Interviews
Interviews
-
Tall Trees and Inner Lives: Kate and Laura Mulleavy on their Debut Film, Woodshock
A24 is having a good year. Again. After last year ushering Moonlight to Oscar gold, they are now poised to do the same with Lady Bird, Good Time, The Disaster Artist and The Florida Project. If they were distributing Call Me By Your Name, they’d have a monopoly on hip films of the season. Indeed, the distributor has a knack for creating pop-culture phenomenon out of independent films that might have been buried by other distributors. I’ve really been enjoying the “Lady Bird for President” posters and seeing pink hair trending. But what happens to the films in their packed […]
-
“Speaking to a New World”: Addison O’Dea on the Virtual Reality Series Discovery TRVLR
Last month Discovery Communications, Google, and Here Be Dragons released one of the most ambitious virtual reality documentary series yet produced, Discovery TRVLR. Writer-director Addison O’Dea and his team created 38 episodes on all seven continents, going to as remote locations as possible and focusing on the universality of the people who live there. Available on DiscoveryVR.com, the Discovery VR app, and YouTube, the series marks the next step, after works like Felix & Paul Studios’ Nomads series, to push VR into the field of ethnographic nonfiction. But as O’Dea emphasizes in our conversation below, TRVLR is first and foremost a travel show, not an anthropological […]
-
“He Was On Facebook, Having Trouble with His Computer, So I Helped Him…”: Mohammed Naqvi Talks Filming Former Pakistani President Pervez Musharraf in Insha’Allah Democracy
Insha’Allah Democracy sees filmmaker Mohammed Naqvi investigate politics through a series of interviews with Pervez Musharraf, who became the head of the Pakistani government following a bloodless coup in 1999. In June 2001 the general became the tenth President of Pakistan. The attack on the World Trade Center took place a few months after Musharraf’s presidency began, and the War on Terror was the major cloud that hung over his head throughout his regime. In 2008 he resigned from office in the face of impeachment proceedings being taken against him by the Pakistani parliament. For filmmaker ‘Mo’ Naqvi, it wasn’t […]
-
“If You Were a Real Filmmaker, You’d Have a Fancier Camera”: Oren Jacoby on Shadowman
One of the most celebrated street artists of the 1980s, Richard Hambleton created a collection of equally eccentric and harrowing work that decorated the walls, alleyways and sidewalks of New York City. Along with Keith Haring and Jean-Michel Basquiat, Hambleton was an unrivaled challenging artist and, as his contemporaries tragically died before middle age, one of its remaining beacons of inspiration. While known for his “murder art” — chalk outlines of fictitious crime scenes splattered with red paint resembling blood — and his Marlboro Man paintings crafted from a thick tar-like substance, Hambleton’s most iconic pieces serve as the namesake of Oren Jacoby’s new documentary in theaters this week. Debuting […]
-
“We Wanted to Make it a Very Sexy Fish…”: Five Questions for The Shape of Water Director Guillermo Del Toro
If Guillermo Del Toro hasn’t already cemented his place as one of the great storytellers of today, he certainly has with his latest film The Shape of Water, a Cold War-era twisted fairy tale opening today. Sally Hawkins stars as a mute cleaning lady, Elisa, working at a government agency, whose only friends are her co-worker Zelda (Octavia Spencer) and her gay neighbor Giles (Richard Jenkins). An imposing government agent Strickland (Michael Shannon) arrives with a mysterious amphibious creature in tow, played by Doug Jones. While Strickland is intent on studying the creature for whatever military value this research might […]
-
Josh Koury and Myles Kane on Their Controversial Gay Talese Documentary Voyeur
With character driven films such as Journey to Planet X and We are Wizards, duo Josh Koury and Myles Kane have carved out a reputation as observational filmmakers. Their Voyeur — which premiered at NYFF and is now streaming on Netflix — explores the unique relationship between famed writer Gay Talese and former motel owner/self declared voyeur Gerald Foos. Foos, who claims to have secretly watched guests having sex at his Colorado motel for several decades, sent Talese an anonymous handwritten letter detailing his “secret life” back in 1980. Intrigued by the subject matter, the writer agreed to fly up to […]
-
“I Don’t Think Movies are Old-Fashioned”: James N. Kienitz Wilkins on His RIDM Retrospective (and Making Art in the Internet Age)
For this year’s 20th anniversary of RIDM, the Montreal International Documentary Film Festival teamed up with Visions, the city’s experimental documentary film series, for a truly cutting edge retrospective titled “James N. Kienitz Wilkins: Vessels/Containers.” Wilkins, a 25 New Face” of 2016, was honored with four programs containing seven of his works, created from 2012 through 2017. This includes 2012’s nearly two hour Public Hearing, a 16mm, B&W-filmed performance of the transcript from a town hall debate about replacing a Walmart with a Super Walmart, all the way to 2017’s 38-minute Mediums, a medium-length movie made up entirely of medium […]
-
Making VR that Matters: Johns Hopkins’ New Immersive Storytelling and Emerging Technologies Program
In last summer’s print issue of Filmmaker I wrote about the ways that university film and computer science departments are adapting to teach virtual and augmented reality in their classrooms. In schools all over the world, students are finding ways to use VR and AR to create narrative films, documentaries, animation and games as aids in therapy, medicine, architecture and innumerable other fields. Now the newest school to launch a program is Johns Hopkins University in Baltimore, where a graduate level Immersive Storytelling and Emerging Technologies Program is beginning in January. Headed by filmmaker Gabo Arora under the direction of Roberto Busó-García, the Director […]
-
DOC NYC 2017: Peter Braatz on Blue Velvet Revisited
The past year has proven to be a uniquely rewarding time for David Lynch obsessives, with the Showtime revival of Twin Peaks being the obvious highlight, but also marked by recent Criterion Collection Blu-ray/DVD special editions of Twin Peaks: Fire Walk with Me and the new documentary, David Lynch: the Art Life, focused on Lynch’s painting roots. However, one of the most fascinating Lynch-related features in recent memory has yet to receive the widespread U.S. exposure it richly deserves, and it reflects back to a more traditionally structured Lynch favorite (indeed, still the film that some cite as his key work) that those […]
-
“We Digitized Every Frame”: Andrew Sherburne on Saving Brinton and Film Preservation
“I like to save things,” Mike Zahs says in the opening seconds of Saving Brinton, “especially if they’re too far gone.” He’s referring, in the moment, to the stray animals that have hobbled onto his property over the years: a lost cat that birthed 11 kittens, a rotund dog named Tuesday. He’s also alluding to his great passion project, which originated at an estate sale in 1981. Zahs found a cache of mysterious boxes from the estate of Frank Brinton, a showman who traveled the country with his wife from 1895 to 1909 to project films and other pre-cinema entertainments […]
