The Brazilian drama Neighboring Sounds made it onto many critics’ best-of lists for 2012 and recently won Best Feature at the Cinema Tropical Awards in New York, which recognize excellence in Latin American cinema. The film’s director, Kleber Mendonça Filho, was in town to accept the award and to attend a screening at the Museum of the Moving Image of short films he produced over the last decade. The first of these shorts was made in 2002, the year Fernando Meirelles’ urban epic City of God burst onto the international scene and Madame Satã played at Cannes. In the decade …

If you’re heading off to Sundance in a few weeks (or just wincing at the January film releases), you may want to make a stop off in Queens. First Look, the annual showcase of new international cinema, opens today at the Museum of the Moving Image and offers filmgoers many compelling reasons to shake off the post-holiday doldrums and to leave the Netflix cave. It also suggests the expansiveness of independent cinema worldwide. Curated by Dennis Lim (editor of Moving Image Source, the Museum’s multimedia magazine) and the museum’s film curators, Rachael Rakes and David Schwartz, the series presents a …

One of the year’s most startling debuts, Kleber Mendonça Filho’s Neighboring Sounds is a queasily effective portrait of a society undergoing dynamic change. Unfolding over the course of a few weeks in the perpetually sunny Brazilian metropolis of Recife, the film centers on several families in one upscale block which is surrounded by new development. Yet the perpetual noise of high rise construction isn’t the only thing haunting the denizens of this seemingly comfortable and manicured urban space. Fear of crime and just-under-the-surface racial tension takes its toll on everyone in unspoken ways. Even as fading reminders of Brazil’s ever-present …

The Los Angeles Film Festival is something of an oddity, not least because of its relative obscurity: for a 11-day-long cinematic event a stone’s throw away from the heart of the American film industry, it hardly registers on the local radar. As a reasonably cinema-savvy Angeleno, I don’t personally know anyone who gets more excited for it than they do for AFI Fest – my usual screening buddies either skipped LAFF entirely or only showed up for a handful of films this time around – though perhaps the comparison isn’t entirely valid. Where this is a “traditional” fest, with programming …

Don’t be fooled: Paranoia, alienation, and irrepressible ghosts of the past are some of the common threads among the features in the 41st edition of New Directors/New Films. No one could mistake it for a series of frothy comedies or unchallenging genre fare: feel-good is hardly an operative term. What is unmistakable is that, to my mind, it remains the finest, most original film festival in New York. These mostly first and second films from around the world are edgy but accessible, fresh but polished. A combination of fiction, docs, and animation, they are not intended to soothe but rather …