Increasing delays in receiving the New York State film tax credit are affecting profitability and even dissuading some from shooting in the state, say a number of independent producers. What has long been one of the most robust and dependable of tax credits in the nation has become less appealing to producers and financiers due to timelines that can stretch out to five years from the start of principal photography. These lengthening timelines, especially in the face of rising interest rates, affect independent films needing to borrow against the credit more than studio and streamer productions, which are often fully […]
Students and alumnx of the Vermont College of Fine Arts MFA in Film have been honored by the Center for Arts + Social Justice (CASJ) with fellowships in support of their groundbreaking activism and award-winning work, which brings social issues to a global audience. CASJ recognizes projects that show an indelible commitment to social justice, and creators who seek to inspire community-based change through the arts. Jen Gilomen ’23: Maternal health advocate investigating systemic injustices Brought about by Gilomen’s own birth experience, Delivering Justice explores maternal mortality and the maternal healthcare crisis in the United States, which disproportionately affects women of […]
Now that the drama is over about whether the Academy would disqualify Andrea Riseborough for her rules-skirting DIY Oscar campaign for To Leslie, we can now return to the question every indie filmmaker wants to know. Just how do you run a DIY Oscar campaign on an indie film that grossed less than $30,000? I don’t know exactly how she did it, but I can tell you how I did it with my recent Watergate thriller/comedy 18½ that grossed about the same (though with slightly different results). In short, the road to getting an Oscar nomination (much less an award) […]
Some set their calendars by January’s Sundance, which like clockwork kicks off each new year of indie releases. For me, these 11 intense days of nonstop screenings are a rich bounty that takes time to digest. Ergo my slow coverage, below. Usually I manage to see about 30 of the 120 features Sundance typically selects. This has always worked out to a quarter of the program. What are the odds someone else saw the exact same combination? My dictum for years now has been that no two people see the same Sundance. Even the most diligent reviewers and audience members […]
Delaware County, New York. Never heard of it? Makes sense. It’s a large county in the Catskills region of New York with a rich agricultural history of farming—there are more cows than people. There are also the most idyllic rolling hills, beautiful, lush green valleys, adorable Main Streets and a wealth of true architectural gems. With a low cost of living compared to other areas in the region and state and production friendly municipalities, this a county that has enjoyed a recent explosion in production and the county is eager to bring in more. Excited by the economic impact of […]
Over the past eight years, Jon Bois has become a key pioneer of documentaries made for the internet. As the creative director of Secret Base, the YouTube channel of sports blog network SB Nation, his work across three series—Pretty Good, Chart Party and now Dorktown, co-written by Alex Rubenstein—takes often unconventional and lesser-known sports stories as a jumping-off point for increasingly ambitious, deftly handled portraits of some of Americana’s most crucial mainstays. By focusing equally on the minutiae of statistics, the highs and lows of a game and the many human dramas within sports teams and the cities surrounding them, Bois and Rubenstein establish […]
Is Rian Johnson’s Glass Onion: A Knives Out Mystery, in fact, a mystery? It certainly presents as one at its beginning, when a group of unlikely friends, whom we will come to know as “the shitheads,” are whisked away to the private island of billionaire-bro Miles Bron (Edward Norton). As Daniel Craig’s returning sleuth Benoit Blanc points out, “You’ve taken seven people, each of whom has a real-life reason to wish you harm, gathered them together on a remote island and placed the idea of your murder in their heads.” So far, so trad. The film’s setting isn’t as familiar […]
A Kickstarter campaign has been launched to secure funding for writer-director Cambria Matlow’s narrative short Why Dig When You Can Pluck, starring Sol Marina Crespo as a mother and filmmaker who does some soul searching on a family vacation. The Kickstarter will run from February 28 through March 23 as part of the platform’s month-long specialty program Long Story Short. Matlow’s goal is to raise $22,000 for production and distribution costs. “Why Dig When You Can Pluck is my first narrative film after years spent making documentaries and I couldn’t be more excited to share this with the filmmaking community,” […]
In “The Body is a Tool,” I talked with DPs and camera operators about the routines they developed to maintain their bodies against taxingly long days on set. When even film workers’ unions provide few resources to prevent bodily harm, crew members create their own devices, so methods of self-preservation tend to vary greatly. This was true of both the four camera people I talked with for the article and many of the set workers I’ve encountered in production. In this environment, a Steadicam operator might recommend a vest for no reason other than it worked for them personally. There are […]
In Sundance NEXT selection King Coal, Elaine McMillion Sheldon employs a hybrid approach, blending contemporary imagery with archival material and poetic voiceover to explore the impact that coal — the substance and the industry — has had on Central Appalachia. Below, DP Curren Sheldon discusses his collaboration with Sheldon on the picture. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Sheldon: King Coal’s director, Elaine McMillion Sheldon, and I have collaborated […]