Originally published in the Summer 2011 issue. Another Earth is nominated for Breakthrough Director. “It has a gentle sensibility,” says director Mike Cahill about his debut feature, the Sundance hit Another Earth. Indeed, this tale of grief, love and “Life Out There” does have a delicate touch, a sensitivity that sets it apart from the summer’s other science fiction. While in other films giant robots destroy entire cities — in 3D, no less — and romance is punctuated every 10 minutes by a train-destroying fireball, Another Earth, starring and co-written by newcomer Brit Marling, harkens back to the speculative parables […]
For Miranda July’s second feature film, THE FUTURE, the performance artist and director mixes humor, fantasy and psychodrama to explore the anxieties of adulthood.
Originally published in our Summer 2011 issue, Bellflower is nominated for Breakthrough Director. Here Michael Tully talks to director Evan Glodell about his debut feature and how the exposure at this year’s Sundance has changes his life. From the interview: Did the Sundance selection really help you in concrete ways, like finding representation? Or is that my wishful thinking for your sake since nothing magical has happened in my life? [laughs] It changed everything. We were at our lowest point. We had the movie to a place where we thought it was good, and we had had screenings with friends […]
Originally published in our Summer 2011 issue, I sat down with Steve James to talk about his latest documentary, The Interrupters. Nominated for Best Documentary for this year’s Gotham Independent Film Awards, this could be the start of a busy award season for the film and its veteran director. From the interview: Though the film touches on some horrible aspects of Chicago, it also has a lot of hope in it. It is kind of a love letter to your city. We wanted the film to be raw, immersive, and uncompromising, but we also didn’t want it to be one […]
Independent documentary filmmaker Lee Storey has won her long battle with the Internal Revenue Service over deductions related to her film, Smile ’til it Hurts: The Up with People Story. The IRS’s case against Storey panicked the documentary community as it was poised to declare documentary filmmaking itself “a hobby” and not a professional, profit-seeking endeavor eligible for tax deductions. However, the same judge, Tax Court Judge Diane L. Kroupa, who said during a hearing, “By its very nature, a documentary to me means that it’s not for profit. You’re doing it to educate. You’re doing it to expose,” has […]