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SEPTEMBER
DAWN
This film by Christopher Cain (Young Guns) has been causing
controversy with Mormons and conservatives since it was announced.
The story is based on true events that occurred when a group
of pioneers set out for California in 1857 but only made it
as far as southern Utah, where they were slaughtered by a
sect of zealous Mormons on September 11th (120 died, 17 children
were spared). The event, known as the Mountain Meadows Massacre,
is highly steeped in conspiracy, as the leader of the Mormons,
prophet Brigham Young (played by a spooky Terence Stamp) covered
up much of the ‘who’ and ‘why’ behind
it. Cain’s film has startling - but necessary - moments
of violence, but his ultimate intention is to shed light on
this mysterious act, and make a statement on religious fanaticism
that shows parallels between then and now.
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THE
HOTTEST STATE
Directed by Ethan Hawke (actor turned writer turned filmmaker)
and adapted from his first novel, The Hottest State, is essentially
a love story about broken hearts. If you’re still reading,
the end result is not nearly as bad as the pitch. The film
follows a sullen, struggling actor named William (Mark Webber)
trying to find his way in New York City when he meets and
instantly falls for Sarah, a beautiful singer/songwriter (Catalina
Sandino Moreno, the excellent lead of Maria Full of Grace).
What ensues is a week of raunchy, passionate sex. But soon
Sarah makes it clear to him that their relationship was just
a casual fling, and she needs her freedom. Having acted in
so many films like this, Hawke knows exactly how to control
the actors and the end result is a brooding and poignant directorial
debut.
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EIFF:
OLD FRIENDS, NEW FACES
One of the fun things about going to film festivals is that
you get to meet old acquaintances, and this has certainly
been the case in the last few days at the Edinburgh International
Film Festival. Yesterday, I bumped into Mike White, who is
here in support of his directorial debut, Year of the Dog,
which I talked to him about a few months ago. We had a brief
catch-up chat, and I was amused to notice that he was wearing
exactly the same ski jacket as the cold spring day we had
spoken in New York. (The Edinburgh weather has not been at
its best, as the summer has seemingly still not arrived in
the U.K.)... |
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EIFF:
DOCUMENTARY FRAMING
One of the biggest challenges facing a documentary filmmaker
is finding the right way to tell their story. One of the great
strengths of LYNCH, the new documentary about David Lynch
is that the film's innovative style perfectly meshes with
Lynch's own aesthetic. (It is also fittingly mysterious that
the film's director is unknown, as the director's credit goes
to one “blackANDwhite”, an anonymous figure who
some people believe is in fact Lynch himself.)
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DENTLER INTERVIEWS HANNAH TAKES THE STAIRS DIRECTOR SWANBERG
Matt Dentler came up with a great concept to help get the
word out about Joe Swanberg's Hannah Takes the Stairs, which
begins a theatrical run Wednesday, August 22 at New York's
IFC Center. He's done interviews with Swanberg and the film's
other principal collaborators and parceled them out to a number
of different film bloggers.Goto our blog to read the Filmmaker
segment, and thanks, Matt, for including us...
Read
the complete stories at Filmmakermagazine's Blog... |
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3RD ANNUAL
FILMMAKER CONFERENCE – NEW PANELISTS ADDED!
Produced by IFP, the Conference will take place in NYC September
16 - 21.
This year’s Filmmaker Conference will feature “Conversations
With…” producer Jon Kilik (Julian Schnabel's upcoming
The Diving Bell and the Butterfly, Babel), former Artisan
co-founder Bill Block of QED Intl., an LA-based financing,
sales and production company, Diane Weyermann, Participant
Productions, and former tech investor and entrepreneur Tony
Liano of Crackle Content, a streaming entertainment network.
Filmmaker Magazine Editor Scott Macaulay will be moderating
a number of these conversations. Over the course of the six
days, attendees will hear from indie pioneers such as John
Sayles and Maggie Renzi (Honeydripper), Charles Burnett (Killer
of Sheep), Tom DiCillo (Interview) along with a number of
today’s top indie filmmakers including Mitchell Lichtenstein
(Teeth), Julia Loktev (Day Night, Day Night), and Dan Klores
(Crazy Love). Independent producers Lee Daniels, Sarah Green,
Ted Hope, Peter Saraf and Lydia Dean Pilcher and industry
leaders Avy Kauffman, Moby, and dozens more will also be featured
speakers. The burgeoning DIY and tech scenes will be well
represented with Cinema Tech's Scott Kirsner, filmmakers Lance
Weiler (Head Trauma), the Four Eyed Monsters duo of Susan
Buice and Arin Crumley, Todd Rohal (The Guatemalan Handshake),
and internet phenomenon M Dot Strange, one of Filmmaker's
recent 25 New Faces from the summer issue. The Conference
ends with two days worth of documentary focused panels featuring
top non-fiction festival programmers, buyers and commissioning
editors, as well as doc hybrid filmmaking innovators Brett
Morgen (Chicago 10)) and Michael Tucker (The Prisoner: Or
How I Killed Tony Blair).
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THE
DIRECTOR INTERVIEWS - GREG MOTTOLA, SUPERBAD
It's a sign of Hollywood's wrongheadedness that it's been
a decade since Greg Mottola last made a movie. In 1996, Mottola
arrived on the scene with his debut, The Daytrippers, a funny
and poignant indie that recalled the classy Hollywood comedies
of the '60s and '70s. Though the film led to Mottola becoming
friends with Woody Allen — unquestionably an influence
on Daytrippers — his next two projects failed to come
to fruition, so he turned his focus to television. Mottola's
work in TV has been exemplary: he has directed Arrested Development,
The Comeback, Mike White's Cracking Up, and no less than six
episodes of Judd Apatow's criminally underrated follow-up
to Freaks and Geeks, Undeclared. And it was Mottola's connection
with Apatow and his protégé Seth Rogen that
lead to the director's return to moviemaking.
Click
here for the rest of the article
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