The Shooting Schedule

A film and its production as seen through the prism of a single shoot day. by Scott Macaulay

  • White Reindeer White Reindeer Day 2 of 19: Zach Clark and White Reindeer

    In an independent landscape of shaky, handheld cinematography, loose improvisation and bare-bones sets, the precise and punchy dark comedies of Zach Clark stand out. Recalling the days in which low budgets meant inventive art direction, heightened emotions and a rebellion against a default naturalism, Clark’s third movie, White Reindeer modulates the director’s deadpan, quasi-Sirkian camp into something more delicately bittersweet. Anna Margaret Hollyman plays a suburban real estate agent who returns home one holiday season to find her husband murdered. Learning he had a mistress, an African-American stripper, she journeys into a world where kinky fantasy is really just another…  Read more

    On Jan 7, 2014
    By on Jan 7, 2014Columns
  • This is Martin Bonner This is Martin Bonner Day 10 of 16: Chad Hartigan and This is Martin Bonner

    In This is Martin Bonner, Chad Hartigan’s second fiction feature, Martin (the wonderful Australian-born, Seattle-based actor Paul Eenhoorn), is heading into life’s third act and attempting to make something of it. Post-divorce, he moves West to Reno, Nevada, where he takes a job as an outreach counselor, offering spiritual guidance to recently paroled ex-cons. Enter Travis (Richmond Arquette), who, rejoining civilian life after doing time for a hit and run, finds himself adrift, unable to fully assimilate and to connect with his now-grown daughter. In Martin he finds an awkward but needed companionship. This is Martin Bonner‘s narrative is a…  Read more

    On Sep 2, 2013
    By on Sep 2, 2013Columns
  • The Spectacular Now The Spectacular Now Day 1 of 25: James Ponsoldt and The Spectacular Now

    A new, occasional column here at Filmmaker, “The Shooting Schedule” looks at film production through the prism of a single shoot day. I peruse a film’s call sheet and production report and ask the director questions solely based on what I see there. To launch the column, I couldn’t think of anyone better to talk to than my friend James Ponsoldt, whose third feature, The Spectacular Now, opens today. A contributor to Filmmaker — and a director whose first feature, Off the Black, Robin O’Hara and I produced — Ponsoldt has made with The Spectacular Now an indelible teen romance…  Read more

    On Aug 2, 2013
    By on Aug 2, 2013Columns
© 2016 Filmmaker Magazine
All Rights Reserved
A Publication of IPF