cameras, and in-front of industry standard […]
by Filmmaker Staff on Jun 16, 2025
Metrograph, the New York repertory and first-run cinema, announces today the hiring of Edo Choi as Film Programmer. Choi was most recently the Associate Curator of Film at the Museum of the Moving Image and begins at Metrograph immediately. A New York-based film programmer, projectionist, and critic, between 2014 and 2019 Choi worked as a projectionist and then programmer for the Maysles Documentary Center. From late 2019 to early 2025, he was the Assistant—later Associate—Curator of Film at the Museum of the Moving Image, as well as the Senior Programmer of the Museum’s annual festival First Look, which celebrated its […]
by Filmmaker Staff on Jun 3, 2025