“I’m going to be frank with you,” says Willem Dafoe’s Pier Paolo Pasolini in this trailer for Abel Ferrara’s keenly anticipated biopic of the Italian director, killed under still mysterious circumstances in 1975. “I’ve been to Hell, and I know things that don’t disturb other people’s dreams.” The musically-literally-operatic trailer for Pasolini is subtitled in French but mostly in English, save for a brief, easy-to-follow French passage (asked whether he considers himself a screenwriter, critic, actor, etc., Pasolini replies that on his passport it simply says writer) and a tiny bit in Italian. This is mildly NSFW, as there are a few seconds of female nudity from Salo and about a second’s worth of female nudity and thrusting otherwise.
Last month we shared the first test footage shot with the Blackmagic URSA camera, and now we’ve got more samples to look at. This time around the footage was shot using Canon’s EF line of lenses and looks very sharp. Full tech specs can be found here; thanks to No Film School for the heads up.
Color correction is often the least talked about, most overlooked portion of the post-production process. Alex Bickel has spoken out about how grading can alter the presumed production value of a film, and a recent guest post from Michael Medaglia and Jalal Jemison discussed the importance of communicating your story through the process. This video from the International Colorist Academy offers a nice visual supplement to the aforementioned claims, as it demonstrates the colorist’s ability to amend the tone and context of any given scene. When it comes to transforming day to night, and romance to horror, some things can be left to post.
I’ve been shooting exclusively with Blackmagic cameras for the past year. Their three primary offerings, the 1080p Pocket Cinema Camera, the 2.5K Cinema Camera, and the 4K Production Camera, to my mind, are the most practical low-cost/high-quality cameras currently available for DIY filmmakers. Are they perfect? No. In fact, many people prefer going with the Panasonic GH4, the new low-light sensation Sony a7S, or even the Canon 5D Mark III. The truth is, there is no perfect camera, just personal preference. There’s always been a specific camera at a specific time that works best for me. In the prehistoric age — from 2004-07, when MiniDV ruled the Earth — I used the Panasonic DVX100A, then I upgraded to the HVX200A… Read more
Not five months after the mammoth festival wraps, SXSW opens up their PanelPicker site, an online forum which aggregates all industry and filmmaker programming pitches for their next conference. Last year, I went through the offerings and highlighted 15 that piqued my interest; this year, the stakes are higher, and I’m down to 12 from the 183 listed. You have till September 5 to vote on your favorites. How “High Maintenance” Is Redefining Storytelling I fondly recall the day former Managing Editor Nick Dawson sent me a link to an episode of High Maintenance some 18 months back. Since then, Ben Sinclair and Katja Blichfeld’s comedic web series has gathered much steam and fanfare (including a stop over on our 25 New Faces… Read more
Do not go gentle into that good night, Rage, rage against the dying of the light. - Dylan Thomas If you’re anywhere near North Adams in the northwest corner of Massachusetts, close by the New York and Vermont borders, anytime between now and February 1, 2015, do yourself a favor and drop by the Massachusetts Museum of Contemporary Art to contemplate their exhibition marking the last days of photochemical motion pictures: The Dying of the Light: Film as Medium and Metaphor. With the contraction of film manufacturing and virtual demise of laboratory services in the face of near-universal digital imaging, the medium of perforated, emulsion-coated film base — after a spectacular hundred-year run — is slipping into the special province of archives and museums,… Read more
Behind the scenes of David Fincher’s new Gap ad campaign, the logistics of growing the beef industry in Kazakhstan, a look at illegal logging in Indonesia and more in this week’s links round-up: • Yesterday the Gap released four new ads directed by David Fincher. Mashable’s Todd Wasserman has the videos and quotes from Gap Global CMO Seth Farbman on Fincher’s typically exacting work process. One spot had the actors running 50 to 60 times up a set of stairs (the audition included ten minutes of running). Fincher lived up to his end of the bargain by creating “a new camera out of carbon fiber to track the actor as he ran up the stairs.” • Now here’s a proper… Read more
Remember We Think Alone? Miranda July’s investigatory aggregate into the emails of famous people? July is again re-examining how people communicate in the age of information with a new app/messaging service entitled Somebody. Some sort of sick combination of texting and Tinder, Somebody ensures human contact upon receiving a message because that message is not your own — it belongs to someone nearby, and you are tasked with delivering it. To promote the project, Miu Miu commissioned a short from July that premiered today at the Venice Film Festival. In the supplement, a varied cast of characters (including July herself) humorously deliver messages to strangers. For now, the app will function at various hotspots inside museums like The New Museum,… Read more
Click here to see Filmmaker‘s 25 New Faces of Film 2014.
Here, for your Sunday reading pleasure, are a number of artices and videos I took note of this week. Novelist Helen DeWitt retreats to a family-owned cabin in the woods to make an important writing deadline. She winds up, as she describes in the London… Read more
In a press conference this morning, Cameron Bailey and Co. released the Special Presentation and Gala selections for the upcoming edition of the Toronto International Film Festival. Lots to parse through as the slate boasts world premieres from Christian Petzold, Mia Hansen-Løve, Noah Baumbach, David Gordon Green,… Read more
For this correspondent’s money, the film to beat so far in 2014 is Swiss filmmaker Ramon Zürcher’s The Strange Little Cat (Das merkwürdige Kätzchen), a dazzlingly low-key schematic diagram of a single day’s ebb and flow in a German apartment. Zürcher cracks the space open like… Read more