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	<title>Filmmaker Magazine &#187; Actors</title>
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	<link>http://filmmakermagazine.com</link>
	<description>The Official Blog of Filmmaker Magazine</description>
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		<title>Julianne Moore: Cinema&#8217;s Modest Chameleon</title>
		<link>http://filmmakermagazine.com/70837-julianne-moore-cinemas-modest-chameleon/</link>
		<comments>http://filmmakermagazine.com/70837-julianne-moore-cinemas-modest-chameleon/#comments</comments>
		<pubDate>Fri, 17 May 2013 18:47:29 +0000</pubDate>
		<dc:creator>R. Kurt Osenlund</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Julianne Moore]]></category>
		<category><![CDATA[The English Teacher]]></category>
		<category><![CDATA[What Maisie Knew]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70837</guid>
		<description><![CDATA[When discussing Julianne Moore, there are so many avenues to take. One might focus on her remarkable consistency, and how, on the big screen, she&#8217;s remained a stellar presence for more than two decades. Then there&#8217;s her transformative capabilities, which have helped her morph into everything from a troubled hypochondriac (Safe) and a maternal porn star (Boogie Nights) to a 1950s housewife (Far From Heaven) and one half of a loving lesbian couple (The Kids Are All Right). There&#8217;s also, of course, her singular and nature-defying beauty, which is still landing her fashion cover shoots at the age of 52. &#8230;]]></description>
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		<item>
		<title>Talking with Michael Di Jiacomo and John Turturro about 1-900-Tonight</title>
		<link>http://filmmakermagazine.com/70011-talking-with-michael-di-jiacomo-and-john-turturro-about-1-900-tonight/</link>
		<comments>http://filmmakermagazine.com/70011-talking-with-michael-di-jiacomo-and-john-turturro-about-1-900-tonight/#comments</comments>
		<pubDate>Fri, 03 May 2013 13:00:57 +0000</pubDate>
		<dc:creator>Lauren Wissot</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Directors]]></category>
		<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[1-900-Tonight]]></category>
		<category><![CDATA[john turturro]]></category>
		<category><![CDATA[Michael Di Jiacomo]]></category>
		<category><![CDATA[Somewhere Tonight]]></category>
		<category><![CDATA[Starz]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70011</guid>
		<description><![CDATA[One of the most frustrating things about covering film festivals is making discoveries that few movie lovers will ever see. Filmmaking is an industry after all, and as such, artistry will always play second fiddle to marketability. Even so, I was quite surprised to learn that one of my favorite films from the 2011 edition of the prestigious Karlovy Vary International Film Festival never found U.S. theatrical distribution. Surely someone could have figured a way to sell a John Turturro-starring, NYC-set story about two lost souls on opposite ends of an adult chat line? (Especially considering Turturro last year appeared &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/70011-talking-with-michael-di-jiacomo-and-john-turturro-about-1-900-tonight/feed/</wfw:commentRss>
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		<title>Five Questions with John Lurie</title>
		<link>http://filmmakermagazine.com/69319-five-questions-with-john-lurie/</link>
		<comments>http://filmmakermagazine.com/69319-five-questions-with-john-lurie/#comments</comments>
		<pubDate>Fri, 26 Apr 2013 20:59:47 +0000</pubDate>
		<dc:creator>Nick Dawson</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Directors]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[John Lurie]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=69319</guid>
		<description><![CDATA[John Lurie has never allowed himself to be pinned down, let alone pigeon-holed. The multi-talented Lurie &#8212; this month the subject of a mini-retrospective at the Nitehawk Cinema in Brooklyn &#8212; has been for many years a highly respected musician and composer, putting out records both as a solo artist and with his band the Lounge Lizards. In film, he has directed short films and music videos, composed numerous soundtracks, and been an actor in films by Jim Jarmusch (Stranger Than Paradise, Down by Law), Wim Wenders (Paris Texas), Martin Scorsese (The Last Temptation of Christ) and David Lynch (Wild &#8230;]]></description>
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		<item>
		<title>Amy Seimetz Breaks Through</title>
		<link>http://filmmakermagazine.com/67982-amy-seimetz-breaks-through/</link>
		<comments>http://filmmakermagazine.com/67982-amy-seimetz-breaks-through/#comments</comments>
		<pubDate>Wed, 03 Apr 2013 15:22:12 +0000</pubDate>
		<dc:creator>Sarah Salovaara</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Directors]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[Amy Seimetz]]></category>
		<category><![CDATA[Family Tree]]></category>
		<category><![CDATA[Pit Stop]]></category>
		<category><![CDATA[Sun Don't Shine]]></category>
		<category><![CDATA[The Killing]]></category>
		<category><![CDATA[Upstream Color]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=67982</guid>
		<description><![CDATA[Collaboration may well be Amy Seimetz’s favorite word. Some derivation of the noun weaves its way into the multihyphenate’s emphatic speech when discussing any facet of her decade long career. It’s how she found her footing, and how she has been able to surmount an impressive and far-reaching presence in independent film, and now, television. Seimetz began making films when she was 18, at home in the Tampa-St. Petersburg area, a place she frequently returns to in life and work. Following a short-lived tenure at film school, Seimetz made her way to Los Angeles, where she met the experimental filmmaker &#8230;]]></description>
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		<title>Alex Karpovsky on Red Flag and Rubberneck</title>
		<link>http://filmmakermagazine.com/65421-alex-karpovsky-on-red-flag-and-rubberneck/</link>
		<comments>http://filmmakermagazine.com/65421-alex-karpovsky-on-red-flag-and-rubberneck/#comments</comments>
		<pubDate>Thu, 21 Feb 2013 15:30:40 +0000</pubDate>
		<dc:creator>Miriam Bale</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Directors]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[Alex Karpovsky]]></category>
		<category><![CDATA[Comedy]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[Red Flag]]></category>
		<category><![CDATA[Rubberneck]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=65421</guid>
		<description><![CDATA[While probably best known as belligerent barista Ray on the HBO show Girls (and also for his role as a lousy houseguest in Lena Dunham&#8217;s Tiny Furniture), Alex Karpovsky started out and continues to be a prolific indie film director who makes diverse styles of micro-budget films. His fourth and fifth films, the stylistically contrasting Rubberneck and Red Flag, are being released by Tribeca Film and screen at Film Society of Lincoln Center from February 22. In Rubberneck, Karpovsky plays a scientist obsessed with a former fling, and in the road trip comedy Red Flag he plays a filmmaker named Alex Karpovsky who is &#8230;]]></description>
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		<title>Gael García Bernal on the Oscar-Nominated No</title>
		<link>http://filmmakermagazine.com/65266-gael-garcia-bernal-on-the-oscar-nominated-no/</link>
		<comments>http://filmmakermagazine.com/65266-gael-garcia-bernal-on-the-oscar-nominated-no/#comments</comments>
		<pubDate>Thu, 14 Feb 2013 17:45:45 +0000</pubDate>
		<dc:creator>R. Kurt Osenlund</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Gael Garcia Bernal]]></category>
		<category><![CDATA[No]]></category>
		<category><![CDATA[Pablo Larrain]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=65266</guid>
		<description><![CDATA[Ever since the start of the Aughts, when he broke through in memorable dramas like Amores Perros and Y Tu Mamá También, Gael García Bernal has grown to become one of the most compelling actors of his generation, an international star who attracts a great bevy of gifted filmmakers. He&#8217;s played muse to Pedro Almodóvar, starred as Che Guevara for Walter Salles, and explored the subconscious with Michel Gondry. In addition to developing his own projects (like The Invisibles, a recent immigration-themed collection of documentary shorts; Sundance 2013 success Who Is Dayani Cristal?, a doc he appears in and co-produced; &#8230;]]></description>
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		<title>Talking Legends with Terence Stamp</title>
		<link>http://filmmakermagazine.com/63462-talking-legends-with-terence-stamp/</link>
		<comments>http://filmmakermagazine.com/63462-talking-legends-with-terence-stamp/#comments</comments>
		<pubDate>Fri, 08 Feb 2013 20:34:57 +0000</pubDate>
		<dc:creator>Lauren Wissot</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Palm Springs International Film Festival]]></category>
		<category><![CDATA[Terence Stamp]]></category>
		<category><![CDATA[Unfinished Song]]></category>
		<category><![CDATA[Vanessa Redgrave]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=63462</guid>
		<description><![CDATA[The 2013 edition of the Palm Springs International Film Festival was filled with glitzy events and screenings, including a Talking Pictures sidebar featuring movies followed by conversations with noteworthy actors like Alan Cumming (discussing Any Day Now) and Naomi Watts (for The Impossible). But it was the closing night gala for Paul Andrew Williams’ Unfinished Song, starring Vanessa Redgrave as a cancer-stricken septuagenarian in an old folks choir, that really grabbed my attention. Actually, it wasn’t the film (which I haven’t seen) so much as the possibility of interviewing the actor playing Redgrave’s character’s devoted husband that made me stand &#8230;]]></description>
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		<slash:comments>4</slash:comments>
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		<title>Five Questions with Celeste &amp; Jesse Forever Writer/Actress Rashida Jones</title>
		<link>http://filmmakermagazine.com/64513-five-questions-with-celeste-jesse-forever-writeractress-rashida-jones/</link>
		<comments>http://filmmakermagazine.com/64513-five-questions-with-celeste-jesse-forever-writeractress-rashida-jones/#comments</comments>
		<pubDate>Fri, 01 Feb 2013 16:01:48 +0000</pubDate>
		<dc:creator>Adam Cook</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Screenwriters]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[celeste and jesse forever]]></category>
		<category><![CDATA[Parks and Recreation]]></category>
		<category><![CDATA[Rashida Jones]]></category>
		<category><![CDATA[Will McCormack]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=64513</guid>
		<description><![CDATA[You’re most likely to know Rashida Jones as part of the great cast of the award-winning TV series Parks and Recreation (though she says she’s often recognized for her small role in Freaks &#38; Geeks), but Jones is more than just a talented performer. She’s a dynamic and versatile artist alternating between acting and writing (not just for the screen either!), and in the case of last year’s Celeste &#38; Jesse Forever, both. Her first screenwriting credit has acquired a lot of notice, and we were able to pick her brain a little in the midst of her success, which &#8230;]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Five Questions for Sebastien&#8217;s Deborah Twiss</title>
		<link>http://filmmakermagazine.com/61917-5-questions-for-sebastiens-deborah-twiss/</link>
		<comments>http://filmmakermagazine.com/61917-5-questions-for-sebastiens-deborah-twiss/#comments</comments>
		<pubDate>Wed, 09 Jan 2013 15:57:44 +0000</pubDate>
		<dc:creator>Scott Macaulay</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Screenwriters]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=61917</guid>
		<description><![CDATA[New York-based Deborah Twiss burst on the scene as the co-writer and star of the 1997 thriller, A Gun for Jennifer. The film achieved cult success in the U.S. and abroad, and since then Twiss has built a diverse career by juggling multiple hats. For Eric Schaeffer&#8217;s After Fall, Winter, she co-produced and acted. For School of Rock: Zombie Etiquette, she starred and wrote. She wrote and directed her own feature, In Between, in 2005, and she also regularly appears in both mainstream movies (Kick-Ass) and television (Law and Order). Now she&#8217;s producing and wrote the screenplay for a psychological &#8230;]]></description>
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		<title>Tim Heidecker on The Comedy</title>
		<link>http://filmmakermagazine.com/58111-tim-heidecker-on-the-comedy/</link>
		<comments>http://filmmakermagazine.com/58111-tim-heidecker-on-the-comedy/#comments</comments>
		<pubDate>Thu, 15 Nov 2012 21:28:38 +0000</pubDate>
		<dc:creator>Dan Schoenbrun</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[eric wareheim]]></category>
		<category><![CDATA[Kate Lyn Sheil]]></category>
		<category><![CDATA[Rick Alverson]]></category>
		<category><![CDATA[The Comedy]]></category>
		<category><![CDATA[Tim and Eric Awesome Show Great Job]]></category>
		<category><![CDATA[tim heidecker]]></category>
		<category><![CDATA[tribeca film]]></category>
		<category><![CDATA[will oldham]]></category>

		<guid isPermaLink="false">http://stage.filmmakermagazine.com/?p=58111</guid>
		<description><![CDATA[It’s unlikely that anyone had a more schizophrenic Sundance this past January than Tim Heidecker. The 36-year old actor and filmmaker attended the festival with two projects – Tim and Eric’s Billion Dollar Movie, the feature-length culmination of his and longtime collaborator Eric Wareheim’s cult absurdist comedy TV series Tim and Eric Awesome Show, Great Job!, and the ironically named The Comedy, a dark drama from filmmaker Rick Alverson (New Jerusalem). And as both films have rolled out over the past year, Heidecker has had to juggle dueling personae – zany comedic curmudgeon and dramatic leading man. In The Comedy, &#8230;]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Nicole Kidman: Hollywood&#8217;s Unlikely Rebel</title>
		<link>http://filmmakermagazine.com/53959-nicole-kidman-hollywoods-unlikely-rebel/</link>
		<comments>http://filmmakermagazine.com/53959-nicole-kidman-hollywoods-unlikely-rebel/#comments</comments>
		<pubDate>Mon, 15 Oct 2012 18:02:11 +0000</pubDate>
		<dc:creator>R. Kurt Osenlund</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Dogville]]></category>
		<category><![CDATA[eyes wide shut]]></category>
		<category><![CDATA[Lars von Trier]]></category>
		<category><![CDATA[Lee Daniels]]></category>
		<category><![CDATA[New York Film Festival]]></category>
		<category><![CDATA[Nicole Kidman]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[The Paperboy]]></category>

		<guid isPermaLink="false">http://stage.filmmakermagazine.com/?p=53959</guid>
		<description><![CDATA[While other A-List actresses have chased the kind of star vehicles that kill on opening weekend, Nicole Kidman has been quietly becoming Hollywood&#8217;s most unlikely rebel—a statuesque leading lady with a snowballing penchant for bold auteur partnerships. It&#8217;s hard to pinpoint when, exactly, the gal from Days of Thunder began her metamorphosis into the daring muse currently drawing viewers to The Paperboy (above), but many would likely cite Gus Van Sant&#8217;s To Die For as the pivotal work in Kidman&#8217;s filmography. The sheer unlikeability of the delusional, cradle-robbing viper Suzanne Stone screams of Tinseltown-bombshell repellant, but Kidman executed the role &#8230;]]></description>
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		<title>Five Questions with Backwards Writer/Actress Sarah Megan Thomas</title>
		<link>http://filmmakermagazine.com/51556-five-questions-with-backwards-writeractress-sarah-megan-thomas/</link>
		<comments>http://filmmakermagazine.com/51556-five-questions-with-backwards-writeractress-sarah-megan-thomas/#comments</comments>
		<pubDate>Tue, 18 Sep 2012 16:23:58 +0000</pubDate>
		<dc:creator>Mariel Falk</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Screenwriters]]></category>
		<category><![CDATA[Backwards]]></category>
		<category><![CDATA[Ben Hickernell]]></category>
		<category><![CDATA[Sarah Megan Thomas]]></category>

		<guid isPermaLink="false">http://www.filmmakermagazine.com/news/?p=51556</guid>
		<description><![CDATA[Sarah Megan Thomas recently returned to her hometown of Haverford, Pennsylvania, with a script and a camera crew in tow, to shoot her screenwriting debut Backwards, which she also produced and stars in. Thomas plays competitive rower Abi Brooks who, after she fails to win a seat on the US Olympic boat, must steer her life in a new direction, ultimately landing a coaching job for the rowing team at her old high school. Just as in rowing, Abi has to look backwards &#8212; to old places and ex-boyfriends &#8212; in order to move forward, with her sport and her &#8230;]]></description>
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		<title>Brooklyn Brothers Beat the Best Writer/Director/Star Ryan O&#8217;Nan</title>
		<link>http://filmmakermagazine.com/52139-brooklyn-brothers-beat-the-best-writerdirectorstar-ryan-onan/</link>
		<comments>http://filmmakermagazine.com/52139-brooklyn-brothers-beat-the-best-writerdirectorstar-ryan-onan/#comments</comments>
		<pubDate>Tue, 18 Sep 2012 14:44:16 +0000</pubDate>
		<dc:creator>Jim Allen</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Directors]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Andrew McCarthy]]></category>
		<category><![CDATA[Comedy]]></category>
		<category><![CDATA[director]]></category>
		<category><![CDATA[forrest whitaker]]></category>
		<category><![CDATA[Freelancers]]></category>
		<category><![CDATA[Independent Filmmaker Labs]]></category>
		<category><![CDATA[Michael Weston]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Robert De Niro]]></category>
		<category><![CDATA[Ryan O'Nan]]></category>
		<category><![CDATA[soundtrack album]]></category>
		<category><![CDATA[The Brooklyn Brothers Beat the Best]]></category>

		<guid isPermaLink="false">http://www.filmmakermagazine.com/news/?p=52139</guid>
		<description><![CDATA[No one can say actor/musician Ryan O&#8217;Nan didn&#8217;t pull his weight in his directorial debut, Brooklyn Brothers Beat The Best, which makes its theatrical debut on September 21 via Oscilloscope Laboratories. Besides directing, writing, and starring in the film, O&#8217;Nan wrote and sang most of the songs on the soundtrack (album out 9/18 on ATCO Records). A 2011 IFP Narrative Labs project that premiered at Toronto last year, Brooklyn Brothers is the story of two ne&#8217;er-do-well musicians who make an unlikely alliance, embarking on the kind of quixotic journey that&#8217;s tailor-made for a buddy movie. But O&#8217;Nan&#8217;s film finds itself &#8230;]]></description>
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		<title>Actress Nathalia Acevedo on Post Tenebras Lux</title>
		<link>http://filmmakermagazine.com/51843-actress-nathalia-acevedo-on-post-tenebras-lux/</link>
		<comments>http://filmmakermagazine.com/51843-actress-nathalia-acevedo-on-post-tenebras-lux/#comments</comments>
		<pubDate>Thu, 13 Sep 2012 15:49:28 +0000</pubDate>
		<dc:creator>Livia Bloom</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Carlos Reygadas]]></category>
		<category><![CDATA[Nathalia Acevedo]]></category>
		<category><![CDATA[Post Tenebras Lux]]></category>
		<category><![CDATA[Toronto 2012]]></category>

		<guid isPermaLink="false">http://www.filmmakermagazine.com/news/?p=51843</guid>
		<description><![CDATA[Post Tenebras Lux, the film that won Mexican auteur Carlos Reygadas the Best Director award at the 2012 Cannes Film Festival, has a story. But what it’s really about, first and foremost, isn’t narrative but texture: The grainy wetness of mud in an open field. The harsh bristle of matted dog fur. The wet steam of a tiled sauna. It’s also about sound, from the giggle of a boy being tickled by his father to the thunder of rugby cleats on a hard floor. Shot in a box-y 4:3 aspect ratio with intermittently hazy edges, Post Tenebras Lux (the title translates &#8230;]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Juno Temple: Indie&#8217;s Ingenue</title>
		<link>http://filmmakermagazine.com/50938-juno-temple-indies-ingenue/</link>
		<comments>http://filmmakermagazine.com/50938-juno-temple-indies-ingenue/#comments</comments>
		<pubDate>Tue, 28 Aug 2012 20:21:03 +0000</pubDate>
		<dc:creator>R. Kurt Osenlund</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[julien temple]]></category>
		<category><![CDATA[Juno Temple]]></category>
		<category><![CDATA[Killer Joe]]></category>
		<category><![CDATA[Little Birds]]></category>
		<category><![CDATA[The Dark Knight Rises]]></category>

		<guid isPermaLink="false">http://www.filmmakermagazine.com/news/?p=50938</guid>
		<description><![CDATA[Juno Temple is on the move. For an interview regarding her loaded roster of new roles, in films as disparate as Killer Joe, Jack and Diane, The Dark Knight Rises, and Little Birds (released this Friday), the 23-year-old blonde Briton is calling from a car, which is shuffling her from one L.A. commitment to the next. “I&#8217;m sorry, I might lose you,” she says through a bit of static, shortly before the call is indeed dropped. But within moments, Temple is back on the other end again, her coo of an accent as beguiling as her onscreen presence. The whole &#8230;]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Andrew Neel and Louisa Krause Talk King Kelly</title>
		<link>http://filmmakermagazine.com/47360-andrew-neel-and-louisa-kraus-talk-king-kelly/</link>
		<comments>http://filmmakermagazine.com/47360-andrew-neel-and-louisa-kraus-talk-king-kelly/#comments</comments>
		<pubDate>Wed, 20 Jun 2012 13:00:49 +0000</pubDate>
		<dc:creator>Scott Macaulay</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Directors]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Andrew Neel]]></category>
		<category><![CDATA[King Kelly]]></category>
		<category><![CDATA[Louisa Krause]]></category>
		<category><![CDATA[SeeThink Films]]></category>

		<guid isPermaLink="false">http://www.filmmakermagazine.com/news/?p=47360</guid>
		<description><![CDATA[While there have been many films riffing on reality tropes in the last several years, few have been as cleverly conceived and entertainingly executed as Andrew Neel&#8217;s debut fiction film, King Kelly. Set in the world of amateur webcam porn, the film depicts a monstrously fascinating Tracy Flick for our oversexualized social media age. Played ferociously by Louisa Krause, Kelly is a high-school student who runs a profitable one-woman porn empire from her suburban bedroom, with her parents none the wiser. Stripping on cam, uploading details of her everyday life and ruling over her chat room with a gonzo glee, &#8230;]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Mission Accomplished: Lorrel Manning and Michael Cuomo on Happy New Year</title>
		<link>http://filmmakermagazine.com/46311-mission-accomplished-lorrel-manning-and-michael-cuomo-on-happy-new-year/</link>
		<comments>http://filmmakermagazine.com/46311-mission-accomplished-lorrel-manning-and-michael-cuomo-on-happy-new-year/#comments</comments>
		<pubDate>Mon, 11 Jun 2012 13:32:23 +0000</pubDate>
		<dc:creator>Lauren Wissot</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[Directors]]></category>
		<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[happy new year]]></category>
		<category><![CDATA[K. Lorrel Manning]]></category>
		<category><![CDATA[Michael Cuomo]]></category>
		<category><![CDATA[SXSW 2011]]></category>
		<category><![CDATA[The Santa Fe Independent Film Festival]]></category>

		<guid isPermaLink="false">http://www.filmmakermagazine.com/news/?p=46311</guid>
		<description><![CDATA[I first met writer/director K. Lorrel Manning and actor/producer Michael Cuomo at the Santa Fe Independent Film Festival, where we found ourselves the fish-out-of-water New Yorkers in a sea full of Southwest cinephiles. Their SXSW 2011 (sold out) hit Happy New Year is grounded in star Cuomo’s nuanced portrayal of a fictional outsider named Cole Lewis, a sergeant who served in the Iraq and Afghanistan wars and now finds himself battling demons both mental and physical in the psych ward of a veterans hospital. I spoke with the two about their veterans outreach effort, Indiegogo versus Kickstarter, and the best &#8230;]]></description>
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		<title>Five Questions with Safety Not Guaranteed Actor Mark Duplass</title>
		<link>http://filmmakermagazine.com/46667-five-questions-for-safety-not-guaranteed-actor-mark-duplass/</link>
		<comments>http://filmmakermagazine.com/46667-five-questions-for-safety-not-guaranteed-actor-mark-duplass/#comments</comments>
		<pubDate>Wed, 06 Jun 2012 21:07:29 +0000</pubDate>
		<dc:creator>Niki Cruz</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Aubrey Plaza]]></category>
		<category><![CDATA[Colin Trevorrow]]></category>
		<category><![CDATA[Gotham Awards 2012]]></category>
		<category><![CDATA[Jay Duplass]]></category>
		<category><![CDATA[Jeff Who Lives At Home]]></category>
		<category><![CDATA[Mark Duplass]]></category>
		<category><![CDATA[SAFETY NOT GUARANTEED]]></category>
		<category><![CDATA[the puffy chair]]></category>

		<guid isPermaLink="false">http://www.filmmakermagazine.com/news/?p=46667</guid>
		<description><![CDATA[Mark Duplass is certainly having a banner year. The independent filmmaker’s work ethic is that of a rabid squirrel, frenetically jumping in between the lanes of acting and directing over the years, without ever getting hit with a dud. Since the 2005 indie hit The Puffy Chair, co-directed with his older brother, Jay, Duplass has managed to position himself in front of the camera as well as behind it. This year he has acted in a string of films: Your Sister&#8217;s Sister, Darling Companion, the upcoming People Like Us, and Safety Not Guaranteed, a recent hit on the festival circuit. &#8230;]]></description>
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		<title>KATE LYN SHEIL DISCUSSES ACTING AT SXSW</title>
		<link>http://filmmakermagazine.com/42533-kate-lyn-sheil-discusses-acting-at-sxsw/</link>
		<comments>http://filmmakermagazine.com/42533-kate-lyn-sheil-discusses-acting-at-sxsw/#comments</comments>
		<pubDate>Sat, 10 Mar 2012 16:43:13 +0000</pubDate>
		<dc:creator>Scott Macaulay</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Filmmaker Videos]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SXSW Features]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Kate Lyn Sheil]]></category>
		<category><![CDATA[SXSW 2012]]></category>

		<guid isPermaLink="false">http://www.filmmakermagazine.com/news/?p=42533</guid>
		<description><![CDATA[&#160; With a focused, intense, and somewhat mysterious screen persona, actress Kate Lyn Sheil has stood out in a number of recent independent films, including Silver Bullets by Joe Swanberg and Sophia Takal&#8217;s Green. At SXSW this year she arrives with four titles, including Amy Seimetz&#8217;s Sun Don&#8217;t Shine and Bob Byington&#8217;s Somebody Up There Likes Me. Here I talk with Sheil about how she got into acting, being a movie fan, her influences and the particular pleasures of independent film. &#160;]]></description>
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		<slash:comments>2</slash:comments>
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		<title>An Interview with Warrior Star Joel Edgerton</title>
		<link>http://filmmakermagazine.com/28244-an-interview-with-warriors-joel-edgerton/</link>
		<comments>http://filmmakermagazine.com/28244-an-interview-with-warriors-joel-edgerton/#comments</comments>
		<pubDate>Fri, 09 Sep 2011 13:00:03 +0000</pubDate>
		<dc:creator>Alix Lambert</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[baz luhrmann]]></category>
		<category><![CDATA[Blue Tongue Films]]></category>
		<category><![CDATA[gavin o'connor]]></category>
		<category><![CDATA[Joel Edgerton]]></category>
		<category><![CDATA[Nash Edgerton]]></category>
		<category><![CDATA[Spencer Susser]]></category>
		<category><![CDATA[The Great Gatsby]]></category>
		<category><![CDATA[Warrior]]></category>

		<guid isPermaLink="false">http://www.filmmakermagazine.com/news/?p=28244</guid>
		<description><![CDATA[Actor, writer, and director Joel Edgerton (pictured) has a lot on his plate. He stars in Gavin O&#8217;Connor&#8217;s Warrior, which opens today, and in Baz Lurhmann’s The Great Gatsby, which is currently in production in Australia. Edgerton is also managing to develop a new film that he has written and is set to direct. He sat down with me to talk about Blue Tongue Films, the production company that he formed with his brother, Nash Edgerton, and four other mates, and how they all manage to keep the process fun. Filmmaker: How did you and your brother get started in &#8230;]]></description>
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		<slash:comments>6</slash:comments>
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