This edition of the International Documentary Film Festival Amsterdam (November 14th-25th) — now in its third decade, but also marking its inaugural year under the exciting new leadership of Syrian documentarian Orwa Nyrabia — offered one of the most binge-worthy lineups I’ve experienced in all my years covering the world’s largest doc fest. Of the nearly two-dozen films I managed to catch both in Amsterdam during my stay (once again guests were put up at the lovely — and couldn’t get more convenient — Hotel NH Carlton, which doubles as the fest’s headquarters) and online, not one disappointed. Indeed, veteran […]

People are “natural scriptwriters,” Claire Simon noted towards the beginning of what turned out to be a surprisingly lively discussion between the French documentarian and the US’s own Steve James about one of the hottest topics in the doc industry today: serialized storytelling. The setting was an intimate theater at De Brakke Grond (the longtime headquarters of IDFA DocLab, where this year’s Humanoid Cookbook theme whimsically allowed for browsing a menu before ordering, or rather requesting, VR experience time slots). The moderator was film programmer Sean Farnel. The two veteran directors opened by acknowledging the biggest difference between feature films […]

Alex Winter’s The Panama Papers is a globetrotting, newsroom-hopping peek inside the multinational process, which ultimately brought together over 100 media organizations in 80 countries under the auspices of the International Consortium of Investigative Journalists (ICIJ). That led to the 2016 mass publication of documents from the highly secretive, Panamanian law firm Mossack Fonseca — which in turn brought down heads of state and business leaders the world over, and cost the lives of at least two reporters affiliated with the leaked trove. I was fortunate enough to catch Winter’s film at this year’s IDFA (in the stunning Tuschinski Theater, […]

Though it’s been half a decade since I’ve covered Amsterdam’s International Documentary Film Festival, this year’s 30th edition was a welcome reminder as to why IDFA is often heralded as the crème de la crème of doc fests. First there’s its sheer size and scope — this year, a whopping 319 documentaries were presented over the festival’s 12 days. Fortunately, these nonfiction projects of every stripe were helpfully divided into a surprisingly navigable 20 sections — everything from your standard competitions (and not-so-standard, as IDFA DocLab has both a Competition for Digital Storytelling and a Competition for Immersive Non-Fiction) to […]

Once in a blue moon a festival competition film comes along that’s a masterpiece, so flawless it’s inconceivable that it won’t take top prize. This year at the International Documentary Film Festival Amsterdam, that film was Alan Berliner’s First Cousin Once Removed (which I actually saw before this year’s 25th edition began), and it did indeed nabb the VPRO IDFA Award for Best Feature-Length Documentary, along with a nice sum of 12,500 euros. Fittingly, my reaction towards Berliner’s breathtaking portrait of his mentor and relative, the acclaimed poet and translator Edwin Honig, as he succumbs to Alzheimer’s disease, mirrors my […]

“Open-air cinema as a means to an end,” is how Caspar Sonnen, the driving force behind IDFA DocLab summed up the vision for the Open Air Film Festival Amsterdam (a.k.a. Pluk de Nacht), the summertime tradition he co-founded back in 2003, when I last chatted with him over coffee at Two For Joy in Frederiksplein. He went on to explain that all the film schools and Netflix DVDs in the world can’t capture the magic of cinema like a single collective movie experience can. “Our organizational structure is that of a block party,” he added. Interestingly, this indie movie evangelist […]