You’re most likely to know Rashida Jones as part of the great cast of the award-winning TV series Parks and Recreation (though she says she’s often recognized for her small role in Freaks & Geeks), but Jones is more than just a talented performer. She’s a dynamic and versatile artist alternating between acting and writing (not just for the screen either!), and in the case of last year’s Celeste & Jesse Forever, both. Her first screenwriting credit has acquired a lot of notice, and we were able to pick her brain a little in the midst of her success, which …

Every November, amidst the onset of ski and snowboard season, the Whistler Film Festival attracts a crowd of producers, filmmakers, journalists, critics and the occasional celebrity (this year the token stars are Daniel Radcliffe and Rashida Jones). Left off that list would be cinephiles — sure, there may be a tiny scattering of hardcore movie buffs, but they’re the exception that proves the rule — as WFF is a deliberately uncinephilic festival composed of accessible indie-ish Canadian cinema and more emphatically put the spotlight on an industry-driven summit. You’re more likely to find a far greater number of people squeezed …

Snow is pounding Park City; people are hidden under hoods and hats, the snow burying everything under a deep pile of grey and white. This is perfect weather for introspection and so far, the narrative films at Sundance have done little to break the mood. I couldn’t be happier. Early on, Sundance has featured films united by loss, by the end of relationships, by heartbreak and the assertion of possibility. I am no glutton for sadness, but there is something about the dark skies and looming mountains that make the melancholy almost comforting.  If you look hard enough, every festival unveils a thematic strain, and …