tag:blogger.com,1999:blog-90335956039622658912010-03-16T14:47:23.130-07:00Toronto International Film Festival covered by Filmmaker MagazineWebmasterhttp://www.blogger.com/profile/03643468321632241172noreply@blogger.comBlogger5125tag:blogger.com,1999:blog-9033595603962265891.post-27953869369528227482009-09-13T09:02:00.001-07:002009-09-13T11:15:12.576-07:00

In this excerpt of our interview with Lee Daniels on his award-winning film Precious, which will be in the upcoming Fall issue, Jason Guerrasio talks to the director-producer about his connection with the book the film is based on, molding first-time actor Gabby Sadibe into Precious and his conflicts with the crew while making the film. Precious screens at the Toronto International Film Festival

Jason Guerrasiohttp://www.blogger.com/profile/14958031172216065142noreply@blogger.com0tag:blogger.com,1999:blog-9033595603962265891.post-67722570502114123472009-09-11T05:49:00.000-07:002009-09-11T12:01:41.972-07:00

Chaste is not a word often associated with the films of Jane Campion. From the boudoirs of The Portrait of a Lady to the rough frontier bedrooms of The Piano (1993), Campion is known for her steamy, sultry visions of intimacy. But in her latest film, Bright Star, the only female filmmaker to win the Palme d’Or puts the gloves on, telling the tale of British poet John Keats and his love, Fanny

Scott Macaulayhttp://www.blogger.com/profile/04728573558664904533noreply@blogger.com0tag:blogger.com,1999:blog-9033595603962265891.post-55595884524105437632009-09-09T20:30:00.000-07:002009-09-11T12:36:11.819-07:00

Here's the way it used to be. You made an edgy, well-received independent film, one that showed your facility to tell a story and work with actors, and the smart Hollywood scripts — quality writing that required the touch of someone outside the system — would arrive in those expensively-printed agency binders. And that's the way it seemed to be playing out for Karyn Kusama, who made an excellent

Scott Macaulayhttp://www.blogger.com/profile/04728573558664904533noreply@blogger.com0tag:blogger.com,1999:blog-9033595603962265891.post-78756088700015110862009-09-06T15:45:00.000-07:002009-09-09T21:25:51.352-07:00

With their latest film, How to Fold a Flag, documentary filmmakers Michael Tucker and Petra Epperlein have come full circle. Their first feature was 2004's Gunner Palace, which told the story of soldiers in the Army's 2/3 Field Artillery as they patroled the streets of Baghdad in late 2003 and early 2004. Told in a gritty style that threw viewers right into the midst of conflict, the film

Scott Macaulayhttp://www.blogger.com/profile/04728573558664904533noreply@blogger.com0tag:blogger.com,1999:blog-9033595603962265891.post-58688258322318603102009-09-05T10:03:00.001-07:002009-09-09T20:41:38.068-07:00

The Further Adventures of Death Tripper, Ouroboros and What lies Beyond JupiterCannes, France. In a cinematic year filled with visions of extreme sex and violence, the enfant provocateur of French cinema Gaspar Noe illuminates a phosphorescent direction forward. In person Noe could be mistaken as the progeny of Aleister Crowley with sunken-in, charcoal-lined eyes and shaved head. But lurking

Scott Macaulayhttp://www.blogger.com/profile/04728573558664904533noreply@blogger.com0