6579 Results for “production”
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Creating Memphis and Ping Pong Summer: An Interview with Production Designer Bart Mangrum
This is not production designer Bart Mangrum’s first movie at the Sundance Film Festival. He designed Septien (2011, directed by Michael Tully) and I Used To Be Darker (2013, directed by Matt Porterfield), and was both an on-set dresser and extra in Stoker (2012, directed by Chan-wook Park). But this is the first time Mangrum has been at Sundance as the production designer of two feature films screening in the same category. Mangrum was born and raised in Nashville, Tennessee, and still lives there. His father ignited his enthusiasm for art by teaching him how to draw during church around […]
by Alexandra Byer on Jan 20, 2014 -
Will Film Production Tax Incentive Section 181 Die?
Tonight at midnight film investors and producers will be faced with a familiar uncertainty. Section 181, the portion of the American Jobs Creation Act of 2004 incentivizing U.S.-based film production, is set to expire, and independent filmmakers will lose a powerful tool in their fundraising arsenal. Section 181 encourages film investment by allowing investors to write off the complete cost of a qualified film in the first year. (Normally, this write-off is amortized, occurring in future years as a film demonstrates that it is money-losing. If and when profits then occur, they are treated as ordinary income by investors.) Scheduled […]
by Scott Macaulay on Dec 31, 2013 -
Production, Post-Production and Lessons Learned: Shooting the Low-Budget Horror Movie Dark Feed, Part Two
In part two of our interview with brothers Michael and Shawn Rasmussen, the writers and directors of Dark Feed, they talk about the lessons learned during the production and post-production of a low-budget movie. Filmmaker: How large was the crew for the Dark Feed shoot, and how many days of shooting were there? Michael: There was Shawn and I, and we had two sound people – one to hold the boom and one to work the recorder – and a d.p. to also run camera. We had people come in and do other jobs like set building, but on a […]
by Michael Murie on Jul 2, 2013 -
Production Design on a Budget
On small budget productions, coming up with locations can be a challenge – especially if you need something a bit unusual. An upcoming music video for the band Run 8 Rider required that a single location represent three different time periods to tell its story. Using a borrowed house as the location, director Sean Meehan turned to production designer Riley Fearon to supervise the transformation of the location. In this interview Riley talks about the challenges of working on a small budget, how he approaches production design, and how he came to the field. Filmmaker: For this project what have […]
by Michael Murie on Mar 18, 2013 -
7 Recommended No-Budget Post-Production Tools
Being an independent filmmaker means we are often times working with very little money but still making our projects happen. We use any tools and tricks we can get our hands on to help us finish or enhance our films. Of course these have to fit within our budgetary constraints. Here is a list of post production tools that are affordable for the no budget filmmaker. 1. Blender – 3D Modeling & Animation (Win, Linux & Mac) I’m constantly amazed at what this FREE program can do. It includes many features found in competing 3D apps that cost hundreds and many […]
by Craig Bergonzoni on Jan 17, 2013 -
In Production: Bad Words, Dom Hemingway, Two Night Stand and Felony
“In Production” is a regular column which focuses on notable independent films that are currently shooting. If you would like your film to be included in this space, please send an email to nick@filmmakermagazine.com Coming off the production of the long-awaited new season of Arrested Development (premiering Spring 2013 on Netflix), Jason Bateman has begun shooting his directorial debut, Bad Words, in Los Angeles. From Andrew Dodge’s blacklisted screenplay, Bad Words stars Bateman as a middle-aged cynic who hustles his way into the children’s National Spelling Bee, much to the dismay of one of its directors (Allison Janney). Rounding out […]
by Byron Camacho on Nov 16, 2012 -
In Production: The Untitled Terence Malick Project, Zulu, The London Project and Abuse of Weakness
“In Production” is a regular column which focuses on notable independent films that are currently shooting. If you would like your film to be included in this space, please send an email to nick@filmmakermagazine.com Terrence Malick With his soon to be released To the Wonder and recently wrapped Knights of Cups, the once reclusive Terrence Malick is proving to be one of those rare artists that become more prolific with age. His latest film The Untitled Terrence Malick Project is currently shooting in Austin, Texas and features an all-star cast including Ryan Golsing (Blue Valentine), Christian Bale (The New World), Natalie Portman (Black Swan), Cate […]
by Byron Camacho on Oct 24, 2012 -
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by Michael Medaglia on Oct 22, 2012 -
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by Michael Medaglia on Oct 22, 2012 -
Deadline Approaching for Biennale College – Cinema Microbudget Production Program
The deadline of October 22 is fast approaching for the Biennale College – Cinema, a new initiative open to first and second-time directors that will lead to the production of three micro-budget films. In a program led by the Venice Biennale in partnership with Gucci, 15 producer-director teams will take part in a ten-day filmmaking workshop, after which three projects will be selected for further development and production funding in the amount of €150,000. Projects must be able to developed, produced and edited within five months, and they will then premiere at the 2013 Venice Biennale. The Call for Application […]
by Scott Macaulay on Oct 9, 2012
