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Sunday, December 20, 2009
2010 BAHAMAS FILM FESTIVAL 

The Bahamas International Film Festival wrapped in Nassau Thursday night with the closing night film, Precious, which brought out the island out to watch the film and then partake in a Q&A with screenwriter Geoffrey Fletcher and Lenny Kravitz, who stars in the film. The seven day fest also included a career tribute to Johnny Depp earlier in the week, another tribute to Bahamanian underwater cinematographer Gavin McKinney and a Rising Star honor to actress Sophie Okonado.

I attended the fest, where I moderated the closing night Q&A, and here's some shots from the fest.


Children of God (Opening Night Film) director Kareem Mortimer and the film's editor Maria Cataldo.


Festival founder/executive director Leslie Vanderpool (center).


Elliot Kotek (left) moderates the Career Tribute discussion with Gavin McKinney.


Sophia Okonado Rising Star honor.


Sophia Okonado.


Leslie, myself and Geoffrey Fletcher at the closing night screening. (photo by Elliot Kotek)


Geoffrey Fletcher and Lenny Kravitz. (photo by Elliot Kotek)

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# posted by Jason Guerrasio @ 12/20/2009 05:09:00 PM Comments (0)
Wednesday, December 2, 2009
JOHNNY DEPP TO RECEIVE CAREER ACHIEVEMENT AWARD AT THE BAHAMAS FEST 

The Bahamas International Film Festival announced today that Johnny Depp will be receiving the fest's career achievement award this year.

Check back to Festival Ambassador for reports from BIFF when the fest takes place in Nassau Dec. 10-17.

More News
Children of God/Precious Bookend Fest

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# posted by Jason Guerrasio @ 12/02/2009 01:39:00 PM Comments (0)
Tuesday, November 17, 2009
DEADLINE ALERT: HAMPTONS SCREENWRITERS LAB 

The Hamptons International Film Festival's annual Screenwriters Lab are taking submissions for their 2010 Lab taking place April 16-18. Early Bird deadline is Dec. 4 (final deadline is Jan. 8). Learn more here.

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# posted by Jason Guerrasio @ 11/17/2009 11:11:00 AM Comments (0)
Tuesday, November 10, 2009
CHILDREN OF GOD/PRECIOUS BOOKEND BAHAMAS INTERNATIONAL FILM FESTIVAL 

The Bahamas International Film Festival will open its 6th editon with Kareem Mortimer's Children of God (which was shot entirely in the Bahamas in Nassau and Eleuthera last summer) and close with Lee Daniels's Precious, according to a release sent out today.

The festival takes place Dec. 10-17 in Nassau. Learn more about the festival here.

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# posted by Jason Guerrasio @ 11/10/2009 02:43:00 PM Comments (0)
Friday, October 23, 2009
WHAT’S IN A NAME: BARBARIAN PRINCESS BEGINS FIRST WEEKEND OF HIFF 



For the past several weeks the Hawaiian film community and Native Hawaiian activists have been abuzz about Barbarian Princess, British director Mark Forby’s new film on Princess Kai’ulani, one of Hawaii’s most revered historical figures whose tragic life story—sent into exile in England as a teenager, she became an international voice against the American-business-led coup that virtually overthrew the Hawaiian government in the 1890’s, and returned to Hawaii to protect her people’s rights, but died tragically at the age of 23—is indeed the stuff of cinema. Last Friday, on the second day of the Hawaii International Film Festival and the anniversary of Kai’ulani’s birth, audiences finally got a chance to see the film for themselves.

Debate had already been raging as to the film’s casting of a non-Native Hawaiian actress as the princess (Q'orianka Kilcher, The New World, who is half-indigenous Peruvian and actually grew up in Hawaii) and especially its rather spurious title, which is defended as “ironic” by its producers, who insist that it references 19th century American newspaper headlines about the princess, and is meant to be ultimately undermined by the reality of her as an elegant, proud, well-spoken woman. “The title Barbarian Princess is intended as an ironic juxtaposition meant to capture the interest of people who know nothing about the history of Hawaii,” noted one producer in an attempt to defuse the situation. “What moviegoers around the world will learn from this film is that Princess Ka`iulani was an intelligent, beautiful and powerful defender of the Kingdom of Hawaii.” At the festival’s opening press conference, Forby fended off one pointed question by stating “the title was meant to bring in, and then challenge audiences from, say, middle America who might be expecting something like sexy dances at a luau."

Others, however, are less than thrilled with having one of their most beloved historical figures (streets, schools, and other institutions are named after the princess in Honolulu alone) being referred to yet again as a “barbarian,” even if it is ironic. “It is a perpetuation of the wrongs and hurtful aspersions cast upon our people for well over 200 years," stated activist Abigail Kawananakoa, while even Kilcher refuses to refer to the film by its name. “Out of respect for Kai’ulani, I never call it that, and I can't call it that. I call it the Princess Kai’ulani film," she replied at the opening press conference. "It saddens me that today in 2009 Princess Kai’ulani is going to have to once more be associated in the same sentence with the word barbarian, no matter the reasoning." Certainly some reasoning behind the title (that it’s catchy and immediate) falls apart when you’re basically forced to then explain the “real reason” of the title; if you have to put a long-winded explanation behind a title, after all, it’s not “immediate.”

And so, having fueled countless internet blogs and discussion groups, Barbarian Princess finally premiered, to a packed audience of over 1200 people at Honolulu’s grand Hawaii Theater, and promptly sold out three more added screenings afterwards. The result? Well-meaning but sadly missing in any real conviction, this certainly beautifully photographed work seems at a loss as to what, exactly, it wants to be: love story, Merchant Ivory-esque costume drama, political condemnation, or historical document. For better or worse, it winds up being a little of everything, a true “mixed plate” able to please casual viewers but leaving others slightly unsatisfied.

What’s truly bizarre, and rather infuriating, is how utterly unessential the title is to the film; the concept that she is thought of as a “barbarian princess” is only mentioned in a few scenes (some of the most powerful ones, to be fair), and barely devoloped through the work. It’s a lack of focus that infects the entire script, and seems to betray both a heavy hand in the editing room and a few too many hands on the producer’s table: a few moments of injustice here, a couple of awkward teen romance bits there, a bit of sugar-baron skullduggery in one corner, and a helping of desultory natives-versus-cannons battle scenes in another. The film’s vaunted “love story” element (“an epic about a young woman who is forced to choose between the love for her country and the love of a man,” blared one producer, unwittingly also describing the uncertainty of the script itself) seems uncomfortably sandwiched within Forby’s proclaimed vision of the film (to bear witness to the tragedy of the American overthrow of the Hawaiian government), and, even worse, also suffers from a similarly barely developed storyline. No getting to know the characters or watching their love develop here; we’re only given two or three scenes between the princess and her “lover” before they’re suddenly tongue-ing one another on the well-lit beach or, in one odd moment more Skinemax than History Channel, he’s droolingly taking off her thigh-high boots as she coos above him.

This lack of development, whether in characters, relationships, or plot, could possibly be the result of a haphazard edit before the festival premiere; it could explain why other characters pop up without introduction, or disappear just as quickly. In the program guide the film is listed at 129 minutes, but the cut on display seemed more like 105. It’s as if the producers still don’t quite know what they have, or what they want the film to be, a dilemma that again refers back to the odd choice of title. No matter what, they’ve made a costume drama-historical epic (certainly a commendably brave choice in an era of teen comedies, horror films, and gangster movies, but still), and no matter of “ironic” “Barbarian Princess!!” advertising is going to change that. Such films also have a very particular appeal; many of this film's intended audience will be those who are interested in the topic, or students of Hawaiian history, or Hawaiians themselves: the very people, in fact, who may be offended by such a title. And far from the producer’s imaginings of a dozy Middle American audience suddenly shocked to discover that Hawaii offers more than sexy luaus, but it’s not as if this phrase is particularly alluring or appealing anyway: “Barbarian Princess” is, still, at heart, pretty dull, and betrays, like the film, a lack of imagination when it comes to such a fascinating tale.

It's a shame the filmmakers haven't quite figured out what they want the whole to be, as many individual scenes and plot lines do stand out. The princess' friendship with two twin Hawaiian boys; nefariously mustachioed sugar and pineapple tycoons plotting up a storm, and the imprisonment of the Queen are excellently presented and filmed; in fact, most of the Hawaii-set moments have a heart and passion sorely lacking in the England-set scenes, though the princess' encounter with two young British snobs is a highlight. It's as if there's a far more interesting, thoughtful film going on offscreen while the film's fixated elsewhere.

The strongest of the film's elements is undoubtedly the performance of Kilcher as the princess. Asked to look doe-eyed at some British dolt in one scene and steely-eyed at an American one in another, she solidifies a talent and a charisma that’s rare to see; “she’s the best teenaged American talent in Hollywood today,” Forby stated at the film’s post-screening q&a, in his truest statement yet.

A sweeping orchestral score by the Oscar-winning Stephen Warbeck (Shakespeare in Love) adds a welcome dash of class to the entire proceedings, while cinematography by Gabriel Beristain captures the beauty of the Hawaiian landscapes. Certainly the film deserves to be seen, but more importantly, Princess Kai’ulani’s story deserves to be known.

We’ll have more on the Hawaii festival, and some of the other key films, in a later wrap-up. Thanks.

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# posted by Jason Sanders @ 10/23/2009 06:23:00 AM Comments (0)
Tuesday, August 25, 2009
ROYAL FLUSH FEST ANNOUNCES LINE UP 



The Royal Flush Festival, formerly known as the Evil City Film Fest, announces its lineup of independent films, music videos, live music performances, and underground art openings taking place October 15th-18th at Anthology Film Archives and other venues throughout New York.

Royal Flush Festival’s film component will open with Merle Becker’s ode to American rock poster art, American Artifact, on Thursday, Oct. 15, that will include a Q&A with the director along with artist Tara McPhereson. The centerpiece film will be Royal Flush Festival alum Daryl Wein with his narrative feature comedy, Breaking Upwards, on Saturday, Oct. 17. The festival will also feature "Evil City Horror Films" including Pig Hunt and God of Vampires and will conclude with Dean Bajramovic's Gangster Exchange on Sunday, Oct. 18.

Unique art events will also take place each day including the American Artifact Underground Rock Poster Show at Showroom NYC following the film's screening on Thursday, Oct. 15th, the outdoor Automorphosis Art Car Show and the Antagonist Art Show at Mindy Wyatt Gallery, both on Saturday, Oct. 17th, as well as appearances by legendary New York City activist and street artist, Ron English, and many others.

To learn more about the fest, click here.

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# posted by Jason Guerrasio @ 8/25/2009 01:27:00 PM Comments (0)
Wednesday, August 12, 2009
DEADLINE ALERT: SUNDANCE & SLAMDANCE 

Sundance early deadline is on Aug. 17 (see full list of deadlines here).

Slamdance early deadline is Aug. 21 (full list here).

Good luck.

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# posted by Jason Guerrasio @ 8/12/2009 01:12:00 PM Comments (0)
Tuesday, June 16, 2009
HOLA HEADS TO CHICAGO AND NY 



After a successful inaugural edition in New York last summer, the Hola Mexico Film Festival has spread nationwide for '09. Having just left L.A. last week, Hola will be running from June 19-24 in Chicago and June 23-28 in New York.

Considered the largest Mexican film festival abroad, the Hola program presents 13 feature films, some of them U.S. premieres, showcasing the rich diversity of contemporary Mexican cinema and includes works by celebrated up-and-coming directors such as Fernando Eimbcke (Lake Tahoe, Winner Alfred Bauer Award, Berlin Film Festival 2008) and Gerardo Naranjo (I’m Gonna Explode, Official Selection New York Film Festival 2008), along with Mexican blockbusters Tear this Heart Out by Roberto Sneider (Mexico’s official selection to the Academy Awards) and the animated film Another Egg Movie and a Chick by Rodolfo and Gabriel Rivas Palacio.

Learn more at http://www.holamexicoff.com

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# posted by Jason Guerrasio @ 6/16/2009 02:25:00 PM Comments (0)
Saturday, June 13, 2009
CINEVEGAS SNAPSHOTS 

"Humpday" stars Joshua Leonard and Mark Duplass mingle and interview during the daily CineVegas Happy Hour.


At the CineVegas Filmmaker Brunch, IFC's Arianna Bocco played a game of "Distribution Roulette" whereby distrib heads from different companies were given a fictitious film's brief description. Then they had to give their best strategy for the film's release.

A panel of judges awarded the best pitch a round-trip air ticket from Southwest Airlines.

The winner: Magnolia's Tom Quinn. For this "edgy, sexy indie" Quinn said, "I'd recruit strippers to do group sales. You're laughing but I think that's worth its weight in gold."

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# posted by Mike Jones @ 6/13/2009 10:17:00 PM Comments (0)
CINEVEGAS SNAPSHOTS 

"Frozen River" producer Heather Rae with CineVegas artist director Trevor Groth at the Palms Pool Party.


AFI Dallas fest programmers Sarah Harris and James Faust with CineVegas' Mike Plante.

Harris and Faust have been walking the fest with a Flip camera, recording testimonials on the importance of programmers attending other festivals. Their hope: to convince their own board of directors not to cut their travel expenses.


Denver fest's Britta Erickson and Gen Art's Jeffrey Abramson compare notes on their own BOD challenges.

Erickson, no stranger to fest board conflicts, was recently named interim exec director after Bo Smith was ousted following a staff mutiny.

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# posted by Mike Jones @ 6/13/2009 12:54:00 PM Comments (0)
Friday, June 12, 2009
CINEVEGAS SNAPSHOTS 

Cinetic's Matt Dentler with "Winnebago Man" writer/producer Malcolm Pullinger and director Ben Steinbauer.

Dentler talked up his company's new VOD channel called Cinetic Film Buff, going live on July 15. Every month the channel will release 5 new or library films, which effectively puts Dentler, the former film producer of SXSW, back into a curatorial role. Dentler said they are in talks with several distributors to air their libraries, including the troubled New Yorker Films.


Mike Plante, newly promoted to Film Programmer of the fest, makes a quick correction to his badge. Why not print a new one? "In this ecomony?" joked Plante.


Poker legend Amarillo Slim with Doug Tirola, director of the doc "All In: The Poker Movie." Cinetic is selling the rights after the pic's CineVegas premiere. "We just want to make our money back so we can do another movie," said Tirola.

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# posted by Mike Jones @ 6/12/2009 11:41:00 PM Comments (0)
Thursday, June 11, 2009
CINEVEGAS OPENS WITH SAINT 


Wednesday night, CineVegas artist director Trevor Groth opened the fest with the premiere of Hue Rhodes' comedy "Saint John of Las Vegas."


Fest Grand Poobah Dennis Hopper makes his way to the opener.


"Saint John of Las Vegas" actors Aviva, Romany Malco and Jesse Garcia celebrate after the screening.

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# posted by Mike Jones @ 6/11/2009 04:38:00 PM Comments (0)
Wednesday, May 27, 2009
CALL FOR ENTRIES: DUBAI FILM CONNECTION 

The DFC, a co-production market that coincides with the Dubai International Film Festival, is now open for submissions of doc and narrative feature projects in development or works-in-progress from directors of Arab nationality or origin. Deadline for online submission is Aug. 15. The third editon of DFC will take place Dec. 11-15.

Learn more here.

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# posted by Jason Guerrasio @ 5/27/2009 10:47:00 AM Comments (0)
Tuesday, May 19, 2009
NOTES FROM THE OFF PLUS CAMERA FILM FESTIVAL 



Regular contributor Mike Plante filed this report on the Poland-based fest Off Plus Camera, which took place April 17-26 and is gaining notoriety on the fest circuit because of its Grand Prize of $100,000. We can just hear you all practicing your Polish now.

The Off Plus Camera film festival is brand new but already pushing expectations. The first edition of the fest held in beautiful Krakow, Poland, was last October. In an effort to have more crowds and better weather, the fest was moved to April. But they didn’t wait a year - they slammed straight to April ‘09, being crazy enough to do a fest twice in one physical year. With less time between fests, it might be hard to find that many good films, but when you are looking for films from every country regardless of their premiere status, you have tons of great choices. Premiere status is necessary for many fests to entice press, industry and some audiences, and to help achieve a level of importance inside the indie film industry. It becomes tedious though, with many great films missing out on screening and competition opportunities because they had one show somewhere else.

I digress – Off Plus Camera had a powerful choice for opening night – the I-can’t-believe-its-not-a-documentary Johnny Mad Dog, a great and harrowing film that kept people talking. The fest’s official competition section stressed first and second features from directors, with the fest’s opinion each film had not been highly exposed yet, or played at other festivals and has since fallen below the radar. It was a section many fests would want to show, with Afterschool, Big Heart City, Gigante, La Nana, Medicine for Melancholy, The Messenger, Shutes, Sois Sage, Splinterheads, Unmade Beds, Wojna Polsko-Ruska (from Poland) and Zion and his Brother.

Besides their good taste in films, Off Plus Camera gives incredible awards: $100,000 to the jury-selected best film (La Nana, pictured above), which also includes a promise of 1 million zloty to the director if they make a film in Poland (winning director Sebastian Silva mentioned he was interested in making a film about mermaids and naked people. "I'd love to shoot it at the Baltic Sea.”)

Another $10,000 went to a film awarded by local journalists (The Messenger) and the Polish film in competition, Wojna Polska-Ruska, won the audience award, which gave $10,000 to each the filmmaker and the distributor.

Other sections held great films that had gotten attention at bigger festivals (like Hunger), recent films that did not play in Poland yet (Wendy and Lucy), a series of recent American independent films (chosen by Trevor Groth and myself, including Alexander the Last, Barking Water and My Effortless Brilliance), a tribute to 25 years of Sundance, a series of queer cinema (classic films from Gregg Araki, Todd Haynes, Isaac Julien, Gus Van Sant, Tom Kalin) and a series of retro films, this year highlighting Godard, Anna Karina and Seymour Cassel.

Audiences were up this year with the spring weather and more students in town for school. Krakow is a big university town with 100,000 students. And its old – Copernicus studied here (class of 1495). The picturesque city is incredibly intact through multiple wars and communism, surrounded by lovely rolling hills, castles, and a statue of a dragon that breathes fire. Some of the buildings they put microcinemas inside are older than cinema.

With the love of independent cinema from all over the world, Off Plus Camera fits right into what makes a festival vital and interesting. Not to mention: One day at lunch in the city square, two film icons met. Anna Karina was there to screen the films she made with Jean-Luc Godard in the 1960s as well as the recent Victoria, which she directed and acted in. Seymour Cassel was on hand to screen two classics directed by John Cassavetes, Faces and The Killing of a Chinese Bookie, and two new films he acted in, Big Heart City and Reach for Me. Working completely unrelated in Europe and America in 1960, Karina and Cassel helped light the spark that ignited what is now independent cinema today. The two being present at a celebration of new filmmakers put everyone on cloud nine. Not bad for a second-year fest.

On a non-indie note: director Howard Deutch and actress Lea Thompson were also on hand at the fest and were incredibly gracious and funny, ruining any Hollywood clichés. Thompson promised to tell me behind-the-scenes stories of Jaws 3-D.

With an extremely kind staff, unique films and guests, and big support from the city and local television, Off Plus Camera has a chance to become a real gem of European film festivals. -- Mike Plante

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# posted by Jason Guerrasio @ 5/19/2009 11:45:00 AM Comments (0)
Tuesday, April 28, 2009
TRIBECA TALKS FOCUSES ON DISTRIB 2.0 



Today one of the most anticipated panels for filmmakers in the Tribeca Talks series took place. Moderated by Hollywood Reporter's Steve Zeitchik with a panel consisting of IFC's Ryan Werner, 42 West's Cynthia Swartz, Bomb It director Jon Reiss, YouTube's Sara Pollack, Tribeca Enterprises' Geoff Gilmore and Oscilloscope's David Fenkel (pictured above right-left), the group discussed the alternative distribution and marketing models currently on the minds of filmmakers and the industry alike.

Like most panels on this subject no one has the answer on how filmmakers can make money outside of the traditional forms of distribution. YouTube has begun their Screening Room page recently that's showcasing shorts and feature films for free. And though Pollack notes that there have been over 30 million views to the page, filmmakers aren't really seeing much money, if any. Then there's IFC which has been the trailblazer in VOD distribution. Werner says that they moved to the VOD platform and created Festival Direct (which are festival favorite titles they release only on VOD) because they couldn't take chances on some films that they loved on the festival circuit by spending P&A to give it a traditional theatrical release. "It was a response to what we saw at festivals," says Werner of IFC's VOD model. "We couldn't take a chance on them [theatrically] so this was the only way to release them."

Gilmore also noted that a real change is needed on what the industry views as a success. "When sex, lies was bought everyone would have been happy to make a $2 million gross," he says. "Now everyone wants to have a Slumdog Millionaire." He says that the "hit-driven" mentality has to be toned down and that the system that has been in place for the last 30 years (theatrical to home video to paid cable) is outdated and that everyone is waiting for that one online model that is profitable. YouTube could soon have the answer.

Pollack told how when Magnolia released Wayne Wang's The Princess of Nebraska and A Thousand Years of Good Prayers close to one another in 2008, YouTube premiered Nebraska and got close to 150,000 views in the first week it went up along with a review from A.O. Scott at the New York Times. But Pollack says that with Nebraska being online at the same time A Thousand Years was in theaters it helped bring more attention to Thousand. So perhaps the best way to use the Web right now is by creating original content for the Web that can help motivate audiences to see a film in a traditional way.

Swartz believes that filmmakers need to think out the marketing even before funding begins on a project. "You can no longer make a film and they say, 'what do I do with it?'" she says. "You have the cultivate an audience before making the movie and have a back up plan if your film doesn't get bought."

Reiss concurs and says that you can make more money selling parts of your film than giving all rights to one company (many of these issues and more can be found in the series of stories Reiss wrote for us in our Fall '08, Winter '09 and Spring '09 issues). He also states that there's still money that can be made in releasing a film theatrically, but you just can't do it the way the studios do. "Often times [when screening Bomb It] we made most of our money when we did one or two day screenings instead of a week long," he says. "We would do promotion and do the street team thing so people realized after a few days they would never get the chance to see the film so they had to come to the theater."

Though many filmmakers could have taken away a lot of doom and gloom scenarios from the discussion, Reiss put it in a positive prospective. "This is the best time to be a filmmaker because there has never been a time like this where you have all these options to release films."

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# posted by Jason Guerrasio @ 4/28/2009 10:54:00 PM Comments (0)
Friday, April 24, 2009
HIGHLIGHTS AT TRIBECA APPLE STORE PARTY 



Though the Tribeca Film Festival kicked off on Wednesday with the screening of Woody Allen's Whatever Works, the fest really kicked into gear on Thursday as screenings started as well as the parties. Apple Store's annual party was tonight with the highlights being an appearance by a cute dog named Archie (pictured right) who roamed around the first and second floor with ease, acting more civilized than most of the humans in the store.

Case in point, this group who decided to start a conga line around the second floor.

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# posted by Jason Guerrasio @ 4/24/2009 01:32:00 AM Comments (0)
Wednesday, April 8, 2009
SWEETHEARTS AT SXSW 

At this year's SXSW we asked Sweethearts of the Prison Rodeo director Bradley Beesley to take along Nokia's N95 multimedia device to shoot pictures of his funny and touching doc about women convicts who get the chance to compete in a rodeo.

We thank Bradley and the crew of Sweethearts for taking part in this. Here's his photo diary.

Here's a shot from the VIP balcony at the newly remodeled Alamo
Ritz theatre. This pic is of our opening credits -done by the fine
folks at SUPER! ALRIGHT! a post house here in Austin. What you can't
see from this photo is that a man is being gored by a 1500 pound bull
and flipped 10 feet in the air.


This was at our cast and crew dinner at Progress Coffee Shop. I
made fajitas for everyone and we drank mountains of Chimay beer. This
photo with Louisianna Kreutz, our editor, and Melissa Scaramucci, our
associate producer, must have been taken before I started serving
food because at the end of the night I was covered in guacamole, meat
juices and beer.


If you're wondering why those 3 people to the right of that
bearded beast look so miniature, it's because that's the tallest man
in Oklahoma (7 feet tall and 385 pounds of half man/half big foot)
who happens to be our talented cinematographer Mr. Alan Novey and yes
he bites. Also, dwarfed with me is James Payne and Amy Dotson our
sweet producers. This was after our second screening at the Alamo
Ritz -we once again packed the house and I somehow managed to win a
pizza eating contest during our screening.


Pictured here is Dr. Michael Friedman our trustee associate
producer. Michael is holding a Sweethearts of the Prison Rodeo
wallet which was hand made by the female inmates at the Eddie Warrior
Correctional Center. A great deal of our film was shot on location
at the EWCC saddle shop so we thought it was fitting to order leather
goods from the prison as gifts for the cast and crew.


Here's me with Andrew Bujalski who was kind enough to make it to
our second screening. Andrew's only screening of Beeswax was during
our premiere party so I didn't get to see his film but I can't wait
to check it out. That's the problem with these film festivals -
there's just too many great films to see in one week. Although Andrew
and I don't hang out that often in Austin we once had Thanksgiving
dinner together at a film festival in Greece.


Our main female characters had collectively been in prison for
over 25-years and I wanted this SXSW premiere to be special for the
girls so we rented a Lincoln town car, got them matching western
outfits and gave them the red carpet treatment outside the Paramount.
Here Crystal and Jamie are walking on the red carpet into the cinema
which was packed with over 1,000 people. Our premiere could not have
been any better and the ladies did an amazing job during our Q&A.


Still trapped in the Winnebago, apparently i have not only fallen
asleep while traveling at 40MPH but someone has enlarged my face to
the size of a giant pumpkin. If there's a less flattering photograph
of me I have yet to see it. Please look away.


Somehow, we thought it was a good idea to pack over 50 drunk
filmmakers into a Winnebago and drive around Austin -spilling beer on
each other, shouting out the windows and generally annoying anyone
within earshot. I am not certain what Ben Steinbauer (pictured here)
paid for this Winnebago but it was well worth every cent. We
certainly put the wreck in recreational vehicle and for the record
the giant man Mr. Alan Novey was driving.

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# posted by Jason Guerrasio @ 4/08/2009 04:39:00 PM Comments (0)
Monday, March 30, 2009
TFF's TRIBECA TALKS SERIES ANNOUNCED 

One of my favorite aspects of this (at times) overwhelming festival is its panel discussions. The Tribeca Film Festival, since its inception, has always brought in well-respected, usually very blunt professionals to talk about everything from films they've made to industry topics. And what better time to hear what the state of the business is than right now. Here's the panels I feel will help benifit a filmmaker the most.

“Tribeca Talks Panels”

The Future of Independents

Sponsored by the Directors Guild of America


Great art often comes out of great struggle. With the film industry suffering the same upheaval as many other great American industries, where does the future of independent filmmaking lie? Please join members of the DGA's Independent Directors Committee in a discussion of how an independent film gets made in today's rapidly shrinking global economy. Directors Alex Gibney (Taxi to the Dark Side, TFF '07), Rose Troche (The L Word, Go Fish), Raymond De Felitta (City Island, TFF '09), Gary Winick (Bride Wars, Tadpole) will discuss some of the challenges ahead for independent directors with David Carr of The New York Times.


DATE: Friday, May 1

TIME: 5 PM

LOCATION: Directors Guild Theater



“Tribeca Talks: Industry”

Tools of the Trade: Alternative Distribution, Marketing 2.0, and Beyond

Sponsored by The Hollywood Reporter

Every filmmaker is looking for an audience. With the emergence of innovative and widely successful strategies such as marketing on Facebook or digitally distributing on YouTube, the old studio-driven business model of film distribution and marketing has been turned on its head. There are now multiple ways that filmmakers can control what happens to their film once they’ve made it, so how do they come up with the best formula for success? Does one size fit all? This panel will explore a number of key marketing and distribution strategies available to both short and feature filmmakers. Panelists include Sara Pollack, Entertainment Marketing Manager, YouTube; filmmaker Jon Reiss; and Cynthia Swartz, Partner, 42 West. Moderated by The Hollywood Reporter’s Steven Zeitchik.


DATE: Tuesday, April 28

TIME: 2 PM

LOCATION: SVA Theater 2



(Untitled): A Case Study for Digital Workflow

Sponsored by Panavision

With today’s quickly evolving technology, choosing the best resources and workflow for your project can be a challenge. Decisions made months prior to principal photography will impact the post-production process, back-end costs, and ultimately, the success of your production. In this case study, Panavision and Merge Creative Media will review the workflow employed on the feature film (Untitled), directed by Jonathan Parker and starring Adam Goldberg and Marley Shelton. Panelists will explain the process from acquisition on the Panavision Genesis® camera system all the way through the end of the post process.

Panelists include Svetlana Cvetko, (Untitled)’s director of photography; Gavin Rosenberg and Jeremy Evans from Merge Creative; and Chris Konash and John Fishburn from Panavision.


DATE: Wednesday, April 29

TIME: 2 PM

LOCATION: SVA Theater 2



Film: A Matter of Choice

Sponsored by Kodak

Most directors and cinematographers who shoot on film will tell you that nothing is more satisfying than the sound of the stock running through the camera gate or the sight of light pushed through film at 24 frames per second. But really, it is all about the image and how that image will live on celluloid. Whether they’re using 35mm or Super 16mm, filmmakers have a certain aesthetic in mind when they choose to shoot on film.


Join a discussion with Damien Chazelle (Guy and Madeline On a Park Bench) and Julio DePietro (The Good Guy) and other 2009 Festival filmmakers who have made this choice. Moderated by Screen International.


DATE: Thursday, April 30

TIME: 2 PM

LOCATION: SVA Theater 2



Here's the whole lineup of Talks.
Advance selection ticket packages are currently on sale. All advance packages can be purchased online at www.tribecafilm.com/festival or by telephone, toll free, at (866) 941-FEST (3378).




“Tribeca Talks Special Events”

Poliwood

World Premiere

In this fascinating documentary, legendary Academy Award®-winning director Barry Levinson sets out to explore the collision and collusion between politics and Hollywood. The film gives the viewer a front-row seat and backroom access to the most significant presidential campaign of the 21st century. Featuring interviews with high-profile celebrities and powerful political figures, Poliwood gives insider access to the influence Hollywood has over today’s political process as we discover the thin line between politician and actor, news and entertainment, policy and tabloid. Trailing a number of politically active actors, writers, directors, and musicians, this documentary is sure to spark debate about the role media and celebrities should have in modern day politics.



Following the screening, Emmy Award®-winning writer/producer and MSNBC political analyst Lawrence O'Donnell will lead a discussion about this convergence of politics and Hollywood with director Barry Levinson and actors Josh Lucas, Rachael Leigh Cook, Tim Daly, Lynn Whitfield, Tony Goldwyn, Robert Davi and Matthew Modine, who appear in the film.



DATE: Friday, May 1

TIME: 6 PM

LOCATION: BMCC Tribeca PAC



Passing Strange

New York Premiere

After a sold-out run at The Public Theater, a Broadway transfer, and multiple nominations and awards (including a Tony), the spectacular Passing Strange played its final super-energized performance in 2008. But before that final curtain, Spike Lee captured the show on film, amazingly retaining and transmitting the power and intensity of co-creator/star Stew and crew’s performances so that nobody has to miss one of the greatest theatrical productions in recent memory.

Following the screening, join Spike Lee, Stew, and co-creator Heidi Rodewald for a conversation about the stage show and the difficulties of trying to recreate that theatrical experience for the big screen.



DATE: Saturday, May 2

TIME: 7 PM

LOCATION: Directors Guild Theater



“Tribeca Talks: After the Movie”

Inherit the Wind

Sponsored by Alfred P Sloan Foundation

The Tribeca Film Festival pays tribute to the bicentennial of Charles Darwin’s birth with a retrospective screening of Stanley Kramer’s Inherit the Wind. Nearly a half century ago, Kramer and his all-star cast (including Spencer Tracy, Fredric March and Gene Kelly) brought this fictionalized version of the infamous 1925 Scopes Monkey Trial to the big screen. The trial was triggered by a public outcry surrounding the teaching of evolution in schools in the 1920s. The anti-evolution movement persists to this day and continues to try to undermine the teaching of evolution in public schools across the country.

The screening will be followed by a panel discussion with special guests from the realms of film and science, including Pulitzer Prize-winning author Jonathan Weiner, Jon Amiel, director of the Charles Darwin biopic Creation and Executive Director of the National Center for Science Education Dr. Eugenie Scott, who will take a closer look at how a scientific explanation of the world, backed by evidence, can bring with it both public and private controversy.

DATE: Saturday, April 25

TIME: 1 PM

LOCATION: SVA Theater 2

Fixer: The Taking of Ajmal Naqshbandi

In 2007, the Taliban kidnapped 24-year-old Ajmal Naqshbandi and an Italian journalist. Naqshbandi was one of Afghanistan's best "fixers"–someone hired by foreign journalists to facilitate, translate, and gain access for their stories. This gripping, tragic story is a behind-the-scenes look into the dangerous and unseen world that happens before we get the news.



The screening will be followed by a panel discussion featuring director Ian Olds, The Nation reporter Christian Parenti, former Afghan fixer Naqeeb Sherzad and New Yorker staff writer and author of "The Assassins' Gate: America in Iraq" George Packer.



DATE: Sunday, April 26

TIME: 1 PM

LOCATION: SVA Theater 2



Making the Boys

The Festival presents a special work-in-progress version of Making the Boys, directed by Crayton Robey. This documentary, about the groundbreaking play that debuted one year before Stonewall, features the many people involved with the original stage play and subsequent film, including Crowley and Dominick Dunne, as well as Edward Albee, Robert Wagner, and Paul Rudnick. After the screening there will be a discussion moderated by Tony Award-winning producer and film documentarian Dori Berinstein, with director Crayton Robey, playwright/screenwriter Mart Crowley, Village Voice columnist Michael Musto and other special guests.



DATE: Monday, April 27

TIME: 8 PM

LOCATION: SVA Theater 2

The Girlfriend Experience

Director Steven Soderbergh follows five days in the life of a $2,000-an-hour Manhattan call girl (adult film star Sasha Grey) who thinks she has her life totally under control. She even has a devoted boyfriend who accepts her lifestyle. But when you're in the business of meeting people, you never know who you're going to meet.



Director Steven Soderbergh and stars Sasha Grey and Chris Santos will participate in a discussion following the film.



DATE: Wednesday, April 29
TIME: 8 PM
LOCATION: SVA Theater 2



American Casino

Politicians and the media like to talk about the relationship between Wall Street and Main Street, but investigative journalist Leslie Cockburn's debut feature gets to the guts of the matter, visiting defectors from Bear Stearns and Standard & Poor's and other high-level players in the subprime mortgage gamble and, on the flipside, visiting the working-class Americans who were the unwitting chips on the table.



Following the screening, director Leslie Cockburn, producer Andrew Cockburn, NYU Stern School of Business Economics Professor and Chairman of RGE Monitor Nouriel Roubini and Bloomberg News correspondent Mark Pittman will discuss the relationship between Wall Street and Main Street.

DATE: Saturday, May 2
TIME: 2 PM
LOCATION: Directors Guild Theater

Outrage

Academy Award®-nominated filmmaker Kirby Dick (This Film Is Not Yet Rated) delivers a searing indictment of the hypocrisy of closeted politicians who actively campaign against the LGBT community to which they covertly belong. Outrage boldly reveals the hidden lives of some of our nation's most powerful policymakers, details the harm they've inflicted on millions of Americans, and examines the media's complicity in keeping their secrets.



Expanding on the issues raised in Outrage, director Kirby Dick, author and Sirius Radio talk show host Michelangelo Signorile and former New Jersey Governor Jim McGreevey will discuss political hypocrisy, public versus private lives, gay rights, homophobia in the media, and the controversy surrounding outing in a conversation led by author and activist Rodger McFarlane.



DATE: Friday, May 1

TIME: 8 PM

LOCATION: Directors Guild Theater



“Tribeca Talks Panels”

The Big Time to the Big Screen: 30 Years of Sports Filmmaking

Sponsored by ESPN

Whether played out on the field, in the ring, or on the court, every great sports drama is ultimately a human tale—of conflict, determination, passion, triumph, and loss. In honor of ESPN’s 30th anniversary, ESPN Films launches “30 for 30,” an unprecedented documentary film series featuring 30 of today’s finest directors bringing to life 30 of the most remarkable sports stories from 1979 to 2009—the ESPN era. These films represent an extraordinary and diverse mosaic of the impact of sports on America and world culture.



Chris Connelly will lead a discussion with four of the thirty accomplished and up and coming filmmakers contributing to this series: Dan Klores, Barbara Kopple, Barry Levinson and Albert Maysles.



DATE: Friday, April 24
TIME: 5 PM
LOCATION: SVA Theater 2



The Future of Independents

Sponsored by the Directors Guild of America



Great art often comes out of great struggle. With the film industry suffering the same upheaval as many other great American industries, where does the future of independent filmmaking lie? Please join members of the DGA's Independent Directors Committee in a discussion of how an independent film gets made in today's rapidly shrinking global economy. Directors Alex Gibney (Taxi to the Dark Side, TFF '07), Rose Troche (The L Word, Go Fish), Raymond De Felitta (City Island, TFF '09), Gary Winick (Bride Wars, Tadpole) will discuss some of the challenges ahead for independent directors with David Carr of The New York Times.



DATE: Friday, May 1

TIME: 5 PM

LOCATION: Directors Guild Theater



“Behind the Screens: Films and Conversations about Truth, Clarity and Responsibility”

Sponsored by iShares

The Burning Season

TFF award winner Cathy Henkel (The Man Who Stole My Mother’s Face, TFF ’04) returns with this powerful portrait of three lives affected by deliberately lit fires raging across Indonesia. Destroying pristine rainforest, endangering wildlife, and contributing to climate change, these fires only benefit the lucrative palm oil industry. Following a carbon-trading entrepreneur, an orangutan rescuer, and a palm oil farmer, this doc inspirationally shows those caught at the intersection of big business and conservation. Hugh Jackman narrates.



Following the screening, Henkel and film subject Dorjee Sun, CEO of Carbon Conservation, along with The New York Times Environmental Correspondent Elisabeth Rosenthal will participate in a panel discussion about the multitude of issues raised in the film.



DATE: Monday, April 27
TIME: 7 PM
LOCATION: SVA Theater 1



Transcendent Man

Some hail him as a modern-day Nostradamus, others dismiss him as a crackpot. Futurist and famed inventor Ray Kurzweil is the preeminent theorist on the pending fusion of humans and super-intelligent machines as the next phase of evolution, a "singularity" he predicts will occur within thirty years. This fascinating (and at times terrifying) doc explores the personal ideals behind his controversial ideas.



Robert Krulwich (NPR Science Desk Correspondent, co-host of WNYC's Radiolab, and science correspondent for ABC News) will lead a discussion with Ray Kurzweil and director Barry Ptolemy following the screening.



DATE: Tuesday, April 28
TIME: 7 PM
LOCATION: SVA Theater 1



Burning Down the House: The Rise and Fall of CBGB

Fueled by vintage performances by the likes of Patti Smith, Talking Heads, Television, Bad Brains, and The Ramones, this doc charts the history and far-reaching influence of iconic downtown club CBGB and its fight for survival against the Bowery homeless shelter that sought to shut it down. Sonic Youth, Debbie Harry, Ice-T, Fab 5 Freddy, and others share their passion for the anything-goes spirit of the club and its founder, Hilly Kristal.



Following the screening, 101.9 RXP DJ Matt Pinfield will lead a discussion featuring director Mandy Stein, music producer and original member of The Ramones Tommy Ramone, music producer and Talking Heads drummer Chris Frantz, co-founder of Punk Magazine and former Spin Magazine senior editor Legs McNeil and musician Jesse Malin, co-owner of the late Coney Island High as well as the year-old Bowery Electric, to further discuss the legacy of the famous (and infamous) rock spot.



DATE: Thursday, April 30

TIME: 7 PM

LOCATION: SVA Theater 1



“Tribeca Talks: Industry”

Tools of the Trade: Alternative Distribution, Marketing 2.0, and Beyond
Sponsored by The Hollywood Reporter
Every filmmaker is looking for an audience. With the emergence of innovative and widely successful strategies such as marketing on Facebook or digitally distributing on YouTube, the old studio-driven business model of film distribution and marketing has been turned on its head. There are now multiple ways that filmmakers can control what happens to their film once they’ve made it, so how do they come up with the best formula for success? Does one size fit all? This panel will explore a number of key marketing and distribution strategies available to both short and feature filmmakers. Panelists include Sara Pollack, Entertainment Marketing Manager, YouTube; filmmaker Jon Reiss; and Cynthia Swartz, Partner, 42 West. Moderated by The Hollywood Reporter’s Steven Zeitchik.



DATE: Tuesday, April 28

TIME: 2 PM

LOCATION: SVA Theater 2

(Untitled): A Case Study for Digital Workflow

Sponsored by Panavision

With today’s quickly evolving technology, choosing the best resources and workflow for your project can be a challenge. Decisions made months prior to principal photography will impact the post-production process, back-end costs, and ultimately, the success of your production. In this case study, Panavision and Merge Creative Media will review the workflow employed on the feature film (Untitled), directed by Jonathan Parker and starring Adam Goldberg and Marley Shelton. Panelists will explain the process from acquisition on the Panavision Genesis® camera system all the way through the end of the post process.

Panelists include Svetlana Cvetko, (Untitled)’s director of photography; Gavin Rosenberg and Jeremy Evans from Merge Creative; and Chris Konash and John Fishburn from Panavision.



DATE: Wednesday, April 29

TIME: 2 PM

LOCATION: SVA Theater 2



Film: A Matter of Choice

Sponsored by Kodak

Most directors and cinematographers who shoot on film will tell you that nothing is more satisfying than the sound of the stock running through the camera gate or the sight of light pushed through film at 24 frames per second. But really, it is all about the image and how that image will live on celluloid. Whether they’re using 35mm or Super 16mm, filmmakers have a certain aesthetic in mind when they choose to shoot on film.



Join a discussion with Damien Chazelle (Guy and Madeline On a Park Bench) and Julio DePietro (The Good Guy) and other 2009 Festival filmmakers who have made this choice. Moderated by Screen International.



DATE: Thursday, April 30

TIME: 2 PM

LOCATION: SVA Theater 2





“Tribeca Talks: Pen to Paper”

Hosted by Barnes and Noble



As Good as the Book?

As Good as the Book?, moderated by Dana Stevens, Slate Magazine film critic, and featuring a panel including Julian Kemp (My Last Five Girlfriends) and Dave Callaham (Tell Tale), will explore the challenges facing a writer when translating a literary vision into the blueprint for a cinematic one can be daunting. Is it ever possible to create a movie that the audience will think is better than the book?



DATE: Saturday, April 25
TIME: 12 PM
LOCATION: Barnes & Noble Union Square



Directors as Writers

The relationship between what is on the page and what is on the screen is the key to the success of any film. Critic and Flavorpill Film Editor Lisa Rosman will explore the challenges faced when you are the keeper of both flames, with writer/directors Raymond De Felitta (City Island), Gloria LaMorte and Paola Mendoza (Entre Nos) and Jac Schaeffer (TiMER).


DATE: Sunday, April 26

TIME: 12 PM
LOCATION: Barnes & Noble Union Square



Writing Big and Small: A Conversation with Brian Koppelman and David Levien

Writing with a big budget is often perceived as different than writing with a small one. Does money affect the imagination of the writer? Join former Premiere film critic and current Some Came Running blogger Glenn Kenny as he discusses the intersection of production budgets and the creative process with Brian Koppelman and David Levien (The Girlfriend Experience, Ocean's Thirteen).



DATE: Monday, April 27
TIME: 3 PM
LOCATION: Barnes & Noble Union Square

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# posted by Jason Guerrasio @ 3/30/2009 12:08:00 PM Comments (0)
Saturday, March 14, 2009
SXSW 2009 



To get the latest news on this year's South by Southwest Film Festival, go to our SXSX page which will be updated daily.

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# posted by Jason Guerrasio @ 3/14/2009 01:52:00 PM Comments (0)
Wednesday, March 11, 2009
SARASOTA FEST CELEBRATES 11th YEAR WITH ASHBY TRIBUTE 

The programs and slate for the 11th Sarasota Film Festival were announced today.

Running March 25 - April 5, many of this year's top titles on the fest circuit will converge to the Gulf Coast including opening night film Oren Moverman's The Messenger and Adam Del Deo/James D. Stern’s Every Little Step to close the fest. See the full list of titles at sarasotafilmfestival.com.

Full of programs throughout the ten days, one of the biggest will be a tribute to Hal Ashby. Along with showcasing many of his films and bringing out some of the people who knew him best like David Carradine, Illeana Douglas, Norman Jewison, Jon Voight and Ashby's daughter, Leigh MacManus, frequent Filmmaker contributor Nick Dawson will be on hand to sign copies of his Ashby biography, Being Hal Ashby: Life Of A Hollywood Rebel, and moderating the tribute.

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# posted by Jason Guerrasio @ 3/11/2009 05:20:00 PM Comments (0)
TRIBECA ANNOUNCES OUT OF COMPETITION TITLES 

The Tribeca Film Festival announced their out of competition slate today. Highlights include world premieres of Steven Soderbergh's The Girlfriend Experience (he showed a rough cut at Sundance), Cheryl Hines's Serious Moonlight, penned by her Waitress co-star and director Adrienne Shelley, a new Ti West horror, The House of the Devil, and the directorial debut of Eric Bana, Love the Beast. Full list of titles are below. The festival will run April 22 - May 3.

Encounters

Blank City, directed by Celine Danhier. (USA) - World Premiere, Documentary. Celine Danhier’s kinetic doc mirrors the urgent, anything-goes energy of her subject: the DIY independent film movement that emerged in tandem with punk rock in late ‘70s downtown New York. New interviews with a impressive array of artists including Amos Poe, Bette Gordon, Debbie Harry, Eric Mitchell, Jim Jarmusch, Lydia Lunch, Steve Buscemi, John Lurie, and Nick Zedd flow into clips from landmark No Wave films, and the still-thrilling music of the era floods the soundtrack.

City Island, directed and written by Raymond De Felitta. (USA) - World Premiere, Narrative. Vinnie just bailed out his illegitimate son from jail, his daughter’s moonlighting as a stripper, his son’s got a weighty fetish, and mom’s eye is wandering… the Rizzos might get along a lot better if they weren’t keeping so many secrets. Andy Garcia, Julianna Margulies, Emily Mortimer, and Alan Arkin star in this smart and poignant dysfunctional-family comedy, set in unassuming City Island.

Don McKay, directed and written by Jake Goldberger. (USA) - World Premiere, Narrative. Don McKay (Thomas Haden Church) should have followed the old cliche, “You can’t go home again.” After 25 years, he returns for the first time to his hometown at the out-of-the-blue bidding of his cancer-stricken ex-girlfriend (Elisabeth Shue). But a lot of time has passed, and an old secret crashes into new ones in this pitch-black comedy, also featuring Melissa Leo.

An Englishman in New York, directed by Richard Laxton, written by Brian Fillis. (UK) - North American Premiere, Narrative. John Hurt astounds as he revisits the role that made him a star (in 1975’s The Naked Civil Servant): real-life writer, actor, and gay icon Quentin Crisp. This smart, sensitive drama, marked by Hurt’s bravura handling of Crisp’s razor-tongued wit, focuses on the flamboyant 72-year-old star’s move to New York in 1981, and the fallout from a reckless comment about the burgeoning AIDS epidemic. Features Cynthia Nixon, Jonathan Tucker, and Swoosie Kurtz. Executive Producers are Joey Attawia, Susie Field and James Burstall. A Leopardrama Film for ITV1.

The Good Guy, directed and written by Julio DePietro. (US) - World Premiere, Narrative. Tommy Fielding (Scott Porter) is a rising young star on Wall Street who has it all: good looks, good friends, and a budding romance that could finally be the real thing. But when a seemingly hapless co-worker (Bryan Greenberg) befriends his new girlfriend (Alexis Bledel), Tommy becomes the unwitting agent of his own downfall—or so it seems. Set in modern, ultra-hip New York City, “The Good Guy” is a fun, fresh take on love and trust, friendship and betrayal.

Lost Son of Havana, directed and written by Jonathan Hock. (USA) - World Premiere, Documentary. Cuban pitcher Luis Tiant never anticipated spending a half-century in exile. Torn between his career and his homeland, he went on to become one of baseball’s best, heating up the mound for (among others) the Red Sox and Yankees. Director Jonathan Hock follows Tiant on his return to Cuba for the first time, capturing an inspiring and profound portrait of one of the game’s greatest heroes. Part of the Tribeca/ESPN Sports Film Festival.

Love the Beast, directed by Eric Bana. (Australia) - International Premiere, Documentary. Eric Bana’s directorial debut is a love story. The object of the actor’s affection? A Ford XB Falcon Coupe, his “beast,” the car he’s had since he was 15. Tracing Bana’s lifelong obsession with cars to his participation in the ultimate auto race—the five-day Targa Tasmania—this impassioned doc is fueled by family, friendship, and the bonds that form through a common passion. Part of the ESPN/Tribeca Film Festival.

Serious Moonlight, directed by Cheryl Hines, written by Adrienne Shelly. (USA) - World Premiere, Narrative. High-powered attorney Louise (Meg Ryan) arrives at her country nest for a little R and R only to discover that her husband (Timothy Hutton) has been cheating on her with the hotter and younger Sarah (Kristen Bell). Enraged, she derails their plan to go to Paris by duct-taping him to a toilet. Cheryl Hines (Curb Your Enthusiasm) skillfully directs Adrienne Shelly’s (Waitress) wry and often hilarious script.

Soundtrack for a Revolution, directed and written by Bill Guttentag and Dan Sturman. (USA) - World Premiere, Documentary. A timeless film about the American civil rights movement told through the soul-stirring music that birthed and fortified the fight from picket lines and mass meetings to paddy wagons and jail cells. This powerful doc, crafted by Oscar(R) winner Guttentag and Sturman (Nanking), pairs modern renditions of freedom songs by Wyclef Jean, John Legend, Joss Stone, The Roots, and others with a retelling of this important moment in history.

Tell-Tale, directed by Michael Cuesta, written by Dave Callaham. (UK, USA) - World Premiere, Narrative. Inspired by the classic Edgar Allan Poe horror story, Michael Cuesta’s (L.I.E., Twelve and Holding) chilling tale follows Terry (Josh Lucas), a single father whose recently transplanted heart leads him on a frantic search to find the donor’s killer before he meets a similar fate. This unsettling psychological thriller features Lena Headey, Brian Cox and Dallas Roberts.

Wonderful World, directed and written by Josh Goldin. (USA) - World Premiere, Narrative. Matthew Broderick is Ben Singer, the world’s most negative man. When his roommate, Ibou, falls ill, Ben is forced to host his Senegalese sister, Khadi (Sanaa Lathan). What starts as an awkward living arrangement soon turns into something more, and Ben’s usual self-destructive nature gives way as he begins to find inspiration in the most unlikely of places.


Spotlight

Black Dynamite, directed by Scott Sanders, written by Michael Jai White, Byron Minns, and Sanders. (USA) - New York Premiere, Narrative. All you suckas gather round. This glorious ‘70s blaxploitation throwback is fist-full of chase scenes, gunfights, kung fu, pimps, and hos. In this satire, Michael Jai White plays Black Dynamite, the smoothest, baddest mother to ever pick up a pair of nunchucks. When the CIA gives back his license to kill, Black Dynamite makes it his mission to keep smack out of orphanages at any cost in this hysterical comedy. Can you dig it? A Sony Pictures Worldwide Acquisitions Group (SPWAG) release.

Departures (Okuribito), directed by Yojiro Takita, written by Kundo Koyama. (Japan) - New York Premiere, Narrative. Winner of the Academy Award(R) for best foreign language film, Departures is the eccentric, lushly scored, movingly funny tale of a cellist who returns to his picturesque rural hometown with his adoring wife following the breakup of his Tokyo orchestra. A cryptic want ad for work in “Departures” leads him into an unexpected but strangely rewarding new job as an undertaker. In Japanese with English subtitles. A Regent Releasing release.

Easy Virtue, directed by Stephan Elliott, written by Sheridan Jobbins and Elliott. (UK) - USA Premiere, Narrative. Kristin Scott Thomas, Colin Firth, Jessica Biel, and Ben Barnes (Prince Caspian) star in the comical tale of a young Englishman who brings his glamorous American bride home to meet his stuffy British parents. Based on the Noel Coward play. Always sublime, Scott Thomas scored nominations from the British Independent Film Awards and the London Critics Circle. A Sony Pictures Classics release.

Fear Me Not (Deb Du Frygter), directed by Kristian Levring, written by Anders Thomas Jensen and Levring. (Denmark) - New York Premiere, Narrative. In this intensely chilling psychological thriller, a run-down middle-aged workaholic (Ulrich Thomsen) enrolls in a clinical trial for a new antidepressant without telling his family. When the trial is abandoned because of dangerous side effects, he continues to take the medication, triggering a hellish descent into madness. In Danish with English subtitles. An IFC Films release.

The Girlfriend Experience, directed by Steven Soderbergh, written by Brian Koppelman, David Levien. (USA) - World Premiere, Narrative. Director Steven Soderbergh follows five days in the life of a $2,000-an-hour Manhattan call girl (adult film star Sasha Grey) who thinks she has her life totally under control. She even has a devoted boyfriend who accepts her lifestyle. But when you’re in the business of meeting people, you never know who you’re going to meet. A Magnolia Pictures release.

In the Loop, directed by Armando Iannucci, written by Jesse Armstrong, Simon Blackwell, Tony Roche and Iannucci. (UK) - New York Premiere, Narrative. A fiery political satire that would be frightening if it weren’t so funny, In the Loop expands on director/co-writer Iannucci’s BAFTA-winning BBC satire The Thick of It. With allies the US and Britain secretly on the road to war with a hostile nation, a timid British cabinet member’s (Tom Hollander) vague public comments about the prospect of an invasion create a firestorm of controversy. The terrific ensemble cast also includes James Gandolfini and Steve Coogan. An IFC Films release.

Moon, directed by Duncan Jones, written by Nathan Parker, story by Duncan Jones. (UK) - New York Premiere, Narrative. A thoughtful character study wrapped in a hi-tech sci-fi flick, Moon stars Sam Rockwell as the sole operator of a lunar mining base, living with only a computer robot (voiced by Kevin Spacey) to keep him company. Three years living on the surface of the moon, far from the touch of his wife and young daughter, has taken its toll—he’s starting to hallucinate, touching off a thrilling chain of events that will shake his sense of identity to the core. A Sony Pictures Classics release.

Rudo y cursi, directed and written by Carlos Cuaron. (USA, Mexico) - New York Premiere, Narrative. Stars Gael Garcia Bernal and Diego Luna and producers Alfonso Cuaron (Children of Men, Harry Potter and the Prisoner of Azkaban), Guillermo del Toro (Pan’s Labyrinth, Hellboy), and Alejandro Gonzalez Inarritu (Babel), through their groundbreaking new company Cha Cha Cha, present a splendid, riotous film about a pair of thickheaded stepbrothers whose rivalry takes them from their jobs on a small-town banana ranch to star spots on opposing soccer teams. In Spanish with English subtitles. Part of the ESPN/Tribeca Sports Film Festival. A Sony Pictures Classics release.

Soul Power, directed by Jeff Levy-Hinte. (USA) - New York Premiere, Documentary. Kinshasa, 1974. As Ali and Foreman fought their legendary “Rumble in the Jungle,” an equally epic music festival united the hottest African American and native African soul musicians for an electrifying display of ethnic empowerment. Cameramen charted everything from the life on the streets to the haps backstage, but the footage sat unedited… until now. In English and French with English subtitles. A Sony Pictures Classics release.

Still Walking (Aruitemo Aruitemo), directed and written by Hirokazu Kore-eda. (Japan) - New York Premiere, Narrative. Years of tension kept barely below the surface threaten to run over when two middle-aged children visit their elderly parents on the 15th anniversary of their older brother’s accidental death. Patient, real-time pacing and a delightfully muted wit from the curmudgeonly old-timers highlight acclaimed director Kore-eda’s (Nobody Knows) domestic drama. In Japanese with English subtitles. An IFC Films release.


Showcase

All About Actresses (Le bal des actrices), directed and written by Maiwenn. (France) - US Premiere, Narrative. Maiwenn sets out to resolve her tortured actress identity by making a faux-documentary around a bevy of famous French actresses—only to transform into the treacherous position of the director, falling in love with her subjects and subjected to their starlet-driven wrath. Indulging in the interior insecurities of divas and has-beens, she blurs reality through real-world-like footage and fantastical musical sequences. In French with English subtitles.

Antoine, directed and written by Laura Bari. (Canada) - US Premiere, Documentary. Antoine was born 100 days premature and became blind from the effects of his incubator. Now five years old, he uses a mini boom microphone to discover and capture the sounds around him. Through this visually striking portrait, expertly crafted by Laura Bari, we share both the everyday and imaginary worlds Antoine lives in and learn how he overcomes adversity by creating his own alternative universe of beauty. In French with English subtitles.

Dazzle (Oogverblindend), directed by Cyrus Frisch. (Netherlands) - North American Premiere, Narrative. Cyrus Frisch, the enfant terrible of Dutch cinema, returns to the Festival with his latest feature that challenges classic modes of storytelling. A fragile, long-distance telephone relationship develops between a younger woman (played by Georgina Verban, a Dutch soap opera star), and an older gentleman (played by Rutger Hauer, star of Blade Runner).

FILM IST. a girl & a gun, directed and written by Gustav Deutsch. (Austria) - North American Premiere, Narrative. Gustav Deutsch, the maestro of found footage filmmaking, excavates silent movies from archives worldwide (including the Kinsey Institute) to weave together a stunning vision of the natural and mythological order of the universe, love between the sexes, and weapons of mass destruction. Recommended for adults only.

Fish Eyes (Yu Yan), directed and written by Zheng Wei. (South Korea, China) - North American Premiere, Narrative. Set during the 2008 Olympics on the outskirts of Beijing, first-time filmmaker Zheng Wei’s beautiful and poetic portrait of modern China tells a simple but poignant story about a father, son, and mysterious young woman that subtly explores the physical and psychological tensions that exist in a land where emerging capitalism and accelerating modernization are rapidly overtaking traditional values. In Mandarin with English subtitles.

Masquerades (Mascarades), directed by Lyes Salem, written by Nathalie Saugeon and Salem - (France, Algeria) - North American Premiere, Narrative. Mounir desperately puts on some big-shot swagger for his small Algerian village by spinning a fantastical fib that involves his narcoleptic sister Rym’s engagement to a European business mogul. As things unravel into a tangled mess of jealousy and irrepressible desire, surprising alliances form that fundamentally shift the way of life for his entire community. In Arabic with English subtitles.

My Dear Enemy (Meotjin haru), directed by Yoon-ki Lee, written by Eun-yeong Park (South Korea) - New York Premiere, Narrative. Lee Yoon-Ki’s (This Charming Girl) deadpan comedy trails a pair of former lovers—he’s a romantic and she’s a realist—who bump into each other one year down the road. She wants back a hunk of cash she lent him, so they spend the day winding through downtown Seoul on a hilarious mission to collect his old debts. In Korean with English subtitles.

Pandora’s Box (Pandoranin Kutusu), directed by Yesim Ustaoglu, written by Sema Kaygusuz and Ustaoglu. (Turkey, France, Germany, Belgium) - New York Premiere, Narrative. Yesim Ustaoglu’s (Journey to the Sun) latest is a gorgeous, expertly developed cross-generational dramedy. When an aging matriarch (90-year-old Tsilla Chelton) starts showing signs of dementia, her dysfunctional family in Istanbul must navigate a minefield of unresolved issues to care for her. Sun took the top prize and Chelton was named best actress at the San Sebastian International Film Festival. In Turkish with English subtitles.

Rachel, directed by Simone Bitton. (France, Belgium) - North American Premiere, Documentary. An insightful and provocative exploration into the complexities of political solidarity, Rachel is the story of Rachel Corrie, a 22-year-old American member of the International Solidarity Movement, who died trying to prevent an Israeli army bulldozer from destroying Palestinian homes in the Gaza Strip in 2003. Director Simone Bitton interweaves excerpts from Corrie’s diary with interviews with activists and Israeli army personnel. In English, Arabic, Hebrew with English subtitles.

Salt of this Sea (Milh hadha al-bahr), directed and written by Annemarie Jacir. (Palestine) - New York Premiere, Narrative. Brooklyn-raised Soraya (spoken-word artist Suheir Hammad) travels to Palestine to retrieve her grandfather’s savings, frozen in a Jaffa bank account after his 1948 exile. Frustrated by unwieldy official policies, she sets out with friend/love interest Emad on a road trip for poetic justice into Israel—after which there is no return. In English, Arabic with English subtitles.


Restored/Rediscovered

Making the Boys in the Band, directed by William Friedkin (The Boys in the Band) and Crayton Robey (Making the Boys), written by Mart Crowley (The Boys in the Band). (USA) In commemoration of the 40th anniversary of the Stonewall riots, we are pleased to present two programs celebrating the seminal film The Boys in the Band, a cultural watershed that still resonates today. Join us for a free screening of the 1970 film—directed by William Friedkin and written by Mart Crowley, based on his groundbreaking play that debuted one year before Stonewall. (The Boys in the Band print courtesy of CBS Broadcasting, Inc.)

Inherit the Wind, directed by Stanley Kramer, written by Nedrick Young, Harold Jacob Smith. (USA, 1960). Nearly a half-century ago, an all-star cast (including Spencer Tracy, Fredric March, and Gene Kelly) and director brought this fictionalized version of the infamous 1925 Scopes Monkey Trial to the big screen. Join us as we revisit this modern classic in recognition of Charles Darwin’s 200th birthday as well as the 150th anniversary of the publication of his seminal (and to some, still controversial) On the Origin of Species. Sponsored by Alfred P Sloan Foundation.

Variety, directed by Bette Gordon, written by Kathy Acker. (USA, 1984). In Bette Gordon’s newly restored, pioneering indie narrative about voyeurism from a female perspective, a young woman (Sandy McLeod) works as a ticket taker in a porn theater, and her curiosity leads her to shadow a male patron. This film features an unparalleled collaborative team of downtown artists from the early 1980s, including composer John Lurie, cinematographer Tom DeCillo, writer Kathy Acker, photographer Nan Goldin, and actor Spalding Gray. Variety was shot on location in New York City at the now bygone landmarks of the Variety Theatre, Fulton Fish Market, and Yankee Stadium, as well as an edgier incarnation of Times Square.


Midnight

Cropsey, directed by Joshua Zeman and Barbara Brancaccio, written by Zeman. (USA) - World Premiere, Documentary. Urban legends—we either dismiss them or accept that they have some grain of truth. Directors Zeman and Brancaccio attempt to uncover one such urban myth as they investigate five missing children and the real-life boogeyman linked to their disappearance in Staten Island during their youth. Will this terrifying journey resolve what has haunted them since childhood?

The House of the Devil, directed and written by Ti West. (USA) - World Premiere, Narrative. Set in the early ‘80s on the night of a lunar eclipse (and all the more shocking for being “based on true unexplained events”), this simmering retro suspense thriller centers on a cash-strapped college girl who answers a babysitting ad only to gradually unravel the horrifying secret behind why she was truly hired. Featuring Jocelin Donahue, Tom Noonan, Mary Woronov, and Greta Gerwig.

Hysterical Psycho, directed and written by Dan Fogler. (USA) - World Premiere, Narrative. In this side-splitting horror send-up, a theater troupe takes a trip to a country cabin, but its nearby lake is full of lunar radiation, and one of the troupe members is straight-up crazy. Put them together and you get one psycho thespian! Full of bloody, fun-filled kills, a deaf-mute chick, and some big boobs, Hysterical Psycho is a helluva trip.

Midgets vs. Mascots, directed by Ron Carlson, co-written by Kevin Andourian. (USA) - World Premiere, Narrative. Two teams risk life, limb, and maybe jail time while pushing the boundaries of decency to score the fortune of a deceased little person, a former mascot turned porn mogul. Outrageous outcasts and out-of-control antics abound in this bawdy Jackass-meets-Road Rules mockumentary, a cautionary tale in which milk does not do a body good and that features the long-awaited big-screen comeback of Gary Coleman.

Newsmakers (Goryachie novosti), directed by Anders Banke, written by Sam Klebanov and Aleksandr Lungin. (Russia, Sweden) - World Premiere, Narrative. In this fast-paced remake of Johnnie To’s Breaking News, the public confidence of the police force is compromised after they botch catching a gang of robbers and it gets captured on camera. In retaliation, the police chief and PR director decide to create a live reality show with a search-and-destroy operation against the gang they let get away. This crime thriller is loaded with loud gunfights and action that takes the term “media war” to a whole new level. In Russian with English subtitles.

Paintball, directed by Daniel Benmayor, written by Mario Schoendorff. (Spain) - World Premiere, Narrative. Eight strangers convene in a remote forest for an expensive experts-only paintball retreat. They enter the game at full throttle, but already something’s not right. The rules have changed and more is at stake than they expected. This frenetic thriller is akin to a live-action videogame, but getting to Level 10 doesn’t seem to guarantee anything. In English.

The Wild and Wonderful Whites of West Virginia, directed by Julien Nitzberg. (USA) - World Premiere, Documentary. Shoot-outs, robberies, gas-huffing, drug dealing, pill popping, murders, and tap dancing—what do these all have in common? The White Family. From Executive producers Spike Jonze, Johnny Knoxville and Jeff Tremaine comes a shocking portrait of Boone County, West Virginian’s most notorious and surly family. Nitzberg spends a year with multiple generations of the White family in this outlandish doc featuring the family’s dancing muse, Jesco White (star of the cult classic documentary Dancing Outlaw). Also with Hank Williams III.

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# posted by Jason Guerrasio @ 3/11/2009 12:44:00 PM Comments (0)
Monday, March 9, 2009
TRIBECA ANNOUNCES WORLD NARRATIVE/DOC COMPETITION & DISCOVERY SLATE 

With a mix of the economic wowes and losing sponsors like Target and GM, this year's Tribeca Film Festival will have a slimmer line up with 86 features and 46 shorts. Announced today were the Discovery, World Narrative competition (which includes the world premiere of the Polish brother's Stay Cool) and, what I feel is the strongest section at Tribeca, the Documentary competition slate (the world premiere of Kirby Dick's Outrage). Full list is below. The festival will run April 22 - May 3.


World Narrative Feature Competition

About Elly (Darbareye Elly), directed and written by Asghar Farhadi. (Iran) - North American Premiere. A group of old college pals reunites for a weekend adventure on the sea, but compounding lies and deception quickly lead to catastrophe. Everyone hopes Sepideh’s new friend Elly will hit it off with Ahmad, newly divorced from his German wife and in search of an Iranian bride, but Elly disappears on the second day, plunging the group into a complex mystery. Asghar Farhadi took the Best Director prize at Berlin. In Persian with English subtitles.

Accidents Happen, directed by Andrew Lancaster, written by Brian Carbee. (Australia) - World Premiere. There are dysfunctional families… and then there are the Conways. After a family tragedy, 15-year-old Billy Conway has become the de facto glue between his bitter mom (Geena Davis), distant brother, and stoic dad. But when Billy starts to act out, everything changes for him and his family in this visually stunning, bittersweet drama.

The Eclipse, directed and written by Conor McPherson. (Ireland) - World Premiere. Award-winning screenwriter and Tony-nominated playwright McPherson crafts an exquisite atmospheric drama about a widower (Ciaran Hinds, Munich) who sees and hears strange things in his house. His life converges with a beautiful author of supernatural fiction (Iben Hjejle, High Fidelity) and a full-of-himself pop novelist (Aidan Quinn) at an international literary festival that will alter their lives in surprising ways.

The Exploding Girl, directed and written by Bradley Rust Gray. (USA) - North American Premiere. A tender performance by Zoe Kazan is the centerpiece of this delicate, beautifully shot character study. Cherubic college student Ivy is back home in Brooklyn for spring break with her longtime platonic guy pal Al in tow. As her relationship with her boyfriend slowly disintegrates via cell phone, Al’s friendship is cast in a new light.

The Fish Child (El nino pez), directed and written by Lucia Puenzo. (Argentina, Spain, France) - North American Premiere. Likened to a bold Argentine Thelma and Louise, Lucia Puenzo’s follow-up to her Cannes winner XXY wraps a passionate love story in the arms of a pulsating thriller. When an upper-class Argentine falls for her family’s sultry Paraguayan maid, the two make plans to run away together, but their hope for escape is derailed when shocking secrets become unveiled. In Spanish with English subtitles.

Handsome Harry, directed by Bette Gordon, written by Nicholas T. Proferes. (USA) - World Premiere. Harry (Jamey Sheridan), a divorced father and former sailor, lives a simple life in his small town. But when his dying best friend sparks Harrys drive to confront his past, buried secrets resurface and force him to deal with painful memories. This unique and eloquent film also features Aidan Quinn, John Savage, and Campbell Scott.

Here and There (Tamo i ovde), directed and written by Darko Lungulov. (Serbia) - World Premiere. Miserable middle-aged musician Robert suddenly finds himself homeless and in need of quick cash. He accepts an offer from a young, enterprising Serbian immigrant named Branko: Travel to Belgrade, marry Branko’s girlfriend, and bring her back to the US. But while on the trip, Robert meets Branko’s mother, discovers that happiness comes when least expected, and begins to question whether money or love would be the true cure to his ills. In English and Serbian with English subtitles.

North (Nord), directed by Rune Denstad Langlo, written by Erlend Loe. (Norway) - North American Premiere. A road movie without a road, North is a wry comedy about a former ski champion recovering from a mental breakdown and on a journey to start anew. Having just learned he has a five-year-old son, he hops on his snowmobile with some moonshine, bound for ex-girlfriend’s home in Norway’s Far North. His oddball encounters along the way make this fresh and original debut both tender and amusing. In Norwegian with English subtitles.

Queen To Play (Joueuse) - directed and written by Caroline Bottaro. (France, Germany) - World Premiere. Sandrine Bonnaire plays an inquisitive hotel maid captivated by a vacationing couple (Jennifer Beals, Francis Renaud) playing chess. Thus begins her obsession with mastering the game and transforming her uninspired life. An American expat (Kevin Kline) mentors her in the game that alters both their lives in this delightful feel-good French import. In French with English subtitles.

Seven Minutes in Heaven (Sheva Dakot Be’gan Eden), directed and written by Omri Givon. (Israel) - International Premiere. A young woman struggles to reconstruct her memory of the events immediately following the Jerusalem bus bombing that took the life of her boyfriend and left her back badly scarred. Part memory play, part love story, and part metaphysical thriller, this startling debut feature announces Givon as a forceful storyteller and exciting new voice in international cinema. In Hebrew with English subtitles.

Stay Cool, directed by Michael Polish, written by Mark Polish. (USA) - World Premiere. Henry McCarthey (Mark Polish) returns home to give the commencement speech at his high school. But even after almost 20 years, it’s as if he never left - he again wants the girl, gets suspended by the principal, and is grounded by his parents. This charming comedy, featuring Winona Ryder and Hilary Duff, reminds us that time certainly does fly and old flames are hard to put out.

Vegas: Based on a True Story, directed by Amir Naderi, written by Susan Brennan, Bliss Esposito, Charlie Lake Keaton and Naderi. (USA) - North American Premiere. Returning to the Festival, acclaimed director Amir Naderi applies his inimitable cinematic style to Vegas. The film takes place away from the glittering strip of luxury mega casinos, but the judgment-clouding greed of Sin City is just as pervasive on the desert outskirts of town, where an otherwise happy family is thrown into turmoil after learning of a forgotten fortune that may be buried beneath their scrubby little home.


World Documentary Feature Competition

The Burning Season, directed by Cathy Henkel. (Australia) - International Premiere. TFF award winner Henkel returns with this powerful portrait of three lives affected by deliberately lit fires raging across Indonesia. Destroying pristine rainforest, endangering wildlife, and contributing to climate change, these fires only benefit the lucrative palm oil industry. Following a carbon-trading entrepreneur, an orangutan rescuer, and a palm oil farmer, this doc inspirationally shows those caught at the intersection of big business and conservation. Hugh Jackman narrates. In English, Indonesian with English subtitles.

Defamation (Hashmatsa), directed by Yoav Shamir. (Denmark, Austria, USA, Israel) - North American Premiere. Is anti-Semitism an extant threat on the verge of coalescing into a second Holocaust? Or is it a scare tactic used by right-wing Zionists to discredit their critics? Speaking with the head of the Anti-Defamation League, controversial author Norman Finkelstein, and others, Shamir sets out to discover the realities of anti-Semitism today. His findings are both shocking and wryly funny. In English, Hebrew, Russian with English subtitles.

Fixer: The Taking of Ajmal Naqshbandi, directed by Ian Olds. (USA) - North American Premiere. In 2007, the Taliban kidnapped 24-year-old Ajmal Naqshbandi and an Italian journalist. Naqshbandi was one of Afghanistan’s best “fixers”—someone hired by foreign journalists to facilitate, translate, and gain access for their stories. This gripping, tragic story is a behind-the-scenes look into the dangerous and unseen world that happens before we get the news. In English, Dari, Pashto, Italian with English subtitles.

Garapa, directed by Jose Padilha. (Brazil) - North American Premiere. Director Jose Padilha follows up his Golden Bear-winning Elite Squad with this austere, unflinching examination of the realities of chronic hunger for three Brazilian families. At once intimate and universal, Padilha’s hauntingly visual film humanizes the enormity of the global hunger crisis. In Portuguese with English subtitles.

Only When I Dance, directed by Beadie Finzi. (Brazil, UK) - World Premiere. Two teenage ballet dancers from the working-class favelas of Rio are determined to dance their way to a better life, but to do so they must grow up against harsh prejudice, doubt, and some of the best dancers in the world. This inspiring doc trails their path to beat the odds and follow their dream of making it in the elite world of professional ballet. In Portuguese with English subtitles.

Outrage, directed by Kirby Dick. (USA) - World Premiere. Academy Award(R) nominated filmmaker Kirby Dick (This Film Is Not Yet Rated) delivers a searing indictment of the hypocrisy of closeted politicians who actively campaign against the LGBT community they covertly belong to. Outrage boldly reveals the hidden lives of some of our nation’s most powerful policymakers, details the harm they’ve inflicted on millions of Americans, and examines the media’s complicity in keeping their secrets. A Magnolia Pictures Release.

Partly Private, directed by Danae Elon. (Canada) - World Premiere. To cut or not to cut? Pregnant with a baby boy, director Danae Elon and her husband face “a big choice about his little penis.” From New York to London, Istanbul to Israel, Elon travels the world in a shockingly funny, sometimes cringe-inducing (they show it, fellas) effort to understand the controversial ritual of male circumcision.

Racing Dreams, directed by Marshall Curry. (USA) - World Premiere. What Little League is to baseball, go-karting is to auto racing. Oscar(R)-nominated director Marshall Curry (Street Fight) follows the exhilarating and emotional journeys of three top racers competing for the national championship. Three adolescents and their families must discover if they have the talent and dedication—and sponsorship dollars—to one day become NASCAR superstars. Part of the Tribeca/ESPN Sports Film Festival.

Shadow Billionaire, directed by Alexis Manya Spraic. (USA) - World Premiere. When DHL founder Larry Hillblom disappeared following a 1995 plane crash off his Micronesian island home, dozens of would-be heirs from the Philippines came out of the woodwork to lay claim to his mega fortune. Within the framework of the fantastic legal battle, Spraic’s debut doc slowly uncovers the stranger-than-fiction life of this eccentric billionaire.

Team Qatar, directed by Liz Mermin. (UK) - World Premiere. Equal parts competition movie and cultural examination, “Team Qatar” follows the first Qatari national debate team and their springy English coach as they train in Doha, London, and New York in preparation for the world championship in DC. Will this vibrant multicultural team handle the pressure and succeed on the world stage? Part of the Tribeca/ESPN Sports Film Festival.

Transcendent Man, directed by Barry Ptolemy. (USA) - World Premiere. Some hail him as a modern-day Nostradamus, others dismiss him as a crackpot. Futurist and famed inventor Ray Kurzweil is the preeminent theorist on the pending fusion of humans and super-intelligent machines as the next phase of evolution, a “singularity” he predicts will occur within 30 years. This fascinating (and at times terrifying) doc explores the personal ideals behind his controversial ideas.

Yodok Stories, directed by Andrzej Fidyk. (Norway, Poland) - North American Premiere. Exposing subject matter notoriously shrouded in secrecy, this uplifting and sobering doc chronicles a group of North Korean concentration camp escapees and their contributions to a powerful musical based on their experiences. Blending interviews and scenes from the controversial stage show, director Andrzej Fidyk explores the atrocities they faced as prisoners—and the challenges they face while trying to express them through art. In English, Korean with English subtitles.


Discovery

American Casino, directed by Leslie Cockburn. (USA) - World Premiere, Documentary. Politicians and the media like to talk about the relationship between Wall Street and Main Street, but investigative journalist Leslie Cockburn’s debut feature gets to the guts of the matter, visiting defectors from Bear Stearns and Standard & Poor’s and other high-level players in the subprime mortgage gamble and, on the flipside, visiting the working-class Americans who were the unwitting chips on the table.

Burning Down the House: The Story of CBGB, directed by Mandy Stein. (USA) - World Premiere, Documentary. Fueled by vintage performances by the likes of Patti Smith, Talking Heads, Television, Bad Brains, and The Ramones, this doc charts the history and far-reaching influence of iconic downtown club CBGB and its fight for survival against the Bowery homeless shelter that sought to shut it down. Sonic Youth, Debbie Harry, Ice-T, Fab 5 Freddy, and others share their passion for the anything-goes spirit of the club and its founder, Hilly Kristal.

Con Artist, directed by Michael Sladek. (USA) - World Premiere, Documentary. One of the biggest names in the East Village art scene of the ‘80s, “business artist” Mark Kostabi gleefully made a fortune signing and selling artworks painted by a revolving stable of hired hands. This punk-fueled docu-comedy looks back at Kostabi’s ultimately self-destructive skewering of the celebrity art world, and gets as close as one can to a man who’s been called “the black hole of irony.”

Entre nos, directed and written by Gloria La Morte and Paola Mendoza. (USA, Colombia) - World Premiere, Narrative. Adoring mother Mariana (talented codirector Paola Mendoza) has toted her two children from Colombia to New York to indulge her husband’s whim. But when he abruptly abandons the family, she’ll have to rely on her own imagination and courage—and that of her remarkable kids (breakthroughs Sebastian Villada and Laura Montana)—to survive insurmountable odds during their first summer in the United States. In Spanish with English subtitles.

Guy and Madeline on a Park Bench, directed and written by Damien Chazelle. (USA) - World Premiere, Narrative. First-time director Damien Chazelle infuses his black-and-white, verite-style relationship drama with all that jazzy romance of an old-Hollywood musical. Backed by a grand, alternately rollicking and melancholy score, Guy and Madeline tracks a pair of young lovers in Boston after they separate, search for new romance, and perhaps find their way back to each other.

A Matter of Size (Sipur Gadol), directed by Erez Tadmor and Sharon Maymon, written by Danny Cohen-Solal and Maymon. (Israel) - World Premiere, Narrative. In this touching, lighthearted comedy, an overweight, underemployed chef and three close friends abandon their weight-loss group to pursue an activity for which girth is a virtue: sumo wrestling. While training, they discover the soul of sumo, realizing that—fat or thin—love and success will only come from being true to themselves. In Hebrew with English subtitles. Part of the Tribeca/ESPN Sports Film Festival.

My Last Five Girlfriends, directed and written by Julian Kemp. (UK) - World Premiere, Narrative. Based on the international best seller On Love by Alain de Botton, this delightful romantic comedy explores with delicious wit and whimsy just how modern urban relationships go wrong. Surveying the wreckage of his last five relationships, thirtysomething Duncan (Brendan Patricks) concludes that love is a battleground where only the fittest survive.

Off and Running, directed by Nicole Opper, written by Avery Klein-Cloud and Opper. (USA) - World Premiere, Documentary. With white Jewish lesbians for parents and two adopted brothers—one mixed-race and one Korean—Brooklyn teen Avery grew up in a unique and loving household. Even so, she can’t quell her curiosity about her biological African-American roots and decides to contact her birth mother. This choice propels Avery into her own complicated exploration of race, identity, and family that threatens to distance her from the parents she’s always known.

Original, directed and written by Alexander Brondsted and Antonio Tublen. (Denmark) - World Premiere, Narrative. In this fresh and colorful lovable loser tale, Henry has spent most of his life trying to blend in. When his seemingly normal life turns upside down, his friend convinces him to move to Spain and open a restaurant. But before he can break free of the mundane, he gets sidelined caring for his mentally unstable mother, running into a lost-soul feminist who does performance art in a strip club, and a big bag of steroids. In English, Swedish, Danish with English subtitles.

P-Star Rising, directed by Gabriel Noble. (USA) - World Premiere, Documentary. In the early ‘80s, Jesse Diaz was a rising star in the hip-hop world. Now a broke single father in Harlem with two children to support, Jesse finds a shot at redemption in his nine-year-old daughter Priscilla Star, a precocious and immensely talented rapper. Director Gabriel Noble follows four years of father-daughter ups and downs as they navigate the grit and the glamour of the music biz.

Playground, directed by Libby Spears. (USA) - World Premiere, Documentary. Executive produced by George Clooney, Grant Heslov and Steven Soderbergh, this astonishing doc travels to the dark heart of one of the world’s most sinister industries—the child sex trade. Beginning her journey infiltrating brothels in South Korea and Thailand, director Libby Spears soon discovers that the United States is a major player in the human trafficking racket and turns her attention to the homeland. Featuring original artwork by Yoshitomo Nara.

The Swimsuit Issue (Allt flyter), directed by Mans Herngren, written by Jane Magnusson, Brian Cordray and Herngren. (Sweden) - International Premiere, Narrative. What begins as a joke turns into a new shot at glory for a group of over-the-hill athletes who decide to form Sweden’s only all-male synchronized swimming team. The less they’re taken seriously, the more determined they are to win the world championship in this fun, feel-good comedy about friendship and family. In Swedish with English subtitles. Part of the Tribeca/ESPN Sports Film Festival.

TiMER, directed and written by Jac Schaeffer. (USA) - World Premiere, Narrative. Finding true love is easier than ever thanks to a bio-technological implant called the TiMER, which counts down to the exact time people meet their soul mates. Love-starved Oona (Emma Caulfield, TV’s Buffy the Vampire Slayer) is pushing 30, but her TiMER hasn’t even started counting down yet. What’s worse, she’s falling for a guy (John Patrick Amedori, Gossip Girl) who is set to meet his true love in four months. Newcomer Jac Schaeffer crafts a smart romantic comedy that leaves behind the burning question… would you want to know?

Which Way Home, directed by Rebecca Cammisa. (USA) - World Premiere, Documentary. In this unprecedented, revelatory doc, director Rebecca Cammisa (Sister Helen) follows three unaccompanied children on a harrowing odyssey away from their homes in Latin America and through Mexico with one mighty shepherding hope: to reach the United States, where they can either reunite with their own families who made the journey before them, or create new lives for themselves.

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# posted by Jason Guerrasio @ 3/09/2009 01:49:00 PM Comments (0)

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