Ever since his 2003 directorial debut Shattered Glass, which told the story of disgraced journalist Stephen Glass and his downfall at The New Republic, Billy Ray has been one of the finest filmmakers we have when it comes to turning recent history into riveting cinema. Breach (about FBI agent turned Russian spy Robert Hanssen) and Ray-scripted films for other directors like Captain Phillips and Richard Jewell are all marked by Ray’s ability to tackle complex subject matter with clarity and concision, making complicated stories accessible without compromising their ambiguities and provocations. Although as both a writer and director Ray has […]

Some actors steal scenes, Harry Melling’s scenes steal movies. The limb-less thespian in The Ballad of Buster Scruggs, the sinister Zuckerberg-like villain in The Old Guard, and now the “spider preacher” Roy Laferty in The Devil All The Time are just some of the characters he’s brought to life, who all feel like they continue to exist beyond their short time on screen. In this episode he talks about his early acting education performing in the Harry Potter films, the importance of “forgetting it all” in order to be in the moment, getting the “invitation” to “play,” and not getting […]

Four of the best performances I’ve seen so far this year are all in the same movie, Yuval Adler’s riveting thriller The Secrets We Keep. Noomi Rapace, who also co-produced the film, plays Maja, a Romanian immigrant in post-World War II America who lives a quiet life with her physician husband Lewis (Chris Messina). Their placid existence is upended when Maja becomes convinced that her neighbor Thomas (Joel Kinnaman) is a Nazi who tortured her years before during the war. When Maja kidnaps Thomas and locks him in her basement, the film becomes a morally thorny and extremely suspenseful thriller […]

I’m very happy to announce that Filmmaker will return to print for our Fall issue, which will reach subscribers — new and continued — in late October. Filmmaker‘s Winter, 2020 issue will be published in January to coincide with IFP’s Gotham Awards. Facing the uncertainty of the coronavirus shutdowns in the Spring, and with bookstores closing throughout the country, Filmmaker published its Summer issue in a special, redesigned PDF format. But now we’re thrilled that, with the support of our publisher, IFP, and our advertisers, we’ll be back with a printed edition next month. The Fall, 2020 issue Filmmaker will also be […]

When Stephen King published The Stand in 1978, the book represented a major increase in scale and ambition for the author, whose story of a nationwide battle between forces of good and evil was both his longest and most sophisticated novel to date. 16 years later director Mick Garris took a similar leap when he graduated from modest horror fare like Critters 2: The Main Course and Psycho IV: The Beginning to helm the miniseries adaptation of The Stand, a four-night, six-hour (not counting commercials) epic with hundreds of sets and speaking roles. Stephen King’s The Stand premiered on ABC […]

Laboring in a greenscreen expanse for months on end never seemed like a particularly pleasant way of working. Not for the crew, confined to a windowless stage with walls roughly the same hue as green Tropical Skittles. Not for the actors, performing in a world they can’t see. And not for the cinematographer, surrendering control of the background that will ultimately replace the verdant swath of green. StageCraft, a new technology that employs a vast array of LED video screens, provides an appealing alternative for capturing virtual environments. Created in partnership with Epic Games and Industrial Light & Magic, StageCraft offers […]

Carrie Coon has quietly built a reputation as an acting powerhouse though a collection of phenomenal performances in television shows like The Leftovers, Fargo, and The Sinner, and movies such as Gone Girl, The Post, and her latest, The Nest. In this episode, she talks about the paramount importance of breath work, using “touchstones” for emotional connection, her first experience on the New York stage in Who’s Afraid of Virginia Woolf, the quarantine film education she’s getting with her husband, Tracy Letts, and much more! Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google […]

Lovecraft Country was inspired by one of those punch-line horror conceits like “Meeting your partner’s family is scarier than a house under siege” (You’re Next). Or, “Nothing’s scarier than meeting your lover’s liberal, racist, white family”(Get Out). Lovecraft Country is a high production value literalization of the pun that H.P Lovecraft invented no horror scarier than his own racism: the invisible effects of racism manifest the series’ monsters, reflected in the actions of the show’s predatory whites. It’s also no coincidence that racism materializes in such outlandish forms that white people wouldn’t believe in them if the victims told them, […]

Katherine Waterston is one of our most brilliant and committed actors. She brings superstar power to indies like Queen of Earth and State Like Sleep, and a captivating authenticity to franchises like Fantastic Beasts and Alien. It was Inherent Vice that first brought her to my attention. In this episode, she talks about why she was “a pig in shit” making that film, why having lots and lots of time to live with a script is ideal for her, becoming comfortable being uncomfortable, the “best feeling I can experience without breaking the law,” and her exciting new multi-part project The […]

When one has the opportunity to listen to an actor with the amount of experience as Rosalind Chao has, one must seize it. From the legendary final episode of M.A.S.H to Black-ish, from The Joy Luck Club to Disney’s eagerly anticipated live action Mulan, Chao has seen it all! On this episode, the once “professional guest star” opens up about how she’s happier when working and happiest on a happy set. She talks about why it’s important to get to the fitting early in her process, adding years to her age to get her first job, learning from Peggy Feury, […]