Troublemaker Studio’s Aaron Kaufman hosted a panel titled “Making it Happen: Financing an Independent Film” at SXSW this year, gathering together fellow execs Katie McNeill (V.P. of Production, Electric City Entertainment, the new venture between producers Lynette Howell and Jamie Patricof) and Garrick Dion, Senior Vice President of Development at Bold Films, and a co-producer of Drive (pictured). (Troublemaker, of course, is the production company of Robert Rodriguez.) The three offered thoughts on how to develop and put together projects able to financed in today’s independent film marketplace as well as tips on keeping that development on track. Here are […]
by Scott Macaulay on Mar 15, 2012Our friends at the National Film Society hit SXSW this week and nabbed this interview with director Morgan Spurlock. Discussion topics include mustaches, Ryan Gosling, Das Racist and more. (And if you think these guys at the National Film Society are a bit silly here, just remember one thing: they’re now PBS hosts!)
by Scott Macaulay on Mar 14, 2012At SXSW a panel titled “The Great Cinematography Shootout” gathered a group of directors and cinematographers to discuss independent film lensing in an age of proliferating formats and lower-cost, high-quality cameras, like the Canon 5D. The directors of photography were Jody Lee Lipes (Girls, Tiny Furniture, and also the director of Opus Jazz), James Laxton (Medicine for Melancholy, Leave Me Like You Found Me), Clay Lifford (Gayby, and also the director of such films as Wuss and Earthling), PJ Raval (Trouble the Water, Sunset Stories, and also the director of Trinidad); and filmmaker, editor and d.p. David Lowery (Pioneer, and, […]
by Scott Macaulay on Mar 14, 2012Gimme the Loot (pictured), Adam Leon’s entirely winning story of two young graffiti artists discovering their own relationship as they seek to tag Shea Stadium (er… Citi Field), picked up the top Narrative Jury Prize at tonight’s SXSW awards ceremony. The Documentary Jury prize went to Beware of Mr. Baker, Jay Bulger’s portrait of famed rock drummer Ginger Baker. The jury gave Special Recognitions for three outstanding performances in dramatic features: Jamie Chung’s starring role in Eden; Nico Stone’s in Booster; and Besedka Johnson’s debut in Starlet. The 85-year-old Johnson, who plays a bitter widower forming an unlikely friendship with […]
by Scott Macaulay on Mar 14, 2012With a focused, intense, and somewhat mysterious screen persona, actress Kate Lyn Sheil has stood out in a number of recent independent films, including Silver Bullets by Joe Swanberg and Sophia Takal’s Green. At SXSW this year she arrives with four titles, including Amy Seimetz’s Sun Don’t Shine and Bob Byington’s Somebody Up There Likes Me. Here I talk with Sheil about how she got into acting, being a movie fan, her influences and the particular pleasures of independent film.
by Scott Macaulay on Mar 10, 2012I’m halfway through Zona, Geoff Dyer’s book-length consideration of Andrei Tarkovsky’s Stalker but wanted to post now to alert Dyer/Tarkovsky fans to a weekend of great events. In Zona, Dyer critiques Stalker in what feels like real-time, explicating each scene and then allowing his mind to free associate and wander, filling up the book’s many footnotes with fascinatingly digressive asides. I’ll have some thoughts on the book in the next print edition, but take note now of this weekend of appearances in support of the book. If I wasn’t in Austin I’d be at some of these. Friday, March 9—NYC […]
by Scott Macaulay on Mar 9, 2012“Tipping.” “Pulling.” “Gathring.” Yes, a new tech start-up has entered the independent film space, and with it a nomenclature that speaks to its ambition to “democratize” the business of theatrical distribution. Launched by a filmmaker, Scott Glosserman (Behind the Mask), Gathr offers “TOD,” or theatrical-on-demand, an audience-driven process by which fans request (or “pull”) films to local venues by aggregating their interest and pledging their funds in advance via credit card. When enough fans support a screening on a particular day, the film “tips,” and credit cards are charged. Fans get to see films that might never come to their […]
by Scott Macaulay on Mar 9, 2012SXSW starts tomorrow, hotels and airfares were sold out long ago, and Austin’s data networks are already trembling. I’ll be there, and here are 20 films and other things that I’m looking forward to catching. 1. Tchoupitoulas. Bill and Turner Ross won Best Documentary at SXSW in 2009 with their doc, 45365. Their new film, Tchoupitoulas (pictured), promises to be a similarly beguiling exploration of time and place. It is about, in the words of the filmmakers, “three kids, New Orleans at night, and MUSIC,” and it’s produced by the founding members of Court 13, whose Beasts of the Southern […]
by Scott Macaulay on Mar 8, 2012Producer Ted Hope, who has been running a regular independent film screening series at Goldcrest for the last few years, is moving uptown — he’s the inaugural curator of the Film Society of Lincoln Center’s monthly Indie Night showcase. And for the series opening film, he’s picked a favorite of ours here at Filmmaker: Mark Jackson’s Without. On the basis of this first feature, Jackson was selected as one of our 2011 25 New Faces. In his write-up, Brandon Harris wrote: Comprised of shots that make you feel as if you’re glimpsing the most private of moments, a fly on […]
by Scott Macaulay on Mar 6, 2012The IFP’s popular conference for writers and writer/directors, Script to Screen, returns to the 92nd St. Y Tribeca on Saturday, March 17 with a program that promises to mix practical advice with freewheeling programs intended to generate creative sparks. The day’s program features a keynote presentation by Bennett Miller, the Oscar-nominated director of Moneyball and Capote, and a Screenwriter’s Roundtable featuring up-and-coming auteurs Ry Russo-Young (Nobody Walks), Leslye Headland (Bachelorette), Madeline Olnek (Codependent Lesbian Space Alien Seeks Same) and Liza Johnson (Return). As a promising change of pace from traditional panels, Script to Screen also features a pair of interactive […]
by Scott Macaulay on Mar 5, 2012