“It’s going be called ‘Indie Film is Dead,’” I remember Ted Hope saying to me back in 1995. He was referring to an article he was submitting for that fall’s magazine, a many-thousand-word takedown of the business practices and internalized logic of the specialty film business. Hope, a prolific producer who had worked with Ang Lee and Hal Hartley, was a frequent contributor to Filmmaker in our early days, writing pieces like one on how to interview a production designer or another on the job of the production manager. But this piece would be different. Here’s the lede: “The marketplace […]

In 2014 I spoke with Dorota Kobiela and Hugh Welchman, respectively the writer/director and co-director/co-writer/producer of Loving Vincent, an animated film about the final days of Vincent Van Gogh’s life that was then in preproduction. Three and a half years and much blood, sweat and tears later the film is complete and premiered at the Annecy International Animated Film Festival last week. It’s been gaining attention since its initial failed Kickstarter campaign (a second go was more successful) for its production method, with a team of artists creating each frame in the style of Van Gogh with oil paint on canvas, the […]

One of my favorite virtual reality pieces at last year’s Tribeca Film Festival was the animated Invasion! from San Francisco-based Baobab Studios. The short film, directed by Baobab co-founder Eric Darnell, was reportedly downloaded over one million times (including in my household, where my kids loved its Google Cardboard version), making it the most-downloaded virtual reality piece yet, and in September a feature film adaptation was announced. Baobab thus had a high bar for their next project, so they launched two: Asteroids!, which premiered at Sundance in January, and now Rainbow Crow, which premiered this year at Tribeca. Following in the kid-friendly tradition of Darnell’s […]

Driving down Beverly, you head opposite Hollywood, away from Studio City, toward the nondescript, single-level, brown-bricked building that’s the literal Blumhouse — the offices of horror movie maestro Jason Blum. Since founding the company, Blum has produced dozens of films that have made varying degrees of impact on the zeitgeist: the found-footage scares of the Paranormal Activity films, the reinvented haunted house of the Insidious pictures, the social violence of The Purge series. And then, of course, there’s megahit Get Out, Jordan Peele’s ferociously intelligent satire on racism that, despite its share of lobotomies and knifings and violently applied white […]

Longtime Filmmaker readers will instantly recognize writer/director Matt Ross as our former Managing Editor, whose intelligent and probing interviews with directors like Robert Altman, Steven Soderbergh and George Clooney — to say nothing of his sit-down with critic Armond White — were staples in this publication in the early to mid-aughts. In 2006, Ross, who had made two short films and written a pair of scripts left the magazine to go make his debut feature, the darkly compelling Frank & Lola. A Vegas-set psychosexual love story, Frank & Lola stars Michael Shannon as an ambitious, tightly-wound star chef working in […]

Most people know Tom Hanks as a two-time Oscar winning actor. Some would recognize him as the sometimes-director behind works including That Thing You Do!, and others know him simply as his often-nickname “America’s Dad.” But the beloved actor may not be as well known as one of Hollywood’s top producers, with 50 producing credits to his name from Band of Brothers to My Big Fat Greek Wedding to Olive Kitteridge. The actor, who recently picked up a lifetime achievement award at the Rome Film Fest, takes a hands-on role as producer in his own films and those of others, beyond just attaching his […]