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	<title>Filmmaker Magazine</title>
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	<link>http://filmmakermagazine.com</link>
	<description>The Official Blog of Filmmaker Magazine</description>
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		<title>Trailer Watch: Alejandro Jodorowsky&#8217;s The Dance of Reality</title>
		<link>http://filmmakermagazine.com/70931-trailer-watch-alejandro-jodorowskys-the-dance-of-reality/</link>
		<comments>http://filmmakermagazine.com/70931-trailer-watch-alejandro-jodorowskys-the-dance-of-reality/#comments</comments>
		<pubDate>Mon, 20 May 2013 21:18:50 +0000</pubDate>
		<dc:creator>Nick Dawson</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Filmmaker Videos]]></category>
		<category><![CDATA[Alejandro Jodorowsky]]></category>
		<category><![CDATA[Cannes Film Festival 2013]]></category>
		<category><![CDATA[The Dance of Reality]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70931</guid>
		<description><![CDATA[Earlier today Scott wrote about Jodorowsky&#8217;s Dune, the Cannes doc about the legendary mystical auteur&#8217;s famous failed attempt to adapt Frank Herbert&#8217;s sci-fi novel for the big screen, so now is a perfect time to post the trailer for the director&#8217;s new film, which is also having its world premiere on the French Riviera. The Dance of Reality is Jodorowsky&#8217;s first film since 1990, but the 23-year layoff does not seem to have dulled the director&#8217;s visual flair, sense of the bizarre or, well, general weirdness. This trailer has French rather than English subtitles, but the images more than speak for &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/70931-trailer-watch-alejandro-jodorowskys-the-dance-of-reality/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Premiere Day at the Cannes Critics&#8217; Week</title>
		<link>http://filmmakermagazine.com/70995-premiere-day-at-the-cannes-critics-week/</link>
		<comments>http://filmmakermagazine.com/70995-premiere-day-at-the-cannes-critics-week/#comments</comments>
		<pubDate>Mon, 20 May 2013 20:29:14 +0000</pubDate>
		<dc:creator>David Lassiter</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Cannes Film Festival 2013]]></category>
		<category><![CDATA[short film]]></category>
		<category><![CDATA[The Opportunist]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70995</guid>
		<description><![CDATA[Well, the big day has arrived. We woke up early to heavy rain and made a quick run for our morning pastries before putting on our Sunday finest for the screening. After trying to find a cab for the better part of an hour, we called and last-minute audible and decided to walk, torrential downpour be damned! We arrived mostly intact and a little worse for the wear, but were warmly greeted by the Semaine staff who whisked us back to the green room where we got to meet the other Critics’ Week filmmakers. At the theater, which was almost &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/70995-premiere-day-at-the-cannes-critics-week/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Cannes 2013: Jodorowsky&#8217;s Dune, Inside Llewyn Davis</title>
		<link>http://filmmakermagazine.com/70934-cannes-2013-jodorowskys-dune-inside-llewyn-davis/</link>
		<comments>http://filmmakermagazine.com/70934-cannes-2013-jodorowskys-dune-inside-llewyn-davis/#comments</comments>
		<pubDate>Mon, 20 May 2013 19:46:09 +0000</pubDate>
		<dc:creator>Scott Macaulay</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70934</guid>
		<description><![CDATA[&#8220;I wanted to make something sacred and free,&#8221; says Alejandro Jorodowsky about his planned adapation of Frank Herbert&#8217;s science-fiction classic, Dune. Indeed, Dune will be more than just a movie, argue the director and his collaborators in Frank Pavich&#8217;s Jodorowsky&#8217;s Dune, a documentary that premiered Saturday in the Directors Fortnight section of the Cannes Film Festival. Says Jodorowsky in the film, &#8220;Dune will be the coming of a god.&#8221; There are several documentaries about nightmare shoots and even unmade films — Lost in La Mancha comes to mind — but Jodorowsky&#8217;s Dune is the only documentary I can think of &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/70934-cannes-2013-jodorowskys-dune-inside-llewyn-davis/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Win a Copy of The ABCs of Death</title>
		<link>http://filmmakermagazine.com/71139-win-a-copy-of-the-abcs-of-death/</link>
		<comments>http://filmmakermagazine.com/71139-win-a-copy-of-the-abcs-of-death/#comments</comments>
		<pubDate>Mon, 20 May 2013 19:36:34 +0000</pubDate>
		<dc:creator>Billy Brennan</dc:creator>
				<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Drafthouse Films]]></category>
		<category><![CDATA[The ABCs of Death]]></category>
		<category><![CDATA[VHS]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=71139</guid>
		<description><![CDATA[Inspired by children&#8217;s books, The ABCs of Death is a wildly ambitious anthology that draws upon more than two dozen of the horror genre&#8217;s most creative, and macabre, directors from around the world (spanning fifteen countries) to bring you segments that range from provocative to hilarious. Under the auspices of the project, the filmmakers were each assigned a letter of the alphabet and then given the freedom to choose a word to craft their short film around. The only requirement was that it dealt with death. The result is a collection that Fangoria called, &#8220;a stunning roll call of some of the &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/71139-win-a-copy-of-the-abcs-of-death/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Cannes 2013: Farhadi&#8217;s The Past and Desplechin&#8217;s  Jimmy P: Psychotherapy of a Plains Indian</title>
		<link>http://filmmakermagazine.com/71000-cannes-2013-farhadis-the-past-and-desplechins-jimmy-p-psychotherapy-of-a-plains-indian/</link>
		<comments>http://filmmakermagazine.com/71000-cannes-2013-farhadis-the-past-and-desplechins-jimmy-p-psychotherapy-of-a-plains-indian/#comments</comments>
		<pubDate>Mon, 20 May 2013 19:13:44 +0000</pubDate>
		<dc:creator>Chuck Tryon</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Arnaud Desplechin]]></category>
		<category><![CDATA[Ashgar Farhadi]]></category>
		<category><![CDATA[Cannes Film Festival 2013]]></category>
		<category><![CDATA[Jimmy P: Psychotherapy of a Plains Indian]]></category>
		<category><![CDATA[The Past]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=71000</guid>
		<description><![CDATA[Given that James Franco’s adaptation of William Faulkner’s As I Lay Dying will be playing at this year’s Cannes, it seems appropriate to recall one of the novelist’s most famous quotations when thinking about two of the festival’s more memorable films. Reflecting on the conflicts over race and national identity that tore apart the deep south where he lived, Faulkner wrote in Requiem for a Nun, “the past isn’t dead, it isn’t even past.” This persistence of the past — how it can haunt us in myriad ways — is central to two of the more powerful films at this &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/71000-cannes-2013-farhadis-the-past-and-desplechins-jimmy-p-psychotherapy-of-a-plains-indian/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Canadian Web Series Creators Organize</title>
		<link>http://filmmakermagazine.com/70882-canadian-web-series-creators-organize/</link>
		<comments>http://filmmakermagazine.com/70882-canadian-web-series-creators-organize/#comments</comments>
		<pubDate>Mon, 20 May 2013 15:42:27 +0000</pubDate>
		<dc:creator>Randy Astle</dc:creator>
				<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Transmedia]]></category>
		<category><![CDATA[Canada]]></category>
		<category><![CDATA[Independent Webseries Creators of Canada]]></category>
		<category><![CDATA[networking]]></category>
		<category><![CDATA[web-series]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70882</guid>
		<description><![CDATA[Transmedia producers in Canada already have ways to network with and benefit from each other through organizations like the Toronto-based group Transmedia 101. But those specifically interested in creating web series just received an additional resource with the formation of the Independent Webseries Creators of Canada (or IWCC; CIWC in French). Serendipitously coinciding with the announcement of the Vancouver Web Fest, the IWCC is a nonprofit professional association that sees today&#8217;s web producers like the television pioneers of the 1940s and 50s: building a new branch of the entertainment industry in uncharted waters, but this time doing so in a &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/70882-canadian-web-series-creators-organize/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Cannes 2013: Jia&#8217;s A Touch of Sin and Ozon&#8217;s Young and Beautiful</title>
		<link>http://filmmakermagazine.com/70925-cannes-2013-jias-a-touch-of-sin-and-ozons-young-and-beautiful/</link>
		<comments>http://filmmakermagazine.com/70925-cannes-2013-jias-a-touch-of-sin-and-ozons-young-and-beautiful/#comments</comments>
		<pubDate>Sun, 19 May 2013 20:37:51 +0000</pubDate>
		<dc:creator>Chuck Tryon</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[A Touch of Sin]]></category>
		<category><![CDATA[Cannes Film Festival 2013]]></category>
		<category><![CDATA[Francois Ozon]]></category>
		<category><![CDATA[Jeune et Jolie]]></category>
		<category><![CDATA[Jia Zhangke]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70925</guid>
		<description><![CDATA[Negotiating Cannes is a unique challenge, especially for someone attending the festival for the first time. Although the festival is commonly associated with red carpets and other assorted glamour, my clearest memories of the festival entail trekking from a borrowed condo in Antibes early in the morning — thanks to the monumental patience of my wife who drove me in — to queue up with other journalists for an 8:30 press screening (finding those lines the first couple of days is an entirely different matter). Rainy weather early in the festival also seemed to undermine Cannes&#8217; reputation for sun and &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/70925-cannes-2013-jias-a-touch-of-sin-and-ozons-young-and-beautiful/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Cannes 2013 Opens with 3-D Glamour, Call Girls &amp; Sci-Fi Animation</title>
		<link>http://filmmakermagazine.com/70889-cannes-2013-opens-with-3-d-glamour-call-girls-sci-fi-animation/</link>
		<comments>http://filmmakermagazine.com/70889-cannes-2013-opens-with-3-d-glamour-call-girls-sci-fi-animation/#comments</comments>
		<pubDate>Sat, 18 May 2013 15:01:48 +0000</pubDate>
		<dc:creator>Ariston Anderson</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[ari folman]]></category>
		<category><![CDATA[Carey Mulligan]]></category>
		<category><![CDATA[Charlotte Rampling]]></category>
		<category><![CDATA[Francois Ozon]]></category>
		<category><![CDATA[Lynne Ramsey]]></category>
		<category><![CDATA[Marine Vacth]]></category>
		<category><![CDATA[Nicole Kidman]]></category>
		<category><![CDATA[Robin Penn]]></category>
		<category><![CDATA[Steven Spielberg]]></category>
		<category><![CDATA[The Congress]]></category>
		<category><![CDATA[The Great Gatsby]]></category>
		<category><![CDATA[The Past]]></category>
		<category><![CDATA[Young & Beautiful]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70889</guid>
		<description><![CDATA[This year’s 66th Cannes Film Festival opened with a venerable love fest at the Jury Press Conference on Wednesday. Led by Steven Spielberg, this year’s panel drew an incredible mix of cinema talent Ang Lee, Nicole Kidman and Christoph Waltz, as well as Romanian director Cristian Mungiu and Scotland’s Lynne Ramsay. Spielberg and Lee admitted to the assembled press that they absolutely worshipped each other, despite being pitted up against each other at the Oscars this year. Although Spielberg said he was ready to judge, he claimed, “I look at this as two weeks of celebrating film, not two weeks &#8230;]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Starting Tonight: Secret Film Club @ reRun</title>
		<link>http://filmmakermagazine.com/70862-starting-tonight-secret-film-club-rerun/</link>
		<comments>http://filmmakermagazine.com/70862-starting-tonight-secret-film-club-rerun/#comments</comments>
		<pubDate>Fri, 17 May 2013 22:24:47 +0000</pubDate>
		<dc:creator>Nick Dawson</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[reRun]]></category>
		<category><![CDATA[Secret Film Club]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70862</guid>
		<description><![CDATA[Since IFP and Filmmaker began programming the reRun Theater in Brooklyn, we&#8217;ve been trying to bring audiences great films, but also do it in an interesting and different way whenever possible. One of the ideas that we came up with to bring a little variety to proceedings was our Secret Film Club, which kicks off tonight. In the next week, we&#8217;ll be playing 11 films over five different nights. The screenings will all be free. But we won&#8217;t be telling anyone what the films are. Cryptic clues will be distributed to give you something to go on, however, the first &#8230;]]></description>
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		<slash:comments>1</slash:comments>
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		<title>The Opportunist on the Croisette</title>
		<link>http://filmmakermagazine.com/70853-the-opportunist-on-the-croisette/</link>
		<comments>http://filmmakermagazine.com/70853-the-opportunist-on-the-croisette/#comments</comments>
		<pubDate>Fri, 17 May 2013 21:47:47 +0000</pubDate>
		<dc:creator>David Lassiter</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Cannes Film Festival 2013]]></category>
		<category><![CDATA[The Opportunist]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70853</guid>
		<description><![CDATA[Director David Lassiter, whose short film The Opportunist is playing in the Critics&#8217; Fortnight, is blogging about his Cannes experiences. You can read his first dispatch here. Day one at Cannes and we’re already off to the races! After almost a full day of travel (L.A. -&#62; Toronto -&#62; Zurich -&#62; Nice -&#62; Cannes) we checked into an Airbnb apartment owned by a charming Frenchman named Olivier, dropped off our bags, and hit the Croisette. Our first stop was the Palais de Festival, where we were warmly greeted by Julie Marnay and her lovely team at Semaine de la Critique. &#8230;]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Kim Ki-Duk on Pieta</title>
		<link>http://filmmakermagazine.com/70832-kim-ki-duk-on-pieta/</link>
		<comments>http://filmmakermagazine.com/70832-kim-ki-duk-on-pieta/#comments</comments>
		<pubDate>Fri, 17 May 2013 19:58:26 +0000</pubDate>
		<dc:creator>Brandon Harris</dc:creator>
				<category><![CDATA[Directing]]></category>
		<category><![CDATA[Directors]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[development]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[Kim Ki-duk]]></category>
		<category><![CDATA[Pieta]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70832</guid>
		<description><![CDATA[Made quickly and on the cheap, prolific South Korean director Kim Ki-duk&#8217;s 18th film, Pieta, is an often disturbing revenge tale, moody and morally challenging, where redemption for one of recent cinema&#8217;s most dark-hearted anti-heroes seems just out of grasp. Kang-do (Lee Jung-jin) is a pitiless and anger-fueled debt collector for a equally brutal moneylender who specializes in forcing his often destitute debtors to commit insurance fraud in order to pay back what they owe him. Living a comfortless and filthy existence in the same slum as many of his victim, Kang-do has not a friend or a care in the &#8230;]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Julianne Moore: Cinema&#8217;s Modest Chameleon</title>
		<link>http://filmmakermagazine.com/70837-julianne-moore-cinemas-modest-chameleon/</link>
		<comments>http://filmmakermagazine.com/70837-julianne-moore-cinemas-modest-chameleon/#comments</comments>
		<pubDate>Fri, 17 May 2013 18:47:29 +0000</pubDate>
		<dc:creator>R. Kurt Osenlund</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[Julianne Moore]]></category>
		<category><![CDATA[The English Teacher]]></category>
		<category><![CDATA[What Maisie Knew]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70837</guid>
		<description><![CDATA[Julianne Moore makes it terribly easy to like her. Her remarkable consistency has helped her remain a stellar screen presence for more than two decades. Her transformative abilities have morphed her into everything from a troubled hypochondriac (Safe) and a maternal porn star (Boogie Nights) to a 1950s housewife (Far From Heaven) and one half of a loving lesbian couple (The Kids Are All Right). And her singular, nature-defying beauty has continued to land her fashion cover shoots at the age of 52. All of this springs to mind when Moore greets an eager parade of press while promoting her new &#8230;]]></description>
		<wfw:commentRss>http://filmmakermagazine.com/70837-julianne-moore-cinemas-modest-chameleon/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Cannes 2013: First Clips from Gray&#8217;s The Immigrant and Saulnier&#8217;s Blue Ruin</title>
		<link>http://filmmakermagazine.com/70828-cannes-2013-first-clips-from-grays-the-immigrant-and-saulniers-blue-ruin/</link>
		<comments>http://filmmakermagazine.com/70828-cannes-2013-first-clips-from-grays-the-immigrant-and-saulniers-blue-ruin/#comments</comments>
		<pubDate>Fri, 17 May 2013 17:46:56 +0000</pubDate>
		<dc:creator>Nick Dawson</dc:creator>
				<category><![CDATA[Festivals & Events]]></category>
		<category><![CDATA[Filmmaker Videos]]></category>
		<category><![CDATA[Blue Ruin]]></category>
		<category><![CDATA[Cannes Film Festival 2013]]></category>
		<category><![CDATA[james gray]]></category>
		<category><![CDATA[Jeremy Saulnier]]></category>
		<category><![CDATA[The Immigrant]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70828</guid>
		<description><![CDATA[Another day, another bunch of clips from U.S. indies playing at Cannes. Above there is a quick snippet, featuring Marion Cotillard and Jeremy Renner, from James Gray&#8217;s period drama The Immigrant (previously called Lowlife). The Weinstein Company will be putting out the film (also starring Gray regular Joaquin Phoenix) later this year and, barring terrible reviews from Cannes critics, it should be a 2013 awards contender. Below are a teaser trailer and a clip from Jeremy Saulnier&#8217;s second feature, Blue Ruin, which looks incredibly compelling and has the potential to establish the director (who mostly plies his trade as a &#8230;]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Trailer Watch: Calvin Reeder&#8217;s The Rambler</title>
		<link>http://filmmakermagazine.com/70822-trailer-watch-calvin-reeders-the-rambler/</link>
		<comments>http://filmmakermagazine.com/70822-trailer-watch-calvin-reeders-the-rambler/#comments</comments>
		<pubDate>Fri, 17 May 2013 15:37:00 +0000</pubDate>
		<dc:creator>Nick Dawson</dc:creator>
				<category><![CDATA[Filmmaker Videos]]></category>
		<category><![CDATA[Calvin Reeder]]></category>
		<category><![CDATA[The Rambler]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70822</guid>
		<description><![CDATA[I sadly missed Calvin Reeder&#8217;s The Rambler when it played at Sundance this January, but the film is having a theatrical release starting June 7 (at the reRun Theater!) so I will be checking it out very soon. This first trailer for the film certainly has whetted my appetite even more, and confirms just how crazy and out there Reeder&#8217;s movie really is.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Turning the Internet Green: The FX Protest</title>
		<link>http://filmmakermagazine.com/70788-turning-the-internet-green-the-fx-protest/</link>
		<comments>http://filmmakermagazine.com/70788-turning-the-internet-green-the-fx-protest/#comments</comments>
		<pubDate>Fri, 17 May 2013 14:49:09 +0000</pubDate>
		<dc:creator>Michael Murie</dc:creator>
				<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Post-Production]]></category>
		<category><![CDATA[FX Protest]]></category>
		<category><![CDATA[Life of Pi]]></category>
		<category><![CDATA[visual effects]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70788</guid>
		<description><![CDATA[Over the past few months it&#8217;s been hard to miss the green icons showing up on Twitter and other social media in support of the FX Protest, an event that happened at this year’s Oscar ceremony to protest ongoing problems in the VFX industry. While movies continue to make great use of visual effects, the companies that create these effects are being financially stressed and are going out of business. To find out more about what’s been going on in the VFX industry, we spoke to Michael Scott, a VFX compositor who has been working in the industry for the &#8230;]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Crowdfunding a Transmedia Phenomenon: Director Nicolás Alcalá on The Cosmonaut</title>
		<link>http://filmmakermagazine.com/70585-crowdfunding-a-transmedia-phenomenon-director-nicolas-alcala-on-the-cosmonaut/</link>
		<comments>http://filmmakermagazine.com/70585-crowdfunding-a-transmedia-phenomenon-director-nicolas-alcala-on-the-cosmonaut/#comments</comments>
		<pubDate>Thu, 16 May 2013 18:46:12 +0000</pubDate>
		<dc:creator>Randy Astle</dc:creator>
				<category><![CDATA[Directors]]></category>
		<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Financing]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Transmedia]]></category>
		<category><![CDATA[crowdfunding]]></category>
		<category><![CDATA[Nicolas Alcala]]></category>
		<category><![CDATA[The Cosmonaut]]></category>
		<category><![CDATA[transmedia]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70585</guid>
		<description><![CDATA[With all the discussion about the future of Kickstarter in recent weeks, it may be appropriate that a film that began its campaign at the beginning of the crowdfunding movement is finally coming out this Saturday. The Cosmonaut &#8212; a Spanish-made English-language film directed by Nicolás Alcalá and produced by Carola Rodriguez and Bruno Teixidor &#8212; raised over €300,000 from 5,000 contributors. It was the first crowdfunded film in Spain and helped pave the way for the foundation of Lánzanos, Spain&#8217;s Kickstarter equivalent. The Cosmonaut will be available to watch for free on Saturday on the film&#8217;s website; the DVD, theatrical &#8230;]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Will Tom Wheeler Kill Net Neutrality?</title>
		<link>http://filmmakermagazine.com/70414-will-tom-wheeler-kill-net-neutrality/</link>
		<comments>http://filmmakermagazine.com/70414-will-tom-wheeler-kill-net-neutrality/#comments</comments>
		<pubDate>Thu, 16 May 2013 18:19:26 +0000</pubDate>
		<dc:creator>David Rosen</dc:creator>
				<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[net neutrality]]></category>
		<category><![CDATA[Tom Wheeler]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70414</guid>
		<description><![CDATA[“I am in this race to tell the corporate lobbyists in Washington that their days of setting the agenda are over.” Guess who said these memorable words? In November 2007, then-presidential candidate Barack Obama uttered this now all-but-forgotten campaign promise. The president recently announced his plan to appoint Tom Wheeler (above), a true industry insider, to head of the Federal Communications Commission (FCC). Wheeler is a career water carrier for corporate interests. He served as head of the National Cable Television Association (NCTA) from 1979 and 1984, and ran the Cellular Telecom and Internet Association (CTIA) from 1992 through 2004. &#8230;]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Win a Copy of Side Effects</title>
		<link>http://filmmakermagazine.com/70669-win-a-copy-of-side-effects/</link>
		<comments>http://filmmakermagazine.com/70669-win-a-copy-of-side-effects/#comments</comments>
		<pubDate>Thu, 16 May 2013 16:16:30 +0000</pubDate>
		<dc:creator>Billy Brennan</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Catherine Zeta-Jones]]></category>
		<category><![CDATA[Channing Tatum]]></category>
		<category><![CDATA[Jude Law]]></category>
		<category><![CDATA[Rooney Mara]]></category>
		<category><![CDATA[Side Effects]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70669</guid>
		<description><![CDATA[As described on its official site, &#8220;Side Effects is a provocative thriller about Emily and Martin (Rooney Mara and Channing Tatum), a successful New York couple whose world unravels when a new drug prescribed by Emily&#8217;s psychiatrist (Jude Law) – intended to treat anxiety – has unexpected side effects.&#8221; Dripping with generous tastes of Hitchcock and Henri-Georges Clouzot, the film has been described by The Guardian as, &#8220;a gripping psychological thriller about big pharma and mental health that cruelly leaves you craving one last fix.&#8221; Now, you can win one of five copies of Side Effects if you are one of the first to &#8230;]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Frances Ha — A Hammer To Nail Review</title>
		<link>http://filmmakermagazine.com/70635-frances-ha-a-hammer-to-nail-review/</link>
		<comments>http://filmmakermagazine.com/70635-frances-ha-a-hammer-to-nail-review/#comments</comments>
		<pubDate>Thu, 16 May 2013 15:38:11 +0000</pubDate>
		<dc:creator>Michael Tully</dc:creator>
				<category><![CDATA[Columns]]></category>
		<category><![CDATA[Frances Ha]]></category>
		<category><![CDATA[Greta Gerwig]]></category>
		<category><![CDATA[Noah Baumbach]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70635</guid>
		<description><![CDATA[Frances Ha world premiered at the 2012 Toronto International Film Festival. It is being distributed by IFC Films and opens theatrically on Friday, May 17, 2013. Visit the film’s official website to learn more. Just when it seems oh so skull-poundingly clear that the world really, really, really does not need yet another portrait of confused Caucasian 20-somethings who are fumbling and bumbling their way through the posh shopping mall that is 21st century New York City, along comes a cinematic delight like Frances Ha to soothe ones agitated nerves like a tingly pill of Vicodin. And though the fact &#8230;]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The New Digital Storytelling Series: D. Fox Harrell</title>
		<link>http://filmmakermagazine.com/70611-the-new-digital-storytelling-series-d-fox-harrell/</link>
		<comments>http://filmmakermagazine.com/70611-the-new-digital-storytelling-series-d-fox-harrell/#comments</comments>
		<pubDate>Thu, 16 May 2013 15:21:01 +0000</pubDate>
		<dc:creator>MIT Open Documentary Lab</dc:creator>
				<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Transmedia]]></category>
		<category><![CDATA[Fox Harrell]]></category>
		<category><![CDATA[GRIOT]]></category>
		<category><![CDATA[Mimesis]]></category>

		<guid isPermaLink="false">http://filmmakermagazine.com/?p=70611</guid>
		<description><![CDATA[In the penultimate part of Filmmaker and the MIT Open Documentary Lab&#8217;s interview project with prominent transmedia figures, D. Fox Harrell, Ph.D., Associate Professor of Digital Media in the Comparative Media Studies Program and the Computer Science and Artificial Intelligence Laboratory at MIT, answers our questions. Harrell&#8217;s research explores the relationship between imaginative cognition and computation. He develops new forms of social media, gaming, computational narrative, and related computational media systems based in computer science, cognitive science, and digital media arts. The National Science Foundation has recognized Harrell with an NSF CAREER Award for his project &#8220;Computing for Advanced Identity Representation.&#8221; He has worked &#8230;]]></description>
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