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“…With the Giddy Feel of a College Reunion”: The Fun Frame Documentary Film Festival Returns
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In the spirit of springtime renewal, the Durham, North Carolina-based Full Frame Documentary Film Festival returned to in-person mode for the first time since 2019. And while Full Frame presented virtual versions from 2020 through 2022, the festival was canceled altogether last year, due in large part to fiscal struggles undermining its parent, the Center for Documentary Studies at Duke University. An April 2023 report in Duke’s The Chronicle indicated that the university would undertake a review of the Center. Members of the festival's Advisory Committee circulated a petition on social media, helping to assure the festival's return and, a year llater, Duke reaffirmed its support as Presenting Sponsor, with Full Frame continuing as a program under the auspices of… Read more
Represent Justice Announces New Speakers Bureau, Strategic Plan and Impact Campaign Around Clemency for Women Impacted by Mandatory Minimum Sentences
Ambassador Kareemah Hanifa during the Producing Your Story Training (credit: Represent Justice)
Represent Justice, the organization that began as an impact campaign for Destin Daniel Cretton's wrongful-conviction drama, Just Mercy, announced today via press release a three-year strategic plan, "a roadmap for building narrative power and infrastructure around people impacted by incarceration and creating a justice system that is focused on healing, rather than punishment." New this year is the Speakers Bureau, which will represent "the extraordinary ecosystem of system-impacted movement leaders, exonerees, artists, campaign leaders, filmmakers, and film participants who work in partnership with Represent Justice to transform the legal system. The Represent Justice Speakers Bureau will be a full-service bureau that provides mental health support, capacity-building opportunities, in addition to traditional speakers bureau services." More from the press release: [Just Mercy] told… Read more
Jeremy O. Harris and Slave Play, UFOs, Diane von Furstenberg, Anti-Putin Activists and More: The Tribeca Film Festival Announces Its 2024 Edition
Witches
The Tribeca Film Festival, which runs from June 5 - 16 in New York City, announced today its 2024 feature film lineup. As always there are many buzzy celebrity-focused films, from Trish Dalton and Sharmeen Obaid-Chinoy's opening night doc, Diane von Furstenberg: Woman in Charge to LIZA: A Truly Terrific Absolutely True Story, directed by Bruce David Klein, to music docs featuring Sting, Prince, Linda Perry, Avicii and Detroit techno pioneer Carl Craig. And then there's BRATS, Andrew McCarthy's road trip doc as he reconnects with fellow members of the '80s Brat Pack, Rob Lowe, Demi Moore, Ally Sheedy and Emilio Estevez. But also there's a robust crop of American independent and international debuts from both new filmmakers and returning veterans. Among… Read more
“My Best Ability, In Terms of Acting, Is To Know Everything About My Character.” Dylan Baker, Back To One Episode, 287
Dylan Baker is the definition of a consummate actor. For over three decades he has delivered so many incredible performances in series like The Good Wife, Damages, Hunters, films like Happiness, Selma, Spider-Man 2, and his latest, LaRoy, Texas, where he plays a professional killer. He talks about his approach toward playing despicable people, some who other actor’s wouldn’t touch. He takes us back to his beginnings, and the acting instruction that changed his work and which he still uses today. He tells a story about how the legendary theater director Nikos Psacharopoulos had a big impact on his early career, talks about the excitement of working on ultra independent films like Onur Tukel’s The Misogynists, explains why minimal direction… Read more
“The Charismatic Leader Leads People, But What Toward?”: Rory Kennedy and Mark Bailey on Their HBO Docuseries The Synanon Fix
The Synanon Fix (Photo courtesy HBO)
Currently unspooling across four episodes on HBO and continuing to stream on Max is The Synanon Fix, the latest true-crime catnip from the cable channel that's not a juggernaut of the genre. And while the Sundance-debuting docuseries does involve the usual “suspects” (a cult, a cache of weapons, attempted murder via a venomous snake), it’s also the latest HBO Original from director Rory Kennedy and writer Mark Bailey (Ethel, Downfall: The Case Against Boeing). Which means it’s less interested in lurid details and more focused on actual individuals with an optimistic vision who are drawn into — and failed by — a larger system. In this case the system was Synanon, an organization that was a drug rehab program, a New… Read more
Watch: Devan Scott’s Video Essay, “Why Are Movies So Dark?”
Accompanying his debut article in Filmmaker's print edition, "Did You See (and Hear) That?)," Devan Scott posts today a video essay, "Why Are Movies So Dark?", that provides visual backup for his points. "Contemporary visuals are commonly diagnosed as dark,' 'underexposed' or 'underlit'. In actuality, they describe an array of phenomena, many of them widely misunderstood," he writes. "The most common charge, dim,' is often used interchangeably with 'underlit.' Tools are frequently blamed; 'the digital look' is as much an accusation of modern equipment as an assessment of its apparent effects." Watch Scott's new video above.
