A ridiculously huge cast — Chris Rock, Christian Bale, Margot Robbie, John David Washington, Anya Taylor-Joy, Robert DeNiro, Rami Malek, Taylor Swift, Alessandro Nivola, Andrea Riseborough, Matthias Schoenaerts, Michael Shannon, Mike Myers and Zoe Saldaña! — are (mostly) all highlighted in this first trailer from David O’Russell’s latest, the comedy/thriller Amsterdam. With cinematography by Emmanuel Lubezki and production design from Judy Becker, the film is set in the 1930s and deals with three people who witness a murder and find themselves drawn into “one of the most outrageous plots in American history.” Previously, David O. Russell was interviewed for Filmmaker‘s […]

Read just a sample of Juliette Binoche’s credits — Mauvais Sang, Three Colors: Blue, Damage, The English Patient, Chocolat, Certified Copy, Clouds of Sils Maria, Let The Sunshine In — and one thing becomes clear: few actors have been as internationally respected for such a sustained period of time. In this episode, she speaks about the importance of acting from the body and learning to use “sensation” as a starting point. She tells a story about feeling lost on the set of John Boorman’s In My Country, and what set her free should be a lesson to all directors. She […]

Way back when, during the last in-person Slamdance in the cursed year of 2020, I went to see Tahara, the feature debut of Northwestern University graduates director Olivia Peace and screenwriter Jess Zeidman.  The feature focuses on two teenage best friends and Hebrew students, Carrie (Madeline Grey DeFreece) and Hannah (Rachel Sennott), who face a gear shift in their friendship during the funeral of one of their classmates. Carrie is timid and awkward, Hannah is self-obsessed and inconsiderate. When Carrie kisses her Hannah to find out if she’s a good kisser or not, sparkles light up her world. Throughout the day, […]

While the use of larger format sensors like the Alexa LF and the Sony Venice has continued to accelerate—increasingly eclipsing Super35 as the default for robustly budgeted digital cinematography—the sprawling canvas offered by the Alexa 65 has remained more of a specialty, employed by projects seeking a scope of particularly monumental proportions. That’s exactly how cinematographer Mandy Walker envisioned Baz Luhrmann’s Elvis. “I remember Baz and I talking about the film really early on and thinking, ‘This character is larger than life,’” said Walker, who also used the Alexa 65 on Mulan and The Mountain Between Us. “Elvis was epic, […]

Alice Diop’s Nous begins with images of a white family looking through binoculars at an apparently uninhabited landscape, then cuts to a shot of the landscape itself, as if inhabiting their point of view. Immediately, then, the film suggests that the act of looking is one worth paying attention to. The question of who gets to look and how the looker reacts to what they see is inscribed, almost wordlessly, onto the film. I thought immediately of W.J.T. Mitchell’s Landscape and Power, which examines the artistic depiction of landscape as a politically charged one central to the formation of national […]

In Hustle, a burned out Philadelphia 76ers scout (Adam Sandler) discovers a raw talent (pro hooper Juancho Hernangómez) in a Spanish pick-up game and attempts to put him on the NBA’s draft radar. It’s got the familiar structural bones of the underdog sports drama—complete with epic training montage—but Hustle is like a perfectly run play. Even if you know what’s coming, you’re defenseless when it’s executed properly. The plot mechanics may be recognizable, but the approach to shooting the basketball scenes is novel. As Hustle cinematographer Zak Mulligan points out, televised presentations of the sport—and most basketball movies—offer the action […]

I watched the movie Cordelia not knowing anything at all about it, and never having seen Irish actor Antonia Campbell-Hughes in anything before. The psychological thriller greatly impressed me in no small part due to the captivating performance of Campbell-Hughes, particularly the emotional depth that she invites the viewer to examine without words. In this episode, she talks about the layering work she did to build that character, the unorthodox way her process (or conscious lack of process) has developed over the years, and why it all started with what continues to be the main ingredient—truth. Her feature directorial debut […]

Leilah Weinraub’s 2018 Shakedown, which began playing Metrograph on June 17th (and has been held over through June 30th due to high demand), has been touted by Variety as the “the first-ever non-adult film” to be picked up by Pornhub. Yet it could also be called the sex site’s first-ever Berlinale-premiering and Tate/ICA/MoMA PS1/Whitney Biennial-screened acquisition. And likely the smut streamer’s first-ever labor of love release as well. Indeed, Shakedown is a film that defies any easy categorization. Ostensibly a longform cinematic exploration (crafted over 15 years starting in 2002) of the titular, mid-city, Los Angeles, Black lesbian strip club, the doc […]

Titled after the hit party song no child of the early 2000s could escape, Cooper Raiff’s second feature, Cha Cha Real Smooth, originated as a love letter to parents of disabled children. Inspired by the perserverance of his own family (Raiff’s younger sister does not possess the ability to walk nor speak), Raiff’s screenplay eventually grew to become the story of Andrew (Raiff), a 22-year-old Tulane University graduate who moves back in with his brother (Evan Assante), mom (Leslie Mann), and her lover (Brad Garrett) in Livingston, New Jersey. Working a dead-end job and with his girlfriend in Barcelona on […]

In the early 1990s, French director Olivier Assayas was invited to develop a remake of a classic work of French cinema for television. “I hadn’t known where to start until I remembered [Louis] Feuillade’s Vampires,” he remembered in 1996, referring to the 1915 silent serial in which Musidora played the costumed criminal Irma Vep. “I spent a few weeks considering the possibility, then I decided that, attractive as it was, I couldn’t take it any further. Somehow, my heart wasn’t in it.” A few years later, another invitation: this time to join Claire Denis and Atom Egoyan in the sort […]