A teaser has landed for Michael Mann’s Ferrari ahead of its Venice world premiere tomorrow. Mann’s long-awaited return will then screen at the New York Film Festival before it hits theaters just in time for the holidays. Based on Brock Yates’s book Enzo Ferrari: The Man, The Cars, The Races, The Machine, the film stars Adam Driver as the eponymous race car driver and entrepreneur, Penélope Cruz as his wife Laura and Shailene Woodley as his mistress Lina Lardi. Sarah Gadon, Gabriel Leone, Jack O’Connell and Patrick Dempsey also star. Per an official synopsis: It is the summer of 1957. […]
by Filmmaker Staff on Aug 30, 2023A trailer arrives today for Justine Triet’s latest film Anatomy of a Fall, which was awarded the Palme d’Or at this year’s Cannes Film Festival. The film will screen at TIFF and NYFF before hitting theaters later this fall. Per an official synopsis: For the past year, Sandra (Sandra Hüller), her husband Samuel (Samuel Theis), and their eleven-year-old son Daniel (Milo Machado Graner) have lived a secluded life in a remote town in the French Alps. When Samuel is found dead in the snow below their chalet, the police question whether he was murdered or committed suicide. Samuel’s suspicious death is […]
by Filmmaker Staff on Aug 17, 2023The poster for Sanctuary features a blonde Margaret Qualley whispering to a mysterious Christopher Abbott. Its imagery — a seeming femme fatale, an unknowing male prey and all the imagined chaos in between — evokes the height of the cinematic erotic thriller era. But the strength, elegance and wit of Micah Bloomberg’s (TV series Homecoming) script and Zachary Wigon’s (The Heart Machine) direction is their interest in subverting your (and the characters’s) expectations at every step. In Sanctuary, Abbott plays Hal, a hotel mogul’s son and heir. He has ordered a fancy meal to a decadently opulent hotel suite where […]
by Meredith Alloway on May 31, 2023The trailer arrives today for Sanctuary, which had its world premiere at TIFF in September and is now slated for theatrical release this spring. The film was directed by Zachary Wigon from a screenplay by Micah Bloomberg. Wigon has written for Filmmaker in the past, and has additionally interviewed filmmakers like Claire Denis, Lars von Trier, Abbas Kiarostami and Steve McQueen for the site. Sanctuary‘s official synopsis reads: A wickedly dark comedy follows dominatrix, Rebecca (Margaret Qualley), and her wealthy client, Hal (Christopher Abbott), as they engage in a high stakes role playing game for power and control. In the […]
by Filmmaker Staff on Apr 12, 2023Today, NEON exclusively premieres a nearly 14-minute featurette with Filmmaker on the making of Cornish writer-director Mark Jenkin’s experimental folk horror film Enys Men. Jenkin and the film’s star, Mary Woodvine, take viewers behind the scenes of the shoot and detail their individual processes while making the film. In his review out of Cannes, Blake Williams summarized the film’s loose plot and stylistic leanings: Set in 1973, Enys Men (Cornish for “Stone Island” and is pronounced—if I recall correctly—AYN-is Mayn) is an image-forward movie drenched in the kind of dense, thick film grain you can find in e.g. the work of Ben Rivers or […]
by Filmmaker Staff on Mar 30, 2023NEON has released the trailer for How to Blow Up a Pipeline, director Daniel Goldhaber’s loose adaptation of Andreas Malm’s non-fiction text of the same name. Goldhaber previously appeared on our 25 New Faces of Independent Film list back in 2018 with collaborator Isa Mazzei on the strength of their debut feature Cam, which Goldhaber directed and Mazzei wrote. Mazzei returns as a producer on this film, with Goldhaber co-writing the script with Jordan Sjol and star Ariela Barer. Pipeline, which was shot on 16mm by DP Tehillah de Castro, is Goldhaber’s sophomore feature-length directorial effort. Vadim Rizov interviewed Goldhaber […]
by Filmmaker Staff on Mar 2, 2023What could be more heartless than selling abandoned babies? Hirokazu Kore-eda’s Broker asks just that, and against all odds, finds a way to understand how people could behave that way. It’s the Japanese writer-director’s first feature shot in South Korea, having most recently worked in France for his previous film La Vérité. Broker stars Song Kang-ho as Sang-hyeon, a tailor in debt to the mob, and Gang Dong-won as his younger business partner Dong-soo, an orphan. Using Dong-soo’s professional connection to a local church, the two begin covertly snatching babies from the building’s baby box, which people use to anonymously […]
by Daniel Eagan on Dec 30, 2022Enys Men—British filmmaker Mark Jenkin’s Cannes Directors’ Fortnight-premiering follow-up to his 2019 BAFTA-winning breakthrough, Bait, for which he hand-processed the film—is set in coastal Cornwall at the extreme southwestern tip of England, amid jagged cliffs and crashing waves. On a rocky and profoundly isolated island (the Cornish title means “stone island”) is its lone human occupant (Mary Woodvine, in a spellbinding performance), a woman of obscure purpose whose daily routine the camera dutifully catalogs—the monitoring of soil temperature at a specific site and the ritual drop of a pebble into an abandoned mine shaft, along with less cryptic activities—until semblances […]
by Steve Dollar on Dec 15, 2022Immediately buzzed about after its inclusion in the 2023 Sundance Film Festival feature lineup announcement, the trailer has already arrived for Brandon Cronenberg‘s Infinity Pool. The film stars Alexander Skarsgård as a wealthy novelist who commits manslaughter on foreign soil and is presented the opportunity to have a doppelgänger face the death penalty in his place—for a substantial fee, of course. Also starring are Mia Goth and Cleopatra Coleman. Per the official synopsis: While staying at an isolated island resort, James (Skarsgård) and Em (Coleman) are enjoying a perfect vacation of pristine beaches, exceptional staff, and soaking up the sun. […]
by Natalia Keogan on Dec 8, 2022Documentary innovator Brett Morgen once again pushes the boundaries of creative non-fiction filmmaking with his latest doc, Moonage Daydream. Morgen was given access by the artist’s estate to over five million works in the archive — music, film clips, artwork, musings, interviews, photographs and recordings, some of which have never before been seen or heard. The resulting two hour and 20 minute-long film is a kinetic, sometimes euphoric tribute to Bowie and his multitude of stage personalities, career offshoots, and personal reflections. As with his other archive-based work (Jane, Cobain: Montage of Heck), Morgen’s approach is unconventional. Utilizing some of the alternative forms […]
by Tiffany Pritchard on Sep 15, 2022