Watch: Jessica Dimmock’s Doc on Senior Transgender Women, The Convention

The Convention

The Convention is filmmaker Jessica Dimmock’s short documentary about a convention comprised of transgender senior women. She writes: The film explores the annual Esprit gathering, where transgender women in their senior years who have been closeted their whole lives gather for a week of shared experience and understanding in a logging town in Northern Washington. For the attendees, many of whom are not out to their wives or children, this may be the only week of the year that they are not in hiding. I traveled to this event many times over the past years while Christopher LaMarca and I were filming our documentary, The Pearl. The film is part of Shatterbox Anthology, a series from Refinery 29 and the…  Read more


Five Questions for American Fable Writer/Director Anne Hamilton

American Fable

The below interview was originally published during SXSW 2016, when debuting filmmaker Anne Hamilton premiered her ’80s-set, gothic thriller, American Fable, which melds del Toro-esque fantasy with a critique of Reagan-era economic policy. The film opens today in New York at the IFC Center. World premiering in the Visions section of SXSW is American Fable, the debut film from 2014 AFI Directing Workshop for Women graduate Anne Hamilton. Before beginning her career in film by working on the set of Terrence Malick’s The Tree of Life, Hamilton studied law and philosophy, and, as she relates below, she applied aspects of her education to her first foray as a director. Below, she discusses her career path, the political dimensions of her…  Read more


“I’ve Always Been Cautious of Measuring Success”: Kazik Radwanski on How Heavy This Hammer

Erwin Van Cotthem in How Heavy This Hammer

After premiering on home soil at the 2015 Toronto International Film Festival, Canadian filmmaker Kazik Radwanski’s second feature film, How Heavy This Hammer, screened at the Berlin International Film Festival to critical acclaim. A New York premiere, as part of the Museum of the Moving Image’s annual winter First Look series, wouldn’t surface until a year later where, in anticipation of its Gotham debut, it was deemed by the Village Voice as “striking, clear-eyed, and very, very funny” and “justly celebrated as one of the best Canadian films in years.”  A microbudget film about an overweight Canadian father saddled with a combative attitude and love for computer games (well, one computer game in particular), Radwanski’s latest is a film led by an impatient, complex character. As How Heavy This Hammer opens for…  Read more


5 Questions for Lovesong Writer/Director So Yong Kim


A 25 New Face from 2006, So Yong Kim’s Lovesong premiered at the Sundance Film Festival in 2016 and opens today in New York from Strand Releasing. The below interview was originally published during the film’s Sundance premiere. While continuing to make subtle, emotional, character-based stories, So Yong Kim’s cinema has been one of change and evolution. Her debut feature, 2006’s In Between Days, spent several days surveying the burgeoning first love of two Korean teenagers living in Toronto. Largely filmed in Korean, and shot on a micro budget with non actors, the film landed Kim on our 25 New Faces list. Speaking to S.T. Van Airsdale for Filmmaker, Kim said of her future career, ““I don’t see myself making…  Read more


Berlin Critic’s Notebook 2: Bright Nights, A Fantastic Woman

Bright Nights

Thomas Arslan’s flaccid anti-Western Gold, which screened here in Competition four years ago, spoiled what could have been a brilliant hat-trick for the Berlin School alumnus following Vacation and In the Shadows. With Bright Nights he’s back in great form, once again showcasing his flair for precise, intimately scaled dramas. Like his compatriot Maren Ade’s Toni Erdmann, a quick synopsis of Arslan’s film makes it sound like standard feel-good Hollywood fare: after his estranged father dies, the protagonist Michael decides to try and reconnect with his own teenage son Luis, whom he barely knows, and takes him on a road trip, embarking on a journey towards reconciliation. Yet, also like Ade, Arslan actually appropriates common tropes, distilling their truthful essence in order to use it as…  Read more


Watch: Lev Kalman and Whitney Horn’s New Music Video

Lev Kalman and Whitney Horn (L for Leisure, 25 New Faces of Film) are at work on their next film, Two Plains & a Fancy. This music video for Aa is a taste of what’s to come. Per Kalman and Horn: This viddy was shot when we were on-location for our upcoming feature Two  Plains & a Fancy. It’s the first thing we edited when we got back, and Aa is led by our composer John Atkinson, so this was a working out of the vibes we’re corralling in the feature. The footage is a mix of out-takes, B-Roll, and shots made specifically with the song in mind. The result is an uncanny landscape inspired by our and John’s mutual love…  Read more



The Mute's House

Finding the Storyline in a Documentary Short (Or, Do Short Docs Need Narrative Arcs?)

When you announce to the world (or at least on social media) that you’re making a short documentary, you’re bound to be asked the obvious question: “What’s it about?” As any documentary filmmaker can tell you, there’s a short answer to that question and a long…  Read more

Feb 9, 2017

Festivals & Events

The New Radical

Last Dance Before Trumpism: Eastern Oregon, Park City (Virtual) and Rotterdam

In retrospect, it seems like it was the last glimmer of something. We were all in Eastern Oregon again, the loose circuit of folks who gather annually for the tiny two-and-a-half day, two-venue film festival that takes cinephilia to the reddest corner of a blue state.…  Read more

on Feb 4, 2017

VOD Picks


Double Play

“Television Has Been Good in That It’s Paid the Bills”: Ernest Dickerson on Double Play, The Wire and Spike Lee

Ernest Dickerson’s new film Double Play, an adaptation of the acclaimed Dutch-language Caribbean textbook standard by Curacaoan author Frank Martinus Arion, received its world premiere at the Rotterdam Film Festival. The novel uses a game of dominoes as a framework to look at the unrest on the Caribbean…  Read more

on Feb 7, 2017


  • On the Milo Bus With the Lost Boys of America’s New Right, via @PennyRed. psmag.com/on-the-milo-bu…
  • Friends, family of doc editor Matt Cowan are fundraising to help support his recovery from cardiac arrest. gofundme.com/mattcowan
  • @roadshowrigolet Question is, how to make the boring seem interesting again.
  • @roadshowrigolet Shocking and provocative seems to be a default mode these days across so much of the internet. Shock has become boring.
  • Robert Wilson, Raul Ruiz, Roberto Bolano at times — so many greats strategically used boredom in their work….
© 2017 Filmmaker Magazine
All Rights Reserved
A Publication of IPF