The possibility and impossibility of community lies at the heart of Chilean Dominga Sotomayor’s second feature film, Too Late To Die Young, which follows a group of young people living in a community being formed by their parents on the outskirts of Santiago. While the country is undergoing its own transition to democracy from the 17-year dictatorship of General Pinochet and their parents try to build a society that reflects their own values, the teenagers, particularly Sofía (Demian Hernández), seek to find their place in the world, all the while watched by a younger generation of children looking to emulate […]

Editor’s note: with The Plagiarists opening at Lincoln Center this Friday, we’re reposting Vadim Rizov’s interview with its creative team. Note that since the Berlinale premiere, it’s been confirmed that Peter Parlow is a fictitious person. On one level, The Plagiarists is a two-part comedy about a ceaselessly fighting couple, the first half of which takes place in winter. Anna (Lucy Kaminsky) is a novelist, at least aspirationally—completion of her first novel is a ways off, so she pays the bills as a copy writer. Tyler (Eamon Monaghan) is a filmmaker, but doesn’t think he can call himself that—he’s written a script, but that’s […]

The second-highest grossing Chinese film of all time, Operation Red Sea has earned over a half-billion dollars since its release this past February. Writer/director Dante Lam introduced the film at a New York Asian American Film Festival screening on June 30 and accepted the festival’s Daniel A. Craft Award for Excellence in Action Cinema. Operation Red Sea is loosely drawn from the real-life evacuation of Chinese hostages during the 2015 civil war in Yemen. In the movie version, Jiaolong, an elite task force, not only have to free hostages, they must also stop an attempt to sell yellowcake uranium to terrorists […]

What is producing? I ask myself this question a lot, and the title on my business card literally reads “Producer.” I’m staff at a rad women-run studio in Brooklyn while also producing my own films as well as a handful of others. I say all this to reiterate just how amorphous the craft of producing can be. Because of its fluidity, it can also be a challenge to learn how to be better at it. Plus, producers rarely get interviewed in the industry articles that offer insights into filmmaking process. When they are featured, producing technique can be difficult to […]

Barry Jenkins and Adele Romanski know what IFP Week is like. They know what it’s like to pitch a passion project. They even know what it’s like when time — in Jenkin’s case, several years — elapses between features. When the writer/director and producer, respectively, of Moonlight swung by this year’s Filmmaker Talks day at IFP Week, it was a kind of victory lap. After all, their last film together took home three Oscars, including Best Picture, on top of a towering pile of other accolades. But they used their talk with moderator Scott Macaulay, Filmmaker‘s Editor-in-Chief, to remember when life was […]

“It’s going be called ‘Indie Film is Dead,’” I remember Ted Hope saying to me back in 1995. He was referring to an article he was submitting for that fall’s magazine, a many-thousand-word takedown of the business practices and internalized logic of the specialty film business. Hope, a prolific producer who had worked with Ang Lee and Hal Hartley, was a frequent contributor to Filmmaker in our early days, writing pieces like one on how to interview a production designer or another on the job of the production manager. But this piece would be different. Here’s the lede: “The marketplace […]