Most doc venues and festivals serve up collections, films more alike than dissimilar. In fact, the principal variable tends to be content. Now in its 13th edition, Documentary Fortnight: MoMA’s International Festival of Nonfiction Film and Media (February 14-28) is breaking new ground in doc exhibition. I’m not certain that the museum’s honchos recognize what a coup they have in situ (P.S. 1 is another story), a boundary-pushing program where many of those who follow and determine artsy trending might not think to look. It’s taken far too long for documentaries to be considered hip, but to think of them […]