With all the recent focus on crowdfunding, filmmakers shouldn’t forget about more traditional sources of funding, such as grants. Over the course of the summer are a number of grant deadlines for filmmakers seeking all stages of financing. Chicken & Egg Pictures First up is the late deadline, this Friday, for Chicken and Egg Pictures’ 2013 Open Call. From the site: “Chicken & Egg Pictures is dedicated to supporting women nonfiction filmmakers whose diverse voices and dynamic storytelling have the power to catalyze change, at home and around the globe.” This year’s average grant will be between $10,000 and $15,000, […]
A joint program between the American Film Festival in Wroclaw and the Champs Elysées Film Festival in Paris, U.S. in Progress is a twice-yearly showcase for American independents that should be on the radar of all indies seeking post financing and services. The events present American independent works in progress to groups of European buyers, with two films each year winning post service packages. It’s the only European event devoted exclusively to American independents. The Wroclaw edition is upcoming, October 23 – 25, and has an August 15 deadline for submissions. (And, there’s no submission fee.) The Paris edition recently […]
Tweets with an unusually high level of disgruntlement have begun to appear in my feed in the last few days. These tweets all have one thing in common: crowdfunded projects that have failed to deliver in one form or another. These projects range from film to gaming to industrial design, but they were all very successful campaigns that have since turned into projects that left a sour taste in the mouth. In observing these complaints and interacting with some of the frustrated individuals over Twitter I began to see a pattern in the projects that caused so much grief: they […]
Many filmmakers make a low-budget movie in the hopes of getting to L.A. and working on a big-budget movie. The Rasmussen brothers went in a different direction. Going out to L.A. they wrote and sold a script that was made into The Ward, directed by John Carpenter. But they wanted to do more than just write the script, so after completing their next screenplay they came back to Boston and made the movie Dark Feed on a shoestring. The Rasmussen brothers, Michael and Shawn, spoke to us recently about this experience, and what they have learned about making a movie […]
Making the movie was easy, crowdfunding is hard. Ok, that’s a ridiculous oversimplification, but not completely untrue. I’m currently in the midst of a crowdfunding campaign to raise post-production funds for my first feature film, Sidewalk Traffic (a comedy/drama about a struggling filmmaker and new father in post-Great Recession NYC), which I wrote, co-produced and directed this past winter. Realizing the lifelong ambition of directing my first feature film meant making a substantial financial investment (though well short of what an MFA at an elite film school costs), informing my wife and two young daughters that I would be for all […]
The body and mind — filmmaker Mitch McCabe tackled the former in her excellent HBO documentary, Youth Knows No Pain, which looked at the plastic surgery industry and America’s fixation on staying young. Now, she says, she’s “pointing the camera in the opposite direction, at our internal selves.” Make Me Normal is her film about the mental health industry. From her website: MAKE ME NORMAL is a feature-length documentary film exploring recent controversies in the psychiatry field, the rise of diagnosed mental illness, psychopharmacology and our new definition of “normal”— all set against the backdrop of the filmmaker’s own roll-coaster […]
My film Between Us is about to come out in theaters and one of the questions I’ve been asked at some of the 22 festivals in seven countries I’ve been to (and yes, that sound you hear is my feet splashing on the beach when I won the Grand Jury Prize in the Bahamas) is how the hell I got a cast like Julia Stiles, Taye Diggs, Melissa George and David Harbour in a movie that according to Kickstarter only cost $10,000? So let me explain… 1. Choose Castable Material. One reason I chose to adapt an Off-Broadway play in […]
If you are an independent filmmaker who’s not a trust fund kid, most likely you are on that constant search for financing for your next project. As two filmmakers living in New York, attending indie film parties and groups, we are constantly hearing stories about the film that’s been five years in the making and counting… and to be honest, it’s a little depressing. We need more stories about “the little film that could!” to inspire optimism among indie filmmakers instead of the tired “Who’s financing your film?” conversations. We are no experts, but over the past year of collaborating […]
In the debut piece in this column, Letters from Blocked Filmmakers, Drew Whitmire described a relentless perfectionism that led to him continually begin and begin again what was meant to be his debut feature — a 14-year process that resulted in only 15 minutes of footage. In today’s installment, Gregory Austin McConnell describes a related behavior: a continual re-envisioning of his feature as he ages and his own life circumstances change. Characters, storylines and tone all mutate as McConnell’s teenage dreams give way to adult realities — realities that bring not only creative change but also family responsibilities that make […]
Earlier this week I posted “15 Lessons for Producers from the Cannes Film Festival and Market.” With the festival and market now firmly in the rear-view mirror, the consensus is that it was a solid one for the international sales community, without, perhaps that one giant locomotive title but with an appropriately modest number of films hitting their ask prices. Tastes were noted to have shifted, with buyers wanting “more Jennifer Lawrence and less Sylvester Stallone.” And on the pure indie level, I noticed, as I wrote in my piece on producers, a new crop of American independents have figured […]