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	<title>Filmmaker Magazine &#187; Festivals &amp; Events</title>
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	<link>http://filmmakermagazine.com</link>
	<description>The Official Blog of Filmmaker Magazine</description>
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		<title>Cannes 2013 Opens with 3-D Glamour, Call Girls &amp; Sci-Fi Animation</title>
		<link>http://filmmakermagazine.com/70889-cannes-2013-opens-with-3-d-glamour-call-girls-sci-fi-animation/</link>
		<comments>http://filmmakermagazine.com/70889-cannes-2013-opens-with-3-d-glamour-call-girls-sci-fi-animation/#comments</comments>
		<pubDate>Sat, 18 May 2013 15:01:48 +0000</pubDate>
		<dc:creator>Ariston Anderson</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[ari folman]]></category>
		<category><![CDATA[Carey Mulligan]]></category>
		<category><![CDATA[Charlotte Rampling]]></category>
		<category><![CDATA[Francois Ozon]]></category>
		<category><![CDATA[Lynne Ramsey]]></category>
		<category><![CDATA[Marine Vacth]]></category>
		<category><![CDATA[Nicole Kidman]]></category>
		<category><![CDATA[Robin Penn]]></category>
		<category><![CDATA[Steven Spielberg]]></category>
		<category><![CDATA[The Congress]]></category>
		<category><![CDATA[The Great Gatsby]]></category>
		<category><![CDATA[The Past]]></category>
		<category><![CDATA[Young & Beautiful]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70889</guid>
		<description><![CDATA[This year’s 66th Cannes Film Festival opened with a venerable love fest at the Jury Press Conference on Wednesday. Led by Steven Spielberg, this year’s panel drew an incredible mix of cinema talent Ang Lee, Nicole Kidman and Christoph Waltz, as well as Romanian director Cristian Mungiu and Scotland’s Lynne Ramsay. Spielberg and Lee admitted to the assembled press that they absolutely worshipped each other, despite being pitted up against each other at the Oscars this year. Although Spielberg said he was ready to judge, he claimed, “I look at this as two weeks of celebrating film, not two weeks &#8230;]]></description>
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		<title>Starting Tonight: Secret Film Club @ reRun</title>
		<link>http://filmmakermagazine.com/70862-starting-tonight-secret-film-club-rerun/</link>
		<comments>http://filmmakermagazine.com/70862-starting-tonight-secret-film-club-rerun/#comments</comments>
		<pubDate>Fri, 17 May 2013 22:24:47 +0000</pubDate>
		<dc:creator>Nick Dawson</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[reRun]]></category>
		<category><![CDATA[Secret Film Club]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70862</guid>
		<description><![CDATA[Since IFP and Filmmaker began programming the reRun Theater in Brooklyn, we&#8217;ve been trying to bring audiences great films, but also do it in an interesting and different way whenever possible. One of the ideas that we came up with to bring a little variety to proceedings was our Secret Film Club, which kicks off tonight. In the next week, we&#8217;ll be playing 11 films over five different nights. The screenings will all be free. But we won&#8217;t be telling anyone what the films are. Cryptic clues will be distributed to give you something to go on, however, the first &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/70862-starting-tonight-secret-film-club-rerun/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Opportunist on the Croisette</title>
		<link>http://filmmakermagazine.com/70853-the-opportunist-on-the-croisette/</link>
		<comments>http://filmmakermagazine.com/70853-the-opportunist-on-the-croisette/#comments</comments>
		<pubDate>Fri, 17 May 2013 21:47:47 +0000</pubDate>
		<dc:creator>David Lassiter</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Cannes Film Festival 2013]]></category>
		<category><![CDATA[The Opportunist]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70853</guid>
		<description><![CDATA[Director David Lassiter, whose short film The Opportunist is playing in the Critics&#8217; Fortnight, is blogging about his Cannes experiences. You can read his first dispatch here. Day one at Cannes and we’re already off to the races! After almost a full day of travel (L.A. -&#62; Toronto -&#62; Zurich -&#62; Nice -&#62; Cannes) we checked into an Airbnb apartment owned by a charming Frenchman named Olivier, dropped off our bags, and hit the Croisette. Our first stop was the Palais de Festival, where we were warmly greeted by Julie Marnay and her lovely team at Semaine de la Critique. &#8230;]]></description>
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		<title>Cannes 2013: First Clips from Gray&#8217;s The Immigrant and Saulnier&#8217;s Blue Ruin</title>
		<link>http://filmmakermagazine.com/70828-cannes-2013-first-clips-from-grays-the-immigrant-and-saulniers-blue-ruin/</link>
		<comments>http://filmmakermagazine.com/70828-cannes-2013-first-clips-from-grays-the-immigrant-and-saulniers-blue-ruin/#comments</comments>
		<pubDate>Fri, 17 May 2013 17:46:56 +0000</pubDate>
		<dc:creator>Nick Dawson</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Filmmaker Videos]]></category>
		<category><![CDATA[Blue Ruin]]></category>
		<category><![CDATA[Cannes Film Festival 2013]]></category>
		<category><![CDATA[james gray]]></category>
		<category><![CDATA[Jeremy Saulnier]]></category>
		<category><![CDATA[The Immigrant]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70828</guid>
		<description><![CDATA[Another day, another bunch of clips from U.S. indies playing at Cannes. Above there is a quick snippet, featuring Marion Cotillard and Jeremy Renner, from James Gray&#8217;s period drama The Immigrant (previously called Lowlife). The Weinstein Company will be putting out the film (also starring Gray regular Joaquin Phoenix) later this year and, barring terrible reviews from Cannes critics, it should be a 2013 awards contender. Below are a teaser trailer and a clip from Jeremy Saulnier&#8217;s second feature, Blue Ruin, which looks incredibly compelling and has the potential to establish the director (who mostly plies his trade as a &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/70828-cannes-2013-first-clips-from-grays-the-immigrant-and-saulniers-blue-ruin/feed/</wfw:commentRss>
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		<title>Cannes 2013: Veterans Return to the Croisette</title>
		<link>http://filmmakermagazine.com/70574-cannes-2013-veterans-return-to-the-croisette/</link>
		<comments>http://filmmakermagazine.com/70574-cannes-2013-veterans-return-to-the-croisette/#comments</comments>
		<pubDate>Tue, 14 May 2013 17:23:13 +0000</pubDate>
		<dc:creator>Stephen Garrett</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Cannes Film Festival 2013]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70574</guid>
		<description><![CDATA[There’s a good reason James Toback named his new Cannes-set showbiz documentary Seduced and Abandoned (unspooling here May 20). No other film festival is quite as alluring – and none has an audience as uniquely emotional. As the world’s premier showcase for cinema, Cannes is arguably the most extravagant way to introduce a film on an international stage. That said, expectations are high and reactions can tack violently from swoon-worthy praise (Michael Haneke’s 2012 drama Amour received the most recent tsunami of adoration) to outright condemnation (just ask Johnny Depp or Vincent Gallo about their respective directorial fiascos, 1997’s The &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/70574-cannes-2013-veterans-return-to-the-croisette/feed/</wfw:commentRss>
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		<title>Insider Tips for Surviving the Cannes Film Festival</title>
		<link>http://filmmakermagazine.com/70298-insider-tips-for-surviving-the-cannes-film-festival/</link>
		<comments>http://filmmakermagazine.com/70298-insider-tips-for-surviving-the-cannes-film-festival/#comments</comments>
		<pubDate>Tue, 14 May 2013 13:00:44 +0000</pubDate>
		<dc:creator>Scott Macaulay</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70298</guid>
		<description><![CDATA[For those headed to the South of France this week, Filmmaker has polled our friends and colleagues for their advice on attending the Cannes Film Festival. Even if you are not a first-timer there&#8217;s something here for you, ranging from day-trip suggestions to business etiquette to restaurant tips. If you are a first-time attendee, take these especially to heart, and if you&#8217;re a returning veteran and have tips, feel free to post them below. See you on the Croisette. Ben Gibson (director, London Film School, and producer): Been doing this advice for many years: Have a meal with someone you&#8217;ve &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/70298-insider-tips-for-surviving-the-cannes-film-festival/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<title>The Opportunist on the Road to Cannes</title>
		<link>http://filmmakermagazine.com/70346-the-opportunist-on-the-road-to-cannes/</link>
		<comments>http://filmmakermagazine.com/70346-the-opportunist-on-the-road-to-cannes/#comments</comments>
		<pubDate>Mon, 13 May 2013 20:35:43 +0000</pubDate>
		<dc:creator>David Lassiter</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Post-Production]]></category>
		<category><![CDATA[Cannes Film Festival 2013]]></category>
		<category><![CDATA[Critics Week]]></category>
		<category><![CDATA[short film]]></category>
		<category><![CDATA[The Opportunist]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70346</guid>
		<description><![CDATA[My name is David Lassiter, I&#8217;m the writer and director of a short film called The Opportunist, and over the next few weeks, my team and I will be documenting our adventures on the road to Critics Week at Cannes where our film will have its world premiere. We are big fans of Filmmaker so we&#8217;re super excited to share our experiences. To begin! It’s only been two weeks since the Critics’ Week line-up was announced and already it feels like we’ve lived a lifetime. First things first: the film’s not even finished! We submitted a work in progress to Critics’ &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/70346-the-opportunist-on-the-road-to-cannes/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Art of Brooklyn Film Festival Keeps It Local</title>
		<link>http://filmmakermagazine.com/70411-the-art-of-brooklyn-film-festival-keeps-it-local/</link>
		<comments>http://filmmakermagazine.com/70411-the-art-of-brooklyn-film-festival-keeps-it-local/#comments</comments>
		<pubDate>Mon, 13 May 2013 15:30:02 +0000</pubDate>
		<dc:creator>Stewart Nusbaumer</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Art of Brooklyn Film Festival]]></category>
		<category><![CDATA[Jason Cusato]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70411</guid>
		<description><![CDATA[“What Brooklyn needed was not a good film festival,” Jason Cusato (above) says in rapid-fire speech with a heavy accent, “it has plenty of good festivals. What Brooklyn needed was a film festival that concentrated solely on Brooklyn filmmakers and on Brooklyn.” “Brooklyn is inspiring, the people, the landscape,” the born and raised Cusato emphasizes with passion. “There is no place in the world like Brooklyn.” With 2.5 million residents and the largest borough in New York City – if an independent city, Brooklyn would be the fourth largest in the United States – with a diverse and energetic populace residing in distinctive &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/70411-the-art-of-brooklyn-film-festival-keeps-it-local/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Sundance Institute Selects 2013 Directors and Screenwriters Lab Projects</title>
		<link>http://filmmakermagazine.com/70382-sundance-institute-selects-2013-directors-and-screenwriters-lab-projects/</link>
		<comments>http://filmmakermagazine.com/70382-sundance-institute-selects-2013-directors-and-screenwriters-lab-projects/#comments</comments>
		<pubDate>Thu, 09 May 2013 21:11:44 +0000</pubDate>
		<dc:creator>Billy Brennan</dc:creator>
				<category><![CDATA[Directing]]></category>
		<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[Bart Layton]]></category>
		<category><![CDATA[directors lab]]></category>
		<category><![CDATA[Eric Mendelsohn]]></category>
		<category><![CDATA[K'naan]]></category>
		<category><![CDATA[Meredith Danluck]]></category>
		<category><![CDATA[Ray Tintori]]></category>
		<category><![CDATA[screenwriters lab]]></category>
		<category><![CDATA[Sundance Institute]]></category>
		<category><![CDATA[Vendela Vida]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70382</guid>
		<description><![CDATA[Sundance Institute announced the 13 projects selected for its annual June Directors and Screenwriters Labs, taking place at the Sundance Resort in Utah from May 27 through June 27. Under the leadership of Michelle Satter, Founding Director of the Institute’s Feature Film Program, and the artistic direction of Gyula Gazdag, the Fellows selected for this year&#8217;s program include emerging filmmakers and projects from the United States, Europe, Mexico, Peru and Somalia. Projects supported through the Directors and Screenwriters Labs receive continued, customized, year-round support from the Feature Film Program, which can include the following resources: ongoing creative and strategic advice, &#8230;]]></description>
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		<title>Ground Breaking for DCTV&#8217;s New Doc-Only Theater</title>
		<link>http://filmmakermagazine.com/70275-ground-breaking-for-new-doc-only-theater/</link>
		<comments>http://filmmakermagazine.com/70275-ground-breaking-for-new-doc-only-theater/#comments</comments>
		<pubDate>Thu, 09 May 2013 00:22:14 +0000</pubDate>
		<dc:creator>Stewart Nusbaumer</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[DCTV]]></category>
		<category><![CDATA[documentaries]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Jon Alpert]]></category>
		<category><![CDATA[Michael Moore]]></category>
		<category><![CDATA[Morgan Spurlock]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70275</guid>
		<description><![CDATA[“Today we’re celebrating the start of a new era,” DCTV’s co-founder and co-executive director Jon Alpert announced to a crowd of several hundred filmmakers, documentary enthusiasts and journalists. In the background stood DCTV’s home since 1979, a striking structure in French Chateau style with steeply pitched hip roof and prominent corner spiral, which contrasted sharply with the surrounding towers of American boxes. This juxtaposition contributed a bit of the surreal to the ceremony. But only a bit. This was not the 16th century, and certainly not the tranquil Loire Valley in France. The honking horns and growling trucks, darting taxis, the &#8230;]]></description>
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		<slash:comments>1</slash:comments>
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		<title>BAMcinemaFest 2013 Lineup Announced</title>
		<link>http://filmmakermagazine.com/70287-bamcinemafest-2013-lineup-announced/</link>
		<comments>http://filmmakermagazine.com/70287-bamcinemafest-2013-lineup-announced/#comments</comments>
		<pubDate>Wed, 08 May 2013 17:12:40 +0000</pubDate>
		<dc:creator>Nick Dawson</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[BAMcinemaFest 2013]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70287</guid>
		<description><![CDATA[When it replaced BAM&#8217;s season of Sundance favorites some years ago, BAMcinemaFest emerged as a stronger and much more Brooklyn-centric event, a true festival rather than just a Park City greatest hits package. This year, it bookends proceedings with festival favorites from two our &#8220;25 New Faces&#8221; of previous years, David Lowery&#8217;s gorgeous period outlaw drama Ain&#8217;t Them Bodies Saints, and Destin Cretton&#8217;s SXSW-winning social worker drama Short Term 12. Michael M. Bilandic&#8217;s artworld satire Hellaware &#8212; which was featured in our Summer 2012 article &#8220;The Shooting Parties&#8221; &#8212; is the sole world premiere, however the focus here is on local &#8230;]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Solving Storytelling Problems at Tribeca Hacks</title>
		<link>http://filmmakermagazine.com/70149-solving-storytelling-problems-at-tribeca-hacks/</link>
		<comments>http://filmmakermagazine.com/70149-solving-storytelling-problems-at-tribeca-hacks/#comments</comments>
		<pubDate>Tue, 07 May 2013 17:21:15 +0000</pubDate>
		<dc:creator>Scott Macaulay</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Transmedia]]></category>
		<category><![CDATA[Bassam Tariq]]></category>
		<category><![CDATA[hackathon]]></category>
		<category><![CDATA[Julia Pott]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[Tribeca Film Festival 2013]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70149</guid>
		<description><![CDATA[Technology-centered hackathons identify real-world problems and then attempt to solve them through rapid prototyping. Artistic hackathons — 48-Hour Playwriting contests and the like — use compressed time periods to stave off creators’ perennial demons (procrastination, usually manifested by a compulsive desire to clean one’s apartment). But hackathons that merge the creative with the artistic pose unique challenges. There’s the artistic element, the technology element and then also the fusion of the two, which is actually a third thing entirely. Storytelling craft, choice of content but also appropriateness and originality of UI and methods of engagement all become the criteria by &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/70149-solving-storytelling-problems-at-tribeca-hacks/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>10 Lessons from the Film Festival Circuit</title>
		<link>http://filmmakermagazine.com/70122-10-lessons-from-the-film-festival-circuit/</link>
		<comments>http://filmmakermagazine.com/70122-10-lessons-from-the-film-festival-circuit/#comments</comments>
		<pubDate>Mon, 06 May 2013 18:55:34 +0000</pubDate>
		<dc:creator>Justin Schwarz</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[film festivals]]></category>
		<category><![CDATA[The Discoverers]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70122</guid>
		<description><![CDATA[I just got back from eight film festivals in less than four weeks with my first feature, The Discoverers. We’ve been fortunate to win a few awards, get great press and meet new friends this past month. I’m sharing a few things I’ve learned to hopefully help fellow filmmakers on their own unique journeys. 1. Embrace your audience Festivals can be a lot of things: a market where distributors see your film, or an opportunity to get press, but they are also your first time to connect with an audience. Embrace the experience of sharing your work in a theater &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/70122-10-lessons-from-the-film-festival-circuit/feed/</wfw:commentRss>
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		<title>Beyond: Two Souls at the Tribeca Film Festival</title>
		<link>http://filmmakermagazine.com/69613-beyond-two-souls-at-the-tribeca-film-festival/</link>
		<comments>http://filmmakermagazine.com/69613-beyond-two-souls-at-the-tribeca-film-festival/#comments</comments>
		<pubDate>Thu, 02 May 2013 16:19:48 +0000</pubDate>
		<dc:creator>Randy Astle</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Transmedia]]></category>
		<category><![CDATA[Beyond: Two Souls]]></category>
		<category><![CDATA[David Cage]]></category>
		<category><![CDATA[interactive]]></category>
		<category><![CDATA[motion capture]]></category>
		<category><![CDATA[Tribeca Film Festival 2013]]></category>
		<category><![CDATA[video games]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=69613</guid>
		<description><![CDATA[The distance between video games and cinema has been shrinking for years. Nowhere was this more obvious than in the presentation of Beyond: Two Souls last Saturday during the Tribeca Film Festival&#8217;s closing weekend, an event billed as the first time a video game has ever been shown in a film festival. Certainly in the packed SVA theater, past the red carpet for actors like Ellen Page and after the enthusiastic introduction by Tribeca&#8217;s Chief Creative Officer Geoffrey Gilmore, it felt like a convergence of the two media that we haven&#8217;t seen before. This isn&#8217;t a game based on a movie &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/69613-beyond-two-souls-at-the-tribeca-film-festival/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Scorsese, De Niro, Lewis and Bernhard Recall The King of Comedy</title>
		<link>http://filmmakermagazine.com/69894-scorsese-de-niro-lewis-and-bernhard-recall-king-of-comedy/</link>
		<comments>http://filmmakermagazine.com/69894-scorsese-de-niro-lewis-and-bernhard-recall-king-of-comedy/#comments</comments>
		<pubDate>Wed, 01 May 2013 14:08:16 +0000</pubDate>
		<dc:creator>Scott Macaulay</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Jerry Lewis]]></category>
		<category><![CDATA[King of Comedy]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Robert De Niro]]></category>
		<category><![CDATA[Sandra Bernhard]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=69894</guid>
		<description><![CDATA[“Look at this world we’re living in,” a videotaped Sandra Bernhard said Sunday at the Borough of Manhattan Community Center Theater. “It’s a shit show! Whatever we presented in The King of Comedy went so far beyond our wildest expectations that [the movie] seems almost homespun.” The occasion was the closing night of the 12th Tribeca Film Festival and its screening of Martin Scorsese’s The King of Comedy, restored in luscious 4K and attended by the director, star (and Tribeca co-founder) Robert De Niro, and, in a surprise appearance, Jerry Lewis, who plays the film’s aggrieved and assaulted late-night talk &#8230;]]></description>
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		<title>Anita and the Value of Our Voices</title>
		<link>http://filmmakermagazine.com/69307-anita-and-the-value-of-our-voices/</link>
		<comments>http://filmmakermagazine.com/69307-anita-and-the-value-of-our-voices/#comments</comments>
		<pubDate>Tue, 30 Apr 2013 18:30:16 +0000</pubDate>
		<dc:creator>Allan Tong</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Anita]]></category>
		<category><![CDATA[Anita Hill]]></category>
		<category><![CDATA[Freida Mock]]></category>
		<category><![CDATA[Hot Docs Documentary Festival]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=69307</guid>
		<description><![CDATA[Anita Hill received standing ovations at last weekend&#8217;s two screenings of Anita at Hot Docs — perhaps 22 years overdue. In 1991, Anita Hill was a law professor from Oklahoma when she appeared at a U.S. Senate hearing and accused U.S. Supreme Court nominee Clarence Thomas of sexual harassment. Ironically, Thomas was Hill&#8217;s boss at the U.S. Department of Education and the Equal Employment Opportunity Commission a few years earlier. Hill accused Thomas of talking about things like pubic hairs on Coke cans and the girth of his manhood. A panel of 14 male politicians challenged Hill, painting her as &#8230;]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Slurping Docs at Tribeca</title>
		<link>http://filmmakermagazine.com/69630-slurping-docs-at-tribeca/</link>
		<comments>http://filmmakermagazine.com/69630-slurping-docs-at-tribeca/#comments</comments>
		<pubDate>Mon, 29 Apr 2013 18:29:19 +0000</pubDate>
		<dc:creator>Stewart Nusbaumer</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Cutie and the Boxer]]></category>
		<category><![CDATA[Dancing n Jaffa]]></category>
		<category><![CDATA[Docs]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[Gore Vidal: The United States of Amnesia]]></category>
		<category><![CDATA[Oxyana]]></category>
		<category><![CDATA[Raw Herring]]></category>
		<category><![CDATA[The Kill Team]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=69630</guid>
		<description><![CDATA[The 12th annual Tribeca Film Festival is finis, but not its films. They will live, often for years, particularly documentaries which historically are Tribeca’s strongest category &#8212; one of the few things New York festivalgoers agree upon. This year’s crop of wide-ranging docs had me ping-ponging fast and furious, doc slurping from gruesome war to ballroom dancing to stoned hillbillies to weird couple to profound icon to stunningly gorgeous. Maturity seems to be catching up to Tribeca, and in a good way. Certainly for the docs. The Kill Team After a decade of U.S. fighting in Afghanistan and after screening &#8230;]]></description>
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		<slash:comments>0</slash:comments>
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		<title>2nd Julien Dubuque International Film Festival</title>
		<link>http://filmmakermagazine.com/69444-2nd-julien-dubuque-international-film-festival/</link>
		<comments>http://filmmakermagazine.com/69444-2nd-julien-dubuque-international-film-festival/#comments</comments>
		<pubDate>Mon, 29 Apr 2013 14:35:23 +0000</pubDate>
		<dc:creator>Brandon Harris</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Julien Dubuque International Film Festival]]></category>
		<category><![CDATA[Missing Pieces]]></category>
		<category><![CDATA[The Grey Area]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=69444</guid>
		<description><![CDATA[At its by turns lavish and kitschy second edition, the Julien Dubuque International Film Festival unspooled 67 films earlier this month. With or without its film festival, Dubuque is a surprisingly memorable locale, a fast-growing place which, like the best Midwest cities, is a universe unto itself. One of the first European settlements west of the Mississippi River, upon the muddy banks of which it still rests, Iowa&#8217;s ninth largest city (pop. 60,000), which like the festival is named after a French Quebecois who settled the area and later befriended and made love to Indians, is known both for its &#8230;]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Tribeca 2013 Critic&#8217;s Notebook #2: Black (Out)Rage</title>
		<link>http://filmmakermagazine.com/69483-tribeca-2013-critics-notebook-2-black-outrage/</link>
		<comments>http://filmmakermagazine.com/69483-tribeca-2013-critics-notebook-2-black-outrage/#comments</comments>
		<pubDate>Fri, 26 Apr 2013 19:53:55 +0000</pubDate>
		<dc:creator>Brandon Harris</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Amy Grantham]]></category>
		<category><![CDATA[Jason Osder]]></category>
		<category><![CDATA[Marina Zenovich]]></category>
		<category><![CDATA[Matt Creed]]></category>
		<category><![CDATA[Michael Haneke]]></category>
		<category><![CDATA[Tribeca Film Festival 2013]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=69483</guid>
		<description><![CDATA[So I&#8217;ll get right to it &#8212; the only truly great film I&#8217;ve seen at this year&#8217;s Tribeca Film Festival is Jason Osder&#8217;s searing Let the Fire Burn. A found-footage marvel with no narration and sparse title cards, it dives into the maelstrom that was the Philadelphia police&#8217;s tragic raid on the black separatist group MOVE&#8217;s West Philadelphia compound in 1985, during which the home, where 13 men, women and children lived, was fired upon 10,000 times, doused with unspeakable amounts of water and then finally firebombed, an event which led to nearly 70 other homes in the surrounding working &#8230;]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Tribeca 2013 Critic&#8217;s Notebook #1: Sea Change</title>
		<link>http://filmmakermagazine.com/69464-tribeca-2013-critics-notebook-1-sea-change/</link>
		<comments>http://filmmakermagazine.com/69464-tribeca-2013-critics-notebook-1-sea-change/#comments</comments>
		<pubDate>Fri, 26 Apr 2013 13:00:14 +0000</pubDate>
		<dc:creator>Brandon Harris</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Aatsinki]]></category>
		<category><![CDATA[Alison Ellwood]]></category>
		<category><![CDATA[Daniel Patrick Carbone]]></category>
		<category><![CDATA[Hide Your Smiling Faces]]></category>
		<category><![CDATA[Jessica Oreck]]></category>
		<category><![CDATA[No Limits]]></category>
		<category><![CDATA[Oxyana]]></category>
		<category><![CDATA[Sean Dunne]]></category>
		<category><![CDATA[Taboor]]></category>
		<category><![CDATA[Tribeca Film Festival 2013]]></category>
		<category><![CDATA[Vahid Vakilifar]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=69464</guid>
		<description><![CDATA[It&#8217;s easy to get a bad rap in New York. It&#8217;s a town that holds grudges, where easy assumptions die hard and critical whispers ricochet from person to person. For a long time it was difficult for the Tribeca Film Festival to escape the stigma of its early years, when it remained spiritually connected to the aftermath of 9/11 and its original purpose while not having yet evolved into a truly satisfying event. Back then it was brash, unwieldy and overlong, its ambitions outstripping necessity and good taste. These qualities often overshadowed what it did well, and even as the festival &#8230;]]></description>
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