Announcing the Filmmaker 2013 Holiday Sale
Filmmaker‘s popular once-a-year holiday sale is now live, with 40% discounts on subscriptions to our print, digital and iPad editions, as well as bonus gifts — some of our favorite books and DVDS of the year — given away to randomly selected new and returning subscribers. Our regular subscription, which includes the quarterly print and digital editions plus our iPad edition — is discounted from $18 to $10. If you’d just like to buy our flip-book style digital edition, which includes all back issues to 2007 and allows for PDF downloading, that’s only $6 during the sale. And, if you’d… Read more
Filmmaker‘s Top 10 Posts of November, 2013
Here, via Google Analytics, are Filmmaker‘s top ten posts of November, 2013. 1. Number one, by a long shot, is a post that both fascinated and struck fear in filmmakers everywhere: Kaleem Aftab’s “Introducing 8K: The Final Frontier?” Reporting from the Tokyo International Film Festival, where Japanese broadcaster NHK commissioned filmmakers to make shorts in 8K, Aftab sat down with the channel’s engineers to hear plans for introducing the high-resolution images to sporting events as well as cinema. 2. Reporting from Poland’s American Film Festival in Wroclaw, Ashley Clark wrote our second highest-trafficked post of the month, an account of… Read more
All is Lost
What’s in the New Fall Edition of Filmmaker (And Why You Should Pick It Up)
Filmmaker‘s Fall issue is now live, arriving on newsstands, in mailboxes and online, both as a digital issue and in Apple’s Newsstand. (The iPad edition can be bought here) and you can subscribe here. I like this issue. It’s got an old-school Filmmaker flavor to it, in a way. By that I mean it’s got an eclectic mix of articles, each with its own voice, covering topics ranging from practical filmmaking concerns to theory. Our Line Items section, consisting of long-form articles, is particularly robust, which I think is appropriate. These days when you buy an individual copy of a… Read more
Welcoming Contributing Web Editor Sarah Salovaara
This week we are happy to welcome Sarah Salovaara to our Filmmaker team as our new Contributing Web Editor. Filmmaker readers will recognize Sarah’s byline as she has contributed previously to the site as a freelancer, but with this new position she’ll be contributing each week on a wide range of topics spanning film production, financing, new media and criticism. Most recently in a series of thoughtful and well-read articles, she spoke with the founder and participants of Dogfish Accelerator, looked past the media circus of Blue is the Warmest Color and spoke with director, actor and No Budge founder… Read more
R.I.P., Lou Reed
Lou Reed died today. My condolences to his wife, Laurie Anderson, as well as to everyone who, like me, he meant so much to at so many different stages of our lives. Here are just a few of my favorite Lou Reed songs.
iOS 7 at the One-Month Mark: 18 Picks and Pans
Apple’s “polarizing” mobile operating system iOS 7, an update which stripped away the skeuomorphism (i.e., the fake leather and other real-world metaphors found in apps like Calendar and Game Center) of previous versions in favor of a “flat” design style, was unveiled by the company on June 10 at its WWDC keynote and pushed to users on September 18. And for the most of this year, the Apple media universe — the parade of blogs and podcasts that have made a mini-industry of commenting upon the Cupertino company — have spoken of little else. But now that the OS is… Read more
On Watching Half of The Disappearance of Eleanor Rigby
In the Fall issue of Filmmaker that went to the printer last week is my coverage of the 2013 Toronto International Film Festival. But there’s one film — or, rather, half a film — I didn’t write about. I’ll explain, but that involves a detour into a discussion of ’90s experimental theater. The Sarajevo-based Open Stage Obala’s Tattoo Theatre is a lovely work that follows a couple from courtship to old age, tracing their loves, infidelities and reunions with evocative, unexpected imagery. (Old age, for example, is represented by the actors standing face to audience and covering themselves with flour.)… Read more
How Much Would You Pay for a Banksy?
How much would you pay for a Banksy? A shot of a Banksy, that is, not the actual work itself. As RobertoofParkSlope’s Instagram documents, the British artist’s New York tour seems to be providing income opportunities for enterprising folks over here.
Tarek Loubani (r) and John Greyson
Filmmaker John Greyson Remains Jailed Inside Cairo Prison
Acclaimed Canadian director John Greyson and Dr. Tarek Loubani remain in a Cairo, Egypt prison following yesterday’s no-show by a prosecutor scheduled to meet with lawyers for the two men. Greyson and Loubani were arrested on August 16 on their way to Gaza City, where Loubani runs a program training doctors at a local hospital. Greyson was reportedly planning a documentary project. Due to strife in the region, the two extended their stay in Cairo an extra day when they were arrested and held for a 15-day detention period, a stay which ended yesterday. Now, they are being held indefinitely… Read more
Rooney Mara in Ain't Them Bodies Saints
What New Film Has the Most 25 New Faces of All Time?
There are many good reasons to see David Lowery’s Ain’t Them Bodies Saints, opening today. Many of those are articulated in David Barker’s interview with Lowery and Anthony Kaufman’s interview with its D.P., Bradford Young, but here’s another: this single film displays the work of more of our 25 New Faces than any other picture. Here’s that list: Jay Van Hoy & Lars Knudson. Now mainstays of the independent scene, New York-based Jay Van Hoy and Lars Knudsen were, in 2006, the first producers to appear on the “25 New Faces” list. At the time the Parts and Labor team… Read more