Last Thursday, in a fortune telling shop in Manhattan’s West Village, a woman around my age told me the Evil Eye was on me and my family. She told me she was afraid for my life, and I needed to give her $500 right then so that she could burn a candle for me. When I told her I didn’t have the money, she asked if I had an ATM card and could bring her the money quickly. I said “thank you” and left. I wasn’t worried about the “Evil Eye,” but it was an eerie brush with the city’s […]
“I have a lot of trolls and a lot of imposters. I’m on Facebook, but it’s not me. I’m on Twitter, but it’s not me,” says Werner Herzog in a recent installment of VICE Talks Films (above). Herzog is doing press rounds to discuss his latest documentary Lo and Behold: Reveries of the Connected World, which is now in theaters, on Demand, on iTunes and Amazon Video. The film, which premiered earlier this year at the Sundance Film Festival, examines the past, present, and evolving future of the internet in Herzog’s signature voice.
Sundance Institute and Jaunt Studios have announced their latest class of creatives to join the Sundance Institute New Frontier | Jaunt VR Residency Program. Daniel Arsham, Yung Jake, and Lily Baldwin & Saschka Unseld will participate in the six-month immersive residency. During the program, the artists will experiment with new ways of delivering narrative through cinematic virtual reality. They will also receive a grant to make their virtual reality short films. In addition, they will receive post-production support and access to Jaunt’s professional cinematic VR camera, Jaunt ONE, as well as its suite of production pipeline tools, and Jaunt Cloud Services (JCS), which include […]
Last Halloween (my birthday, as it happens), I loaded up my Bolex to shoot some 16mm black-and-white images of a children’s costume parade in my Brooklyn neighborhood. I was thinking of Helen Levitt’s 1948 masterpiece, In the Street. Levitt (and her co-cinematographers James Agee and Janis Loeb) used a small camera to surreptitiously record images (mostly of children) in Spanish Harlem. The film is a poetic time capsule — observational vignettes that become more than the sum of their parts. The Bolex looks pretty big these days compared to digital cameras, so I wasn’t hiding anything from anybody. As I […]
Director Werner Herzog brings his German-accented, customary evocation of strange wonder to a dissection of Kanye West’s “Famous” video in this clip posted over at the Daily Beast. More than just a deconstructive joke, however, Herzog turns the viewing into an instructional take on why every filmmaker needs his or her main storyline and then a parallel story the audience creates for themselves. Says Herzog, “This is very good stuff. If Kanye West applies to my Rogue Film School,” I would invite him. Related: Werner Herzog discusses his new Rogue Film School Master Class.
Yi Yi, the first of Edward Yang’s films to receive distribution in the United States (in 2000), was also his last before the revered Taiwanese filmmaker died in 2007. Still, Yang’s 1991 epic A Brighter Summer Day, managed to find a fan base in the U.S. though it was available for decades only in abridged form on low-quality home video. In March, after an arduous restoration effort that spanned years, The Criterion Collection released A Brighter Summer Day on Blu-ray and DVD. Back in 2011, the restored work was screened at the Film Society of Lincoln Center and in other limited engagements, but it has otherwise been […]
BitTorrent has announced The Discovery Fund, which will provide cash grants and promotional support to 25 creators over the next year. BitTorrent is looking for artists, musicians, filmmakers, designers, and other creators with projects seeking global distribution. The open, international initiative will provide $2,500-$100,00 in marketing and distribution funding. “The rules are simple. You make something awesome. You own it. We back it, and help you find a global audience for your big idea,” said Straith Schreder, VP of Creative Initiatives at BitTorrent, in a blog post. The announcement follows the launch earlier this year of BitTorrent Now, which adds a […]
The last few years have been truly a whirlwind period for Portuguese director João Pedro Rodrigues, with career retrospectives in the US and Japan, filmmaker residencies at France’s prestigious Le Fresnoy and at the Harvard Film Archive, and even a competition slot at Locarno for his 2012 fake-noir playful docu-fiction hybrid The Last Time I Saw Macao, co-directed with his long-time creative and life partner João Rui Guerra da Mata. For all that, it’s easy to forget Rodrigues hasn’t really put out a new narrative feature since 2009’s To Die Like a Man premiered at Cannes’ Un Certain Regard sidebar – […]
Filmmakers Nicholas Pilarski and Destini Riley landed on this year’s 25 New Faces list on the basis of I, Destini, their haunting animation dealing with familial loss and the criminal justice system. The short has just gone online at the New York Times as part of its OpDocs series, and the two have penned an essay about the piece’s subject matter and collaboration at the Times. From the piece: We first met each other in 2014 after one of these meetings, in which community members discussed how we could pressure the police into providing better ethics training. Destini’s brother had […]
Billed as an “interactive love story set in the multiverse,” Possibilia, a short film from the dynamic writing/directing duo known as Daniels, tells the story of a couple (Alex Karpovsky and Zoe Jarman) on the verge of a break-up with 16 potential outcomes that are left to the viewer. The project, which screened at both Sundance, Tribeca, and other festivals back in 2014, now gets an online release over at Eko (previously Interlude), the interactive video creation platform. Like Daniels’ recent feature Swiss Army Man, Possibilia relies on humor to subvert the genre and push the conventions of the medium. Filmmaker recently […]