Filmmaking
Filmmaking
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The Gotham Announces 2023 Variety Gotham Week
The Gotham Film and Media Institute, Filmmaker‘s publisher, announced today the programming for its 2023 Variety Gotham Week, taking place October 2 – 5th in New York City. In addition to three screenings and filmmaker conversations, the event will include The Expo, “a thought leadership program hosted by The Gotham’s Expanding Communities partner organizations specifically covering the topics of advocacy and career advancement for film & media creators.” From the press release: The Expo will launch with a panel taking an in-depth look at The Inclusion List hosted by the USC Annenberg Inclusion Initiative in collaboration with Adobe Foundation. Organizations […]
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Vu One: Vu’s New All-in-One Virtual Production Studio
Vu just announced a new product that aims to make virtual production a lot more accessible: the Vu One. It’s two parts. One part turnkey virtual production studio in a (very, very, big) box. One part Vu’s Virtual Studio, a software platform that makes creating and running virtual scenes a lot easier. Let’s break down both parts. Complete Virtual Production Setup Vu One offers a complete, configurable VP setup, which includes: LED Wall by Unilumin, with sizing starting at 13×9 ft Media Server by Puget Systems LED Processor by Megapixel Stereoscopic camera tracker (more on that below) Optional camera tracker […]
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“If I Ever Need to Rob a Bank…”: Melissa Miller Costanzo on Directing the Romantic Comedy The List
I got a call from my agents, and they told me they had a script they wanted me to read. It was called The List, a broad romantic comedy about a woman who finds out her fiancé had slept with someone on his celebrity free pass list, so she decides to go to Los Angeles and try to get with someone from hers. My initial thoughts were, great concept, and why me? When I finished the script my thoughts were, needs some work, and why me? My first film was something I had written and directed called All These Small […]
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Looking Towards 2043: The Worldbuilding Weekend of Experimental Realities
In early July, a cohort of over a dozen filmmakers and artists gathered in the International Documentary Association’s sun-drenched conference room. Some had flown in from as far away as the UK and Serbia, others were local to LA. A number—perhaps most of them—weren’t exactly sure what was in store for them at the weekend-long Experimental Realities event. Or even why exactly they were there. I asked the event organizers how members of the impressive group — who included Greg de Cuir Jr., Alison Nguyen, and Mark Mushiva — were selected. “This is funny because the participants have been asking […]
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In the Garden: Remembering Independent Film Distributor, Producer and Mentor Ray Price
I have lived longer and better than many others. I have selfishly demanded that I only do what I wanted to do—which isn’t completely true. But it is true that I have often spurned great amounts of money and stature because I believe good work is essential… The last time we spoke, I had you on speaker-phone as I made my way down the backyard garden, holding my baby in the morning sunshine, and as your words came over the cellphone, they wove into the chorus of finches chirping in the trees and the buzzing of the bumblebees joyously coating […]
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Behind the Scenes of a Car Chase
Action director Lawrence Ribeiro has appeared in Filmmaker‘s pages before, writing about pre-viz’ing a fight scene and stunt training. Recently he has been directing a series of car chase short films, with the latest, Part Deux: The Chase, racking up 1.5 million views on YouTube. As he writes, these days he’s “working to expand Action Realism with upcoming projects that marry speed and movement with legendary talents in music and sound.” Here, in a conversation submitted by production company Art & Action Productions, he answers questions about the film, which can also be watched below. What was the purpose behind […]
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Killing Pigs for Art? On Animal Cruelty-Free Cuts
A Hong Kong documentary crew travels to Borneo to dig up the grave of an ancient “evil dwarf sorcerer” for a mondo film on black magic; as you might imagine, protracted supernatural revenge is exacted for the next 70 minutes. This is the gist of Red Spell Spells Red (1983, d. Titus Ho), the second of two Hong Kong exploitation films written by Amy Chan Suet-Ming (the first being the previous year’s Centipede Horror, directed by Keith Li), of whom little is known beyond her proclivity for bug-based horror. Neither film is a major studio production, perhaps because Hong Kong’s […]
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Crowdfunding Campaign Launched for Alexandra Simpson’s Feature Debut No Sleep Till, Produced by Tyler Taormina
Today we’re sharing the Indiegogo crowdfunding campaign for No Sleep Till, the feature debut from French-American filmmaker Alexandra Simpson. So far, $3,735 has been raised by 21 backers toward a flexible $25,000 goal, with 29 days remaining to secure funds through the campaign. Producing the film is Ham on Rye and Happer’s Comet director Tyler Taormina, a member of the filmmaking collective Omnes Films, which appeared on our 25 New Faces of Film list in 2021. Also on board in Zurich-based producer Michael Graf, who produced the Sundance ’23 short White Ant. Here’s a general synopsis and pitch of No […]
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Remembering Producer and Doc Society Co-Founder Jess Search, 1969 – 2023
Jess Search, an extraordinary and impactful documentary producer and executive, died Monday in London of brain cancer. She was 54. Search began her career in 1998 as a founder of Shooting People, the London-based site connecting thousands of filmmakers and crew, and then at UK’s Channel Four, where she was a documentary commissioning editor. From there she founded the BritDoc Foundation, which then became the nonprofit Doc Society. As Doc Society’s co-founder and also chief executive, her vision led to a diverse set of initiatives that includes funding non-fiction films by UK filmmakers as well as, more specifically, supporting films […]
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“I Think We Sampled 100 Pinks”: Production Designer Sarah Greenwood and Set Decorator Katie Spencer on Barbie
Neither Barbie production designer Sarah Greenwood nor set decorator Katie Spencer had Barbie dolls growing up. “Or a DreamHouse, or anything,” recalls Greenwood, who joined Filmmaker on Zoom alongside Spencer following the record-breaking opening of Greta Gerwig’s feminist smash hit. “I was probably a little judgmental about Barbie until this film — I fell into that camp. But I kind of readdressed my thoughts after meeting this Barbie, and [its creator] Ruth Handler.” Spencer adds, “And [after] meeting Greta. We were a part of the backlash generation. Even if we wanted a Barbie, I don’t know that our parents would have […]
