<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Filmmaker Magazine &#187; Editors</title>
	<atom:link href="http://filmmakermagazine.com/category/interviews/editors/feed/" rel="self" type="application/rss+xml" />
	<link>http://filmmakermagazine.com</link>
	<description>The Official Blog of Filmmaker Magazine</description>
	<lastBuildDate>Tue, 21 May 2013 20:36:39 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.5.1</generator>
		<item>
		<title>The Druid City: Interview with Kristyn Ulanday and Max Esposito</title>
		<link>http://filmmakermagazine.com/69566-the-druid-city-interview-with-kristyn-ulanday-and-max-esposito/</link>
		<comments>http://filmmakermagazine.com/69566-the-druid-city-interview-with-kristyn-ulanday-and-max-esposito/#comments</comments>
		<pubDate>Mon, 29 Apr 2013 14:00:53 +0000</pubDate>
		<dc:creator>Michael Murie</dc:creator>
				<category><![CDATA[Cinematographers]]></category>
		<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Directors]]></category>
		<category><![CDATA[Editors]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Post-Production]]></category>
		<category><![CDATA[Canon 5D]]></category>
		<category><![CDATA[Canon 5D Mark 2]]></category>
		<category><![CDATA[FCP]]></category>
		<category><![CDATA[FCPX]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=69566</guid>
		<description><![CDATA[Kristyn Ulanday and Max Esposito graduated from the journalism department of Boston University in 2010. They both work commercially as freelance photographers and filmmakers, but in 2011 they also began a collaborative project called Full Frame America to tell the stories they wanted to tell. The first result of that collaboration is a 24-minute documentary, The Druid City, that focuses on the town of Tuscaloosa, Alabama and how the residents have coped after the town was hit by an EF4 tornado in April 2011. &#160; Filmmaker: How did you come to make this movie? Esposito: We both felt like we &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/69566-the-druid-city-interview-with-kristyn-ulanday-and-max-esposito/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Editor Alan Edward Bell on The Amazing Spider-Man</title>
		<link>http://filmmakermagazine.com/48227-editor-alan-edward-bell-on-the-amazing-spider-man/</link>
		<comments>http://filmmakermagazine.com/48227-editor-alan-edward-bell-on-the-amazing-spider-man/#comments</comments>
		<pubDate>Sat, 14 Jul 2012 21:16:10 +0000</pubDate>
		<dc:creator>Scott Macaulay</dc:creator>
				<category><![CDATA[Editors]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Post-Production]]></category>
		<category><![CDATA[3D]]></category>
		<category><![CDATA[Avid]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[postproduction]]></category>
		<category><![CDATA[Spiderman]]></category>

		<guid isPermaLink="false">http://www.filmmakermagazine.com/news/?p=48227</guid>
		<description><![CDATA[Editor Alan Edward Bell began his career in the late &#8217;80s, working first as an assistant editor (Heathers, Lord of the Flies, Misery, A Few Good Men) and then, a decade later, as editor on a string of both independent and studio films including Little Manhattan, The Story of Us, Water for Elephants and (500) Days of Summer. It was the latter film that connected Bell with director Marc Webb, and the two recently completed their second project together — The Amazing Spider-Man. Below I talk to Bell about cutting a blockbuster, 3D, the AVID, Final Cut Pro, how multiple &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/48227-editor-alan-edward-bell-on-the-amazing-spider-man/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Editor Tariq Anwar on the Art of Postproduction</title>
		<link>http://filmmakermagazine.com/33460-tariq-anwar-on-the-art-of-postproduction/</link>
		<comments>http://filmmakermagazine.com/33460-tariq-anwar-on-the-art-of-postproduction/#comments</comments>
		<pubDate>Sun, 30 Oct 2011 14:00:43 +0000</pubDate>
		<dc:creator>Randy Astle</dc:creator>
				<category><![CDATA[Editors]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Post-Production]]></category>
		<category><![CDATA[American Beauty]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[editors]]></category>
		<category><![CDATA[post-production]]></category>
		<category><![CDATA[Tariq Anwar]]></category>
		<category><![CDATA[The King's Speech]]></category>

		<guid isPermaLink="false">http://www.filmmakermagazine.com/news/?p=33460</guid>
		<description><![CDATA[Thursday night EditShare sponsored a seminar with Oscar-nominated film editor Tariq Anwar at the Florence Gould Hall on East 59th Street in Manhattan. Despite rain the evening was well attended by writers, directors, and especially editors, and Anwar’s presentation — basically a low-key Q&#38;A session moderated by Manhattan Edit Workshop’s Josh Apter — was fun and informative. Here are a few thoughts he shared. Anwar got into filmmaking somewhat accidentally, starting by driving a truck then getting work as an assistant director. After doing a great deal of yelling at crews, he decided “the cutting room was the most civilized &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/33460-tariq-anwar-on-the-art-of-postproduction/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>
