In Code of the West, director Rebecca Richman Cohen chronicles the legislative machinations surrounding Montana’s endangered medical marijuana law. The debate, which was colored by outrageous, scaremongering claims about increased teen use and demonic possession, revolved around the possibility of an outright repeal of the initial 2004 law, which spawned an industry that became the ire of conservative politicians and family groups. During the vote on a proposed repeal, DEA agents raided 26 ostensibly legal cannabis growing sights across the state and put the state’s biggest caregivers out of operation, including one owned by Tom Daubert, the protagonist of Cohen’s …
by Brandon Harris on Mar 28, 2013
An odd, homemade blend of Garrison Keillor and Jackass, as filtered through an early Errol Morris-like lens, S.R. Bindler’s 1997 documentary Hands on a Hard Body is now having one of the most unexpected independent film second lives ever. Hands on a Hard Body the film has led to Hands on a Hardbody the Broadway musical, starring Keith Carradine, directed by Neil Pepe, with a book by Pulitzer-Prize winner Doug Wright and a score by Phish’s Trey Anastasio and Amanda Green. It opened at the Brooks Atkinson Theater last week, and Charles Isherwood wrote in the New York Times, “…this …
by Scott Macaulay on Mar 28, 2013
Many musicians have dabbled with movies, but few have stuck it out and become as well known separately for their film work as director/d.p./editor Quentin Dupieux. Formerly best known as electronica artist Mr. Oizo, Dupieux began making short films at age 15. His first two features — 2002′s Nonfilm and Steak — didn’t attract attention outside of France, but 2010′s Rubber introduced him to a wider audience. The film follows killer tire Robert’s deadly road trip across California, beginning with a direct-to-the-audience monologue from actor Stephen Spinella explaining Dupieux’s philosophy of narrative and his bizarre sense of humor. “In the …
by Vadim Rizov on Mar 27, 2013
Few filmmakers bring to life social issues as vividly as Ken Loach. Whether helming grand historical dramas about family, love and civil war (The Wind That Shakes the Barley, Land and Freedom) or character-driven films detailing the plight of the working class (Kes, Riff-Raff, Sweet Sixteen, Bread and Roses) Loach is a master of creating universal stories that are immensely relatable regardless of time or place. His latest effort, a documentary, The Spirit of ’45, which had its world premiere at this year’s Berlinale, continues the grand tradition with a story as relevant today as it was over half a …
by Ariston Anderson on Mar 27, 2013
Armando Iannucci is a veteran of British comedy who came through the ranks with such luminaries as Steve Coogan and Chris Morris, collaborating with them both on the seminal mock news show The Day Today and with Coogan alone on a number of shows featuring Alan Partridge. Recently, though, writer/director/producer Iannucci has become one of the foremost political satirists, starting with the BBC’s astute, dry Parliamentary mockumentary The Thick of It. That show then spawned a big-screen spin-off, In the Loop, a riotously funny dissection of U.S/U.K. political relations in the buildup to the Iraq War that not only became a major commercial hit but also …
by Nick Dawson on Mar 26, 2013
Last year on the Filmmaker website, we ran a series of pieces in which we profiled a group of finalists for the San Francisco Film Society’s Kenneth Rainin Foundation Filmmaking grant, run through the organization’s Filmmaker360 program. Now there’s a new set of finalists, and we are once again putting the spotlight on all those shortlisted for the grant. JOSEF WLADYKA, MANOS SUCIAS Synopsis: A desperate fisherman and a naive young man embark on a dangerous journey trafficking drugs up the Pacific coast of Colombia. Hidden beneath the waves, they tow a narco-torpedo filled with millions of dollars worth of cocaine. Together they …
by Filmmaker Staff on Mar 25, 2013
Sally El Hossaini’s My Brother the Devil finally arrives in U.S. theaters on the back of a celebrated festival run that started at Sundance 14 months ago, and continued throughout 2012, as the film picked up prizes not only in Park City but at the Berlin and London Film Festivals and also the British Independent Film Awards. This debut feature from Welsh-Egyptian writer/director El Hosaini, a former documentarian who’s been working in film for many years, is set in the East London neighborhood of Hackney and concerns the relationship between two first generation British Egyptian brothers, gang member Rashid (James Floyd) and …
by Nick Dawson on Mar 22, 2013
A self-assured feature debut from Argentine writer/director Ana Piterbarg, the moody identity-swap thriller Everyone Has a Plan features a remarkable turn by Viggo Mortensen, working in Spanish, as both Agustín, a preternaturally depressed Buenos Aires physician, and Agustín’s identical twin Pedro, a rural beekeeper who suddenly shows up at Agustín’s, dying of cancer and suggesting euthanasia. Seeking a way out of his staid, bourgeoise existence, defined by his unwillingness to adopt a child with his seemingly long-suffering wife, Agustín chooses to take his brother’s place, relocating to the Tigre delta, an evocative and historically rich backwater where Pedro lived. After assuming the dead …
by Brandon Harris on Mar 21, 2013
Microbudget film doesn’t venture into the expensive world of science fiction too often, and certainly not the brand that features hordes of orcs and other fantasy creatures. But that’s exactly where Emmy-winning director Kohl Glass, whose short film Der Ostwind played at Sundance in 2007, wanted to go with his debut feature, Orc Wars. The film, which has wrapped and is currently gathering its finishing funds on Kickstarter, features ex-Marine John Norton (Rusty Joiner) who buys an isolated western ranch that turns out to contain a portal to another world; when orcs use it to threaten an elf princess (Masiela Lusha) …
by Randy Astle on Mar 15, 2013
In the follow-up to his widely acclaimed 2008 international breakthrough Gomorrah, 44- year-old Italian auteur Matteo Garrone tells the partially comic, mostly tragic story of Luciano (Aniello Arena), a Neapolitan fishmonger whose simple life and aspirations are turned upside down when the possibility of instant fame and fortune as a contestant on the Italian iteration of Big Brother goes from mere dream to tangible reality. As his increasingly delusional family cheer him on, he chases the stardom that his friend and former roommate Enzo (Raffaele Ferrante) has already won, but with less than stellar results. As things go from bad to worse …
by Brandon Harris on Mar 15, 2013