production | Filmmaker Magazine

TRAUMATIC EXPERIENCE

Director Matt Manahan, who is finishing up post-production on his feature The Book of Caleb, recently attended the Head Trauma screening/concert/experience in Philadelphia I blogged about last week and sent this report. I went to see Head Trauma finally in Philadelphia. I can be pretty cynical when it comes to some indi films, but Lance is doing something genuinely cool, innovative and different. It was the first screening I’ve ever been to where the director of the film reminds you before the show to keep your phones turned ON, as you would need them to call a number that would […]

by Scott Macaulay on Apr 1, 2007

Scott Frank, The Lookout

JOSEPH GORDON-LEVITT AND JEFF DANIELS IN SCOTT FRANK’S THE LOOKOUT. COURTESY MIRAMAX FILMS. Scott Frank is one of Hollywood’s most respected scriptwriters, and now one of its most promising directors. Frank’s first produced script was high school comedy thriller Plain Clothes (1988), but his breakthrough came in 1991 when his original scripts for both Dead Again and Little Man Tate came to the screen. Since then, he has shown great talent at adapting novels: he was nominated for an Academy Award for his work on Out of Sight (1998), having already turned another Elmore Leonard novel, Get Shorty (1995), into […]

by Nick Dawson on Mar 30, 2007

Brian Cook, Color Me Kubrick

JOHN MALKOVICH AS IMPOSTER ALAN CONWAY IN BRIAN COOK’S COLOR ME KUBRICK. COURTESY MAGNOLIA PICTURES. Color Me Kubrick: A True…ish Story is the fascinating story of English conman Alan Conway (flamboyantly portrayed by John Malkovich) who made his career out of impersonating Stanley Kubrick. Conway found out that hardly anyone actually knew what Kubrick looked like, a discovery which led him to take his deception to extravagant, and often ridiculous, extremes. He used his borrowed identity to obtain huge amounts of money and seduce the young and impressionable, and got so immersed in the activities of his affluent alter ego […]

by Nick Dawson on Mar 23, 2007

I AM A FREE MAN!

This weekend the IFP and Filmmaker will be hosting four screenings of Michael Tucker’s The Prisoner or: How I Planned to Kill Tony Blair. We’ll be doing Q and A’s with director Tucker (whose previous film was the Iraq doc Gunnar Palace) after the 5:15 and 7:20 shows, Friday and Saturday, at the Cinema Village in New York. The doc was a bit hit down at SXSW and I’m eager to talk with Tucker about its production. Here’s how the filmmakers describe the film: In an absurd comedy of errors, a freedom-loving Iraqi journalist is mistaken as Tony Blair’s would-be […]

by Scott Macaulay on Mar 20, 2007

LETHEM’S FREE LOVE (MORE RIGHTS FOR FILMMAKERS!)

To complete my series of posts about author Jonathan Lethem and his recent work thinking about — and practicing — a sort of “open source” approach to creative rights management, here’s news of his new novel, You Don’t Love Me Yet, and how he’s handling the film rights. From his website: On May 15th I’ll give away a free option on the film rights to my novel You Don’t Love Me Yet to a selected filmmaker. In return for the free option, I’ll ask two things: I’d like the filmmaker to pay (something) for the purchase of the rights if […]

by Scott Macaulay on Mar 14, 2007

GIFTS GIVEN AND RECEIVED

Jonathan Lethem (Motherless Brooklyn, The Fortress of Solitude) has a new novel out (You Don’t Love Me Yet, reviewed here in the Village Voice), a brilliant essay in Harper’s entitled The Ecstasy of Influence, and, on his website,, a provocatively intentioned yet wonderfully generous gift for young filmmakers. Before we get that incredible offer, I want to talk about the essay. I won’t spoil the astonishing reveal contained within its afterward — and I must insist you read it until the end — but even without clueing you in to the entirety of Lethem’s conception, I can say that the […]

by Scott Macaulay on Mar 9, 2007

Battle Tested

300 COURTESY WARNER BROS. Zack Snyder brings Frank Miller’s ultraviolent graphic novel, 300, to life with amazing special effects and non-stop action. It’s been two years since Sin City introduced audiences to the world of Frank Miller. Under the direction of Robert Rodriguez, who shot actors using blue screen technology and then added the computer-generated backgrounds in post, Miller’s graphic novel made it to celluloid as a depraved trio of vignettes that both updated film noir and pointed towards a new way of making motion pictures. Now director Zack Snyder (2004’s Dawn of the Dead), employing the same production method […]

by Jason Guerrasio on Mar 9, 2007

RECOMMENDED READING, PART TWO

I want to bump producer Ted Hope’s response to the “Recommended Reading” post, below, to the main blog because he expanded upon the concept of the list by naming three non-film books (and one other non-obvious selection) that challenge us to think about cinema and image-making in new ways. Here’s what Ted wrote: When I think of the books that meant the most to me during my initial forays into film production, four you don’t yet have listed there really stand out. All the books listed are about the doing, not the thought process beforehand, which to me, still remains […]

by Scott Macaulay on Mar 6, 2007

RECOMMENDED READING

Jumping off Bridges director Kat Candler is teaching a film class this semester, and to compile the syllabus she asked her filmmaker friends to put together a “recommended reading” list comprised of books that have helped them in their professional lives. She agreed to let me publish this list, so here it is below, grouped by filmmaking discipline, with the names of the filmmakers who recommended each book in parentheses after the title. Screenwriting The Ice Storm: The Shooting Script (Newmarket Shooting Script Series Book) by James Schamus (Kat Candler) Sex, Lies and Videotape (Faber Reel Classics) by Steven Soderberg […]

by Scott Macaulay on Mar 3, 2007

FEMALE TROUBLE

I’m usually annoyed that whenever the horror genre heats up, a bunch of indie filmmakers decide to capitalize on the trend and “make a horror movie.” Most of the time, these filmmakers don’t really like horror, don’t watch it, and don’t understand its specific rules and traditions. And then they wonder why people don’t find their scripts scary. So, this article in Variety by Archie Thomas is quite interesting. It reports on a new venture from the folks at the U.K. film production company Warp X. It’s called Darklight, and it’s a program intended to get horror newcomers — specifically, […]

by Scott Macaulay on Feb 27, 2007

Cookie	Duration	Description
cookielawinfo-checkbox-analytics	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics".
cookielawinfo-checkbox-functional	11 months	The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional".
cookielawinfo-checkbox-necessary	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary".
cookielawinfo-checkbox-others	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other.
cookielawinfo-checkbox-performance	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance".
viewed_cookie_policy	11 months	The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data.

Cookie	Duration	Description
cfmrk_cic		Used by Cloudflare to route user traffic for this Site.
sparrow_id		Installed by Cloudflare. Used to identify individual clients behind a shared IP address and apply security settings on a per-client basis. It does not store any personal identifiable information.

Cookie	Duration	Description
OAGEO		Installed by the Revive Ad Server. Used to cache geolocation (session, deleted when closing the browser)
OAID		Installed by the Revive Ad Server to distinguish users.

6579 Results for “production”