In Free Time, writer-director-producer Ryan Martin Brown’s debut feature, directionless office drone Drew (comedian Colin Burgess) decides to quit his job. After all, the position is hardly fulfilling (nor is he particularly gifted at it), and why spend all day… Read more
Alessandra Lacorazza’s In the Summers is a film of moments spread across years—moments quiet and seemingly insignificant, as well as larger events whose significance is downplayed at the time only to be properly understood years later. It’s the story of… Read more
Tackling a timely but under-discussed contemporary issue in both the United States and Canada, journalists Julian Brave NoiseCat and Emily Kassie investigate a string of abuses and missing persons cases at an indigenous residential school in Sugarcane. Below, Kassie, who… Read more
As We Speak, the directorial debut from J.M. Harper, follows the growing phenomenon of rap lyrics being used during legal battles both in the U.S. and abroad. Rapper Kemba acts as a guide through the murky waters of the First… Read more
A French co-production shot entirely in Iran, In the Land of Brothers follows three Afghan refugees who struggle for decades to make Iran feel like a real home. The film is the debut feature of Raha Amirfazli and Alireza Ghasemi, who previously co-directed the short Solar Eclipse together. The film was produced by first-time producer Adrien Barrouillet, who discusses how he came up in the industry and recalls the moment he knew the film was in a good position. See all responses to our questionnaire for first-time Sundance producers here. Filmmaker: Tell us about the professional path that led you to produce […]
In the Summers follows two sisters who, during their formative years, spend the summers visiting their caring but volatile father in New Mexico. The film is the feature debut of Alessandra Lacorazza and also the first producing credit for Daniel Tantalean. Below, Tantalean details the long journey in getting the film made, extols his mentors and community, and shares what he learned. See all responses to our questionnaire for first-time Sundance producers here. Filmmaker: Tell us about the professional path that led you to produce this film, your first? What jobs within and outside of the film industry did you do, […]
Premiering at the 2024 Sundance Film Festival, A Different Man depicts a man who has a drastic surgery to alter his appearance, only to find out another actor is playing the person he used to be in a stage production. The film is director Aaron Schimberg’s follow up to the acclaimed Chained for Life and is produced by first-time producer Gabriel Mayers. Below, Mayers recounts some of the challenges in casting and makeup and sings the praises of her mentors and collaborators. See all responses to our questionnaire for first-time Sundance producers here. Filmmaker: Tell us about the professional path that led you […]
Attending boarding school in the Himalayas, 16-year-old Mira (Preeti Panigrahi) begins to embrace her emerging sexuality in Girls Will Be Girls, the feature debut from Indian writer-director Shuchi Talati. Mira’s exploration of desire is stunted by the middling presence of her mother (Kani Kusruti), whose disapproval likely stems from an inadequate coming-of-age process during her own youth. First-time producers Richa Chadha and Claire Chassagne—based, respectively, in India and France—share the challenges and rewards that came with working on Talati’s film. See all responses to our questionnaire for first-time Sundance producers here. Filmmaker: Tell us about the professional path that led you […]
When the Payne family experiences a personal tragedy, they must leave the home they love in the remote Norwegian wilderness and enmesh themselves in the society they once felt so strongly opposed to in A New Kind of Wilderness, the latest documentary from filmmaker Silje Evensmo Jacobsen. First-time producer Mari Bakke Riise, who also served as the film’s editor, discusses how her long-time collaboration with Evensmo Jacobsen led to her multi-pronged involvement on this project. See all responses to our questionnaire for first-time Sundance producers here. Filmmaker: Tell us about the professional path that led you to produce this film, your […]
A strange late-night TV show entrances teen loners, played by Justice Smith and Brigette Lundy-Paine, in I Saw the TV Glow, writer-director Jane Schoenbrun’s sophomore feature. The program depicts a supernatural world existing underneath the duo’s suburban sprawl, hinting at the horror that lurks just under the surface of white picket fence aspirations. First-time producer Sam Intili shares how they came on board the project and their pride in the finished film never compromising on “the queerness or explicit transness” of the material. See all responses to our questionnaire for first-time Sundance producers here. Filmmaker: Tell us about the professional path […]