In the Village Voice, Robert Shuster reports on artist Christian Tomaszweski, who has spent three years creating a series of installations directly inspired by David Lynch’s Blue Velvet. According to the article, they remake “the movie’s spaces, props, and moods, including the hallways outside Isabella Rossellini’s apartment, a scale-model view from the closet where naked Kyle MacLachlan witnesses gas-sucking Dennis Hopper commit a brutal rape, and that notorious severed ear.” According to a press release issued by New York’s The Sculpture Center, which is exhibiting the work through July 29: Since 2004, Christian Tomaszewski has been plunging into the entrails […]
by Scott Macaulay on Jun 13, 2007Over at Movie City News, Larry Gross posts one of his occasional and quite brilliant critical essays, this time on those eight seconds of black at the end of The Sopranos. And although Gross sees in Sopranos creator David Chase echos of Tolstoy and Balzac and not the Joyce or Kafka of The Prisoner creator Patrick McGoohan, it’s occurred to me that the conclusion of Chase’s series has inspired the same level of audience vexation that the famous final episode of The Prisoner caused back in the ’60s. Gross’s article is long and fascinating in its consideration of the aesthetic […]
by Scott Macaulay on Jun 13, 2007At the Filmmaker office we’ve been researching the emerging online indie film market for an upcoming story about how independents are selling their work through digital download services. But perhaps I should just keep a running link to Scott Kirsner’s Cinematech blog as he’s made this field his beat for the last several months. This week he posted “For Indie Filmmakers: How to Sell DVDs Online”, a recounting of a conversation he had with Jamie Chvotkin, founder of FilmBaby.com, a site that assists filmmakers in the marketing and promotion of their DVDs. (More info here.) What’s interesting about the post […]
by Scott Macaulay on Jun 6, 2007Over on the main page Nick Dawson interviews Knocked Up‘s writer/director, Judd Apatow. Here’s Apatow on what he considers to be his defining trait, awkwardness: It’s true, I’m a very awkward person. It’s hard to shake. Some people are wired for drug abuse or alcoholism or smoking; on some level, I’m wired to always feel like a goofball. No matter how well things go, I feel like I’m 15 years old. So when I’m out at a restaurant with my wife, I always feel like I’m on a first date and she might run at any moment. And it’s very […]
by Scott Macaulay on Jun 2, 2007Matt Richtel in The New York Times today looks at how the internet is transforming the adult entertainment industry. As the porn business has always been something of a trendsetter when it comes to adoption of new technologies and viewing patterns — the adult biz was instrumental in popularizing home video in the ’80s, for example — the article is worth reading for independent filmmakers. It discusses how the ‘net is now beginning to inflict record-industry-scale losses on the porn industry while also noting how the porn companies are responding to the threat. From the piece: After years of essentially […]
by Scott Macaulay on Jun 2, 2007Filmmaker Astra Taylor (Zizek!), who was one of our “25 New Faces of Independent Film” last year, and producer Laura Hanna are producing clips for VideoNation, the new web documentary component of The Nation magazine. Their first has just been posted, a short piece on Iraq Veterans Against the War. The link to the new Nation video page is here and the piece itself is also embedded below. Taylor says to check back in a couple of weeks for her second piece, an animation about industrial food pollution.
by Scott Macaulay on Jun 2, 2007I met independent filmmaker Mohammed Naqvi a couple of years ago when he participated in the IFP Director’s Lab, which I taught. Now, he’s finished a powerful film, Shame, which is a doc version of the dramatic script he was writing back then. Premiering on Showtime this week, the film “tells the true story of international human rights icon Mukhtaran Mai, a Pakistani peasant who was gang-raped and publicly shamed in her village, but used her trauma to spark a legal revolution that exposed centuries of brutal tribal conflict and government mismanagement.” Here are the Showtime dates: Showtime May 31 […]
by Scott Macaulay on Jun 1, 2007Over at Cinematical Ryan Stewart rounds up some Darren Aronofsky news including word of his new script (Noah’s Ark) and a link to the director’s MySpace page where he blogs about his fight to release a bonus-packed DVD of The Fountain. From the blog: so the dvd came out.happy that it is in the world.hope more folks will get to see it. as many of you can tell it is light on the extras as compared to my previous dvd releases. everything at the studio was a struggle. for instance: they didn’t want to do a commentary track cause they […]
by Scott Macaulay on May 31, 2007Today GreenCine links to a couple of articles discussing Rainer Werner Fassbinder, his legacy, and allegations that the Fassbinder Foundation and its director, Juliane Lorenz, have “systematically erased” (to quote d.p. Michael Ballhaus) important figures like composer Peer Raben and actress (and ex-wife) Ingrid Caven from the Fassbinder history. The key document is a translation in Sign and Sight of a Die Zeit interview with Caven (pictured here). Caven’s attack on Lorenz and the Foundation is what’s getting all the press attention, but the interview is also striking for Caven’s memories of Fassbinder’s sex life, the early days of the […]
by Scott Macaulay on May 31, 2007On the occasion of the Walter Reade’s 30th anniversary screening of Barry Lyndon (the last show is tonight at 7), Jamie Stuart contributes to The Reeler an interview with Kubrick actor and long-time associate Leon Vitali. Vitali, who most recently produced Todd Fields’s Little Children, is in town to intro tonight’s screening and he took a few moments to talk to Stuart, who also snapped the pic of the producer shown here. From the interview: Reeler: But other filmmakers I think of who have a great degree of control — modern filmmakers like say the Coen Brothers or somebody like […]
by Scott Macaulay on May 29, 2007