Directors
Interviews - Directors
-
“I Really Wanted to Create a Chekhovian World”: Kornél Mundruczó on the Amy Adams-starring Berlinale Competition Film At the Sea
Drumroll: Amy Adams stares at you. It’s intense—not haunting, but certainly not inviting. The camera pulls away, and it’s her character Laura who’s playing the drums. It’s daytime, there’s unremarkable company around. Music, no dance. Soon, she will leave the facility. Soon, she will return to her Cape Cod home, to her devoted yet frustrated husband Martin (Murray Bartlett), to her barely tolerant teenage daughter Josie (Chloe East), to her young son Felix (Redding Munsell) who scurries away from her embrace, to her dance company that made her famous but which she now wants to quit, and to the forbidden […]
-
“The Underbelly of Lagos”: Olive Nwosu on Lady
Lady, the titular lead of Olive Nwosu’s neo-noir feature debut about a taxi driver’s gradual solidarity with a group of Lagosian sex workers, possesses a piercing gaze. She’s not scanning you as much as she is preemptively fending you off. In her red taxi she stalks the nocturnal streets of the largest city in Nigeria, very much her own person, the only lady cab driver in a city on the verge of revolution around eradicating gasoline subsidies. Played with fiery commitment by Jessica Gabriel’s Ujah, Lady doesn’t even necessarily care that she’s a “woman in a man’s world,” or if […]
-
“What Does a Thing Provide You With?”: Amanda Kramer on the Props and Interiors in By Design
“I have never seen the problem with fetishizing objects and fetishizing people as though they were objects,” director Amanda Kramer tells me in a conversation ahead of the release of her latest film, By Design. “It doesn’t mean we don’t also see the person for their soul…They elicit romance. They elicit seduction. There’s something drawing you in, compelling, alluring, and the object itself is not necessarily lesser-than because it’s looked at in this way.” Kramer’s provocative theory is instructive. Her latest film, By Design, about a lonely woman named Camille (Juliette Lewis) who swaps bodies with a beautiful chair and […]
-
Nirvanna the Band the Show the Movie’s Matt Johnson Shares His Secret to a Good Life
Matt Johnson is the center of attention wherever he goes. He’s especially popular in his hometown of Toronto, where his advocacy for young Canadian filmmakers and warm, self-referential humor have made him one of the city’s most favored sons. Mayor Olivia Chow was in attendance when Johnson and his co-star/co-writer Jay McCarrol brought their film Nirvanna the Band the Show the Movie back to Toronto for a TIFF Midnight Madness screening that Jonson calls “one of the foundational moments of my adult life.” After years of attending the festival, he “wanted so badly to share that same kind of joy […]
-
“Trying to Make a Psychotic Opera”: Gore Verbinski on Good Luck, Have Fun, Don’t Die
It’s been nearly a decade since Gore Verbinski’s last feature film A Cure for Wellness hit theaters, but the director best known for creating the Pirates of the Caribbean franchise hasn’t been slacking. “I’ve worked every day of those years,” the Oscar-winner behind Rango tells Filmmaker over Zoom. “We developed an animated musical. We recorded the entire soundtrack for an animated musical. We’ve developed multiple screenplays. I just find that sometimes the stories I’m most passionate about perhaps don’t satisfy the green-light committees’ process, and that’s fair. But I got to do what I do, and they do what they […]
-
“A Calculated Exercise in Squeezing Blood From a Stone”: Director Aidan Zamiri and Composer A.G. Cook on Charli XCX’s The Moment
Brat summer is decidedly over. The mechanics of its disintegration are lampooned in The Moment, a mockumentary cum critical commentary of the hype that propelled Charli XCX’s 2024 album into a full-blown cultural phenomenon. Charli plays an exaggerated version of herself, plagued by funhouse mirror distortions of the anxieties that besieged her during the extended press and stadium tour that ostensibly signaled the peak of her pop stardom. It’s appropriate that Aidan Zamiri, one of Brat’s key visual collaborators, stepped up to direct The Moment, which marks his feature film debut. Though he previously helmed music videos for Charli (notably […]
-
“Trojan Horse Filmmaking”: Adam and Zack Khalil on Aanikoobijigan [ancestor/great-grandparent/great-grandchild]
In 1990, a federal law was passed requiring the return of Indigenous human remains and sacred items to their rightful communities. More than three decades later, most of those ancestors are still waiting—boxed, catalogued, and stored in museum basements and university archives. In Aanikoobijigan, filmmakers Adam and Zack Khalil turn their attention to that unfinished work, following the long, often painful effort to bring ancestors home for proper burial. The film centers on a group of tribal specialists in Michigan who carry out this work day to day, navigating institutions built to hold on to what was never theirs. For […]
-
“The Psychological Horror of Being a 13-Year-Old”: Charlie Polinger on The Plague
The awkwardness of puberty is exacerbated by a cruel social game in The Plague, the feature debut from writer-director Charlie Polinger. Set in 2003, Ben (Everett Blunck), a shy yet precocious kid, finds himself shipped off to a water polo camp very far from his childhood home in Boston. His young teammates can practically smell Ben’s desperation for belonging; luckily for him, there’s already someone cemented at the bottom of the social hierarchy. Eli’s (Kenny Rasmussen) reputation as a maladroit athlete and for inept conversationalist make him an easy enough target for bullies, but the kids have added an additional […]
-
“These Guys Don’t Miss”: Padraic McKinley on Directing Ethan Hawke and Russell Crowe in The Weight
When Padraic McKinley first received The Weight screenplay from producers Nathan and Simon Fields, he loved the atmospheric world it summoned forth. Original screenwriter Matthew Booi, along with Leo Scherman and Matthew Chapman, had created something special with this Western-adjacent Depression-era crime-thriller. But as a longtime editor across film and TV (Igby Goes Down, Dexter), as well as a producer with strong instincts about story and pacing, McKinley knew the screenplay still needed work. Ethan Hawke had a similar feeling about the original script. McKinley asked him to play lead character Samuel Murphy, an incarcerated man desperate to reunite with […]
-
“We Can Keep Living in a Glacial World”: Sara Dosa on Time and Water
A splendid yet elegiac homage to dying, receding, failing, yet magnificent glaciers, Sara Dosa’s Time and Water, a documentary produced with National Geographic and Sandbox Films, is awe-inspiring precisely because it makes you feel helpless to move. That’s what awe is, after all. The film makes use of a treasure trove of archival materials, some of it supplied by Icelandic writer Andri Snær Magnason and his family, who lived a lot of their lives recording them and raising posterity alongside the glaciers. Standing still with these images and sounds (in front of the largest screen only, please) and catching snippets of […]
