“Complexity” is a word that Jane Weinstock likes to use when describing her ideal movie, and it’s certainly an attribute that could be applied to her own work. “I crave it as an audience member. I think people are contradictory, and I like that kind of psychological realism,” she says. The same word is an apt description for her own pathway into the director’s chair, especially for her most recent film, The Moment. It was a fulfilling journey for the filmmaker, but one she also calls “a really long struggle.” Weinstock has had a varied career, having gotten her start …

Industry veterans and fresh faces alike are descending onto Park City this week, and for filmmakers with premieres it’s a heady mixture of excitement and anxiety. Writer/director Kyle Patrick Alvarez is among this crowd, ready for not only his film’s first screening, but his personal festival debut. It’s a significant career-high for the second-time director, but Alvarez is approaching the week with the well-worn wisdom his first feature brought. Alvarez wasted little time in launching his industry career. Immediately after graduating from University of Miami’s film program, Alvarez moved straight to Los Angeles and landed a job as Warren Beatty’s …

This is the second in a series of articles about the path towards a director’s second film. Read part one, with Tze Chun, here. It was in the middle of prepping for The Skeleton Twins that Craig Johnson realized something was missing. “That sickening feeling in my stomach that I had the first time around in prep,” Johnson said with a laugh. “I’m so much more at peace this time. Craig Johnson, 36, is currently in production on his second movie. It’s a project that contains a dream comedic cast (Kristen Wiig, Bill Hader, Ty Burrell) It’s a project that …

At Filmmaker we continuously cover the struggles of first-time directors to make their debut pictures. But the second film comes with its own set of unique challenges, issues that will be explored in this five-part series by Kishori Rajan. Below is the first installment, chronicling Filmmaker 25 New Face Tze Chun’s move from the microbudget character drama Children of Invention to a thriller with stars like Bryan Cranston. Look for further articles in the weeks ahead. — SM The late producer Laura Ziskin once remarked that movies “aren’t made, but forced into existence,” an expression never more apt than when …