His performances in Spring Awakening and American Idiot are probably what John Gallagher Jr. is most known for at the moment (he won a Tony for the former), and are often what get him labeled a “musical theater guy,” but they were the only musicals he’s done in his 20-year career. I ask him about two recent play productions (Long Day’s Journey Into Night and Jerusalem) that I suspect were very formative for him, and his latest screen role in the important and moving indie The Miseducation of Cameron Post. And, of course, I couldn’t let him go without talking […]

Lee Aronsohn was a college student in the early 1970s when he discovered Magic Music, an acoustic band based in Boulder, Colorado that attracted a devoted following thanks to their beautiful harmonies, memorable lyrics and bohemian lifestyle. In spite of flirtations with a number of record labels, the group never took off — they never even released an album — and by 1975 they broke up. Forty years later, Aronsohn — now one of the most successful writer-producers in the history of sitcoms thanks to his work on Murphy Brown, The Big Bang Theory and Two and a Half Men, […]

Seven seasons on the sitcom That ’70s Show led Topher Grace to roles in Steven Soderbergh’s Traffic, In Good Company, a not entirely successful turn as “Venom” in Spider Man 3, and lighter projects like Win A Date With Tad Hamilton and Valentine’s Day. He then decided to change the trajectory of his career. He told his agents he wanted to work exclusively with great film artists in environments that inspired him. Worthy projects like Interstellar, Truth and War Machine followed. And this year, Grace’s next chapter continues with David Robert Mitchell’s Under the Silver Lake and the challenging role […]

The “stay positive and keep it simple” approach Ann Dowd has toward her work is truly inspiring. A go-to character actor extraordinaire for 30 years, she has now received wide acclaim (and an Emmy) for her portrayal of the terrifyingly devout Aunt Lydia in The Handmaid’s Tale. And her pitch perfect performance in Craig Zobel’s Compliance is, in my opinion, a tour de force for the ages. In this half hour, she talks about the nuts and bolts of playing these roles and generously lets us peek “under the hood” at the inner workings of her craft. Inspiration is guaranteed. […]

Grace Rex has been a series regular on the British sitcom High and Dry, a recurring guest star on The Good Wife, and had roles in Master of None, Mindhunter and Boardwalk Empire, among many other TV shows and films. For me, her finespun and hilarious work in Ingrid Jungermann’s Women Who Kill solidified her place among the uniquely talented comedic actors to watch. We talk about one special moment in that film, the “bizarre” endeavor of auditioning, and NOT getting into a co-dependent relationship with acting. Back To One can be found wherever you get your podcasts, including iTunes, […]

Some films make a splash on their initial release and are largely forgotten just a few years later; others are ignored but rise in stature with the passage of time. Steven Soderbergh’s 1989 debut sex, lies, and videotape is one of those rare movies that was a phenomenon in its time and has only gotten better with age, a razor-sharp exploration of the ways in which we lie to each other and ourselves and an inquiry into what those lies say about our relationships, our desires, and our society as a whole. An extremely specific movie about a precise social […]

We really get to know the brilliant actor Theodore Bouloukos in this hour. He lets us peek in on him as a child fascinated, perhaps to a peculiar degree, with design, typography, and channel logos. And then what led him to performance art with Brock Enright and others, and the “self training” of student film parts that led to feature roles and works exhibited and staged the world over. We learn the components that now make him a unique talent in the New York film world. I am thrilled and privileged that we get to take a journey inside the […]

With Bo Burnham’s Eighth Grade now in theaters, we’re reposting this interview with the writer/director conducted during SXSW 2018. The movie: Eighth Grade The Plot: Shy and uncertain (except when doling out life advice on her sparsely followed vlog), eighth grader Kayla (a revelatory Elsie Fisher) struggles through her last days of middle school. The Interviewee: Bo Burnham. Eighth Grade is the feature directorial debut for the multi-hyphenate writer/director/musician/stand-up comedian. Filmmaker: Let’s start by talking about opening shots. The way you open the Jerrod Carmichael stand-up special you directed for HBO — this extremely tight close-up with Carmichael already on-stage […]

John Christopher Jones is a veteran “actor’s actor” with many Broadway shows including Simon Gray’s Otherwise Engaged (directed by Harold Pinter), Hurlyburly (directed by Mike Nichols), The Iceman Cometh (with Jason Robards), and Shaw’s Heartbreak House. He is the subject of a documentary film, The Endgame Project, which follows him in his tenth year with Parkinson’s as he rehearses and performs Beckett’s masterpiece. A “text-lover” through and through, he continues to translate the major plays of Chekov (he received a Lortel Award for his version of The Cherry Orchard) and work on his memoir. I’ve often heard the word “craftsman” […]

One of the most haunting and atmospheric pieces of filmmaking I’ve seen this year is the pilot for the television adaptation of James Ellroy’s L.A. Confidential, which, as scripted by Jordan Harper and directed by Michael Dinner, beautifully captures Ellroy’s unique blend of acidic humor, weary resignation, and brutal violence as both a destructive and cathartic force. Working with his Justified collaborator Walton Goggins — brilliant here in the role of Jack Vincennes — as well as an equally fine Brian J. Smith (playing Ed Exley) and Mark Webber (Bud White), Dinner pays tribute to both Ellroy’s novel and Curtis […]