GREAT EXPECTATIONS

Dana Harris looks back at the 1995 Independent Feature Film Market

MINOR THREAT

Attorney Robert L. Seigel on hiring young performers

SPIN CONTROL

Liane Bonin on licensing music rights for independent films; director Doug Pray on acquiring music rights for Hype!, his documentary on the Seattle music scene; Michelle Meyers profiles three soundtrack albums from recent indie films

HE'S GOTTA HAVE IT!

An excerpt from John Pierson's Spike, Mike, Slackers and Dykes

GIRL 6, BOYS 3

A roundtable discussion with Spike Lee, John Pierson and Kevin Smith -- expanded Non-Ink Version!!

TIME OF YOUR LIFE

Peter Bowen on Wong Kar-Wai's Chungking Express

COLLAGE EDUCATION

Andrew Hulktrans talks with filmmaker Craig Baldwin

NOW & THEN...

Last year's filmmakers reveal their thoughts on the Sundance Film Festival

The 1995 SUNDANCE DOMESTIC BOX OFFICE CHART

THE WORD MADE FLESH

From book to screenplay in Frisk and Female Perversions

REASONABLE DOUBTS

Halving the Bones; Paradise Lost; Dadetown

GROWING PAINS

Tamara Jenkins chats with director Todd Solondz about Welcome to the Dollhouse

SHOOTING STAR

Tessa Hughes-Freeland talks with Lili Taylor, star of Girlstown and I Shot Andy Warhol

THE TENDERED ART

Kushner-Locke's foray into indie filmmaking

IMITATION OF DEATH

The Cambrai Liberation Collective's The Delicate Art of the Rifle, screening at Slamdance

COLD COMFORT

Producer Jim Stark on festival strategy and launching his film Cold Fever

BOUND FOR GLORY

Chris Munch's Color of a Brisk and Leaping Day

FROM THE JOURNALS OF...

Excerpts from I Shot Andy Warhol producer Christine Vachon's personal diary at Sundance '95

HARDLY WORKING

American Job's Chris Smith

FAMILY OUTING

Michelle Meyers on Julia Dyer's Late Bloomers

HARUMPH FOR HOLLYWOOD

The Celluloid Closet and The Battle Over Citizen Kane

THE END OF INNOCENSE

Yosha Goldstein on Melissa Hacker's My Knees Were Jumping