The indie film world, including the IFP, has lost another pillar: Ray Silver. Raphael “Ray” Silver became a producer in order to bring to the screen one of the most beautiful and influential films of the fledgling independent film movement. The film was Hester Street, directed by Joan Micklin Silver, Ray’s wife and now, sadly, his widow. When I was first thinking about starting a self-help organization for indie filmmakers in the 1970s, Ray and Joan’s 1975 release of Hester Street was a touchstone and an inspiration for those of us who were contemplating a do-it-yourself approach. Following in the footsteps …
by Sandra Schulberg on Apr 6, 2013
Louise Rosen is a media executive with more than a quarter-century of experience. She formed Louise Rosen Ltd. in 1996 “to specialize in setting up international television pre-sales and co-productions on behalf of independent documentary and non-fiction producers.” She has done everything from research and budgeting to distribution and management. Among her credits are Oscar, Emmy, Sundance, Prix Italia, and International Emmy award-winning projects. Suffice to say, she knows a thing or two about documentaries and getting your film made. Luckily for filmmakers without Rosen’s breadth of experience (or those who do, but can still learn a thing or two), …
by Billy Brennan on Mar 14, 2013
The indie film world is mourning the loss of George Gund, and so am I. This modest, magnificent man often pretended to not hear or not see, yet he absorbed and adopted the interests and needs of thousands whose worlds he crossed. George Gund’s support for the Sundance Institute, San Francisco Film Society, Pacific Film Society, and Cleveland Film Society is well known and documented, and it was heart-warming to see Robert Redford show up to honor his friend at Gund’s recent memorial. But what is less known, remembered by only a few of us, is that George played a …
by Sandra Schulberg on Jan 27, 2013
Keri Putnam, Executive Director of Sundance Institute, announced today that the Institute’s Artist Services program – which provides Institute artists with exclusive opportunities for creative self-distribution, marketing and financing solutions for their work –has expanded to include selected films supported by one foundation and five nonprofit organizations. Additionally, these organizations will join with Sundance Institute in continuing to shape the program and the services it offers. The Bertha Foundation, BRITDOC, Cinereach, Film Independent, the Independent Filmmaker Project and the San Francisco Film Society will each select films that they have supported to receive access to best-in-class digital distribution arrangements that …
by Billy Brennan on Jan 18, 2013
Developing an understanding of code is a valuable skill. In fact its now a 21st century storytelling reality. While it’s not critical for you to rush off and learn how to code, it wouldn’t hurt to become more familiar with the terminology, process and realities of producing digital / interactive projects. As filmmakers expand their work beyond a single screen new roles such as creative technologists are emerging to bridge the gap between tech and story. The role has been adapted within ad agencies, interactive firms and media companies as a way to plan and execute digital strategies. At the …
by Lance Weiler on Jan 8, 2013
UPDATE: The IFP has created this page to answer questions about the new Media Center. The Independent Filmmaker Project (IFP) will develop and operate a new Brooklyn-based “Made in New York” Media Center, spanning both traditional and new media practices, set to open this coming Spring. The announcement was made an outdoor press conference at 20 Jay Street in DUMBO, the site of the center. Said Mayor Michael R. Bloomberg, “New York City stands at the forefront of the media and entertainment industries. The ‘Made in NY’ Media Center will allow us to continue to evolve and meet new …
by Scott Macaulay on Oct 11, 2012The deadline of October 22 is fast approaching for the Biennale College – Cinema, a new initiative open to first and second-time directors that will lead to the production of three micro-budget films. In a program led by the Venice Biennale in partnership with Gucci, 15 producer-director teams will take part in a ten-day filmmaking workshop, after which three projects will be selected for further development and production funding in the amount of €150,000. Projects must be able to developed, produced and edited within five months, and they will then premiere at the 2013 Venice Biennale. The Call for Application …
by Scott Macaulay on Oct 9, 2012
An older filmmaker friend of mine recently told me about his first experience with Kickstarter. He hated it. It wasn’t that he didn’t get his money–his campaign was actually successful. No, It was something else. As he put it, it was “transparency.” He really didn’t like having to be so open about his needs, about the status of his project, about his desperation to raise money. Transparency can be uncomfortable for filmmakers–too much and you seem like you don’t know what you’re doing, too little and you don’t get the help you need. I guess it’s about finding the right …
by Musa Syeed on Oct 9, 2012
Last week it was announced that Matt Damon, David O. Russell and Jeff Skoll will be presented with career tributes at the 22nd Annual Gotham Independent Film Awards™. Today, Marion Cotillard is joining their ranks. Cotillard is a critically acclaimed actor, who has built up an enviable filmography, working with some of the industry’s most renowned directors, domestically and abroad. “Marion Cotillard is not only a delight to watch, she is one of the most talented women working in cinema around the world today,” said Joana Vicente, Executive Director of the IFP. “Her acting choices are always challenging and rewarding, and her performances …
by Billy Brennan on Oct 9, 2012
It often feels as though a solid 75% of film industry members that I meet in New York have filtered through the IFP at some point; as a long ago employee, intern, or volunteer, or as a patron of the film market, which has gone by various aliases over the years. These days it falls under the umbrella of Independent Film Week, which I had the opportunity to attend this year as my film Remote Area Medical—which my partner Jeff and I are deep in the process of editing—was accepted into the Spotlight on Documentaries section. As I proudly told …
by Farihah Zaman on Oct 3, 2012