Midway through To A Land Unknown, Palestinian-Danish filmmaker Mahdi Fleifel’s narrative feature debut, Palestinian cousins stranded in Athens—sharp Chatila (Mahmood Bakri), his wife and kid back in Lebanon’s camps, and sensitive Reda (Aram Sabbah), working hard to rein in his… Read more
The titular sports car of Robin Schavoir’s The Jag is parked in an imaginary space off-stage at the Brooklyn Center for Theatre Research, where the play is currently running in a production directed by Paul Felten. The existence of this symbolic object structures the matrix of resentment, envy and desire searchingly embodied by The Jag‘s on-stage trio: struggling screenwriter Tyler (Gilles Geary), rich guy art collector Brian (Mickey Solis), and nursing student Cori (Giovanna Drummond). (A fourth character, the renter of the Catskills home the three converge at, and voiced by a “downtown icon,” is only heard via recited emails […]
Louise Weard is obsessed with castration. The idea for her five-part DIY epic Castration Movie came when she was reviewing footage for a supercut of onscreen “dick destruction” subtitled Texas Birth Control—and, she notes with amusement, eating little phallic pickles. Weard has an infectious laugh, and the things she finds funny tend to reflect her unique form of good-natured miserablism. Her characters are marginalized people who get the shit beaten out of them, physically and emotionally. Some are marginalized in ways that attract sympathy from her audience. Others, like the incel who’s the protagonist of the film’s first chapter, are […]
In the absence of their mothers, two foster siblings slowly fortify a sisterhood in Los Mosquitos, Nicole Chi’s lushly atmospheric short. Made as part of her graduate studies at the University of Texas at Austin, the film centers on women within the local Honduran community—which Chi has closely worked with in the past—and is largely composed of a cast of non-professional actors. This includes protagonists Abby (Abigail Hernandez), a rebellious 15-year-old, and Nata (Natalia Rodríguez), her younger cousin who’s freshly arrived in the US. As the girls navigate this stark change in their living situation, tensions naturally arise: Abby begins […]
While on a tense mother-daughter trip, a young woman (Banna Bazzarie) contends with her desire to broaden her horizons while also recognizing the importance of her heritage in Reem Jubran’s UCLA thesis film Don’t Be Long, Little Bird. Seeking some much-needed space from her mother (and a sneaky smoke), the young woman stumbles upon a secluded swimming hole. After taking a dip, she emerges in a different time and place altogether: Ramallah, Palestine circa 1936, a dozen years before the Nakba that would displace civilians and destroy their villages in order to create the state of Israel. Unsure of how […]
Three generations of women clash during a Korean holiday in writer-director Sujin Jung’s Cocoon. Made as her MFA thesis film during her studies at Loyola Marymount University, the film centers on Jisoo (Alexes Josephine Lee), a young girl who experiences anxiety-induced selective mutism. This becomes a point of contention between Jisoo’s mother, Hyunsook (Taehee Kim) and her mother-in-law (Joy Kim), who express their respective frustration with the girl’s condition in vastly different ways. When the family matriarch harshly punishes Jisoo due to her inability to speak, Hyunsook decides to stand up for her daughter, subverting traditional expectations in the process. […]
In the first two films in their trilogy of environmental-themed documentaries, Beth Stephens and Annie Sprinkle married — literally — their loving spirit of “ecosexuality” with urgent debates around the preservation of our natural resources. In 2014’s Goodbye Gauley Mountain — An Ecosexual Love Story, Stephens returned to her West Virginia home with Sprinkle only to find the eponymous ridges she remembered from her youth undergoing the environmentally-destructive coal-mining process of mountaintop removal. In the film, as Wren Awry wrote for Filmmaker, Stephens says, “Sometimes I feel like fighting [mountaintop removal] is a losing battle. Then I imagine that some […]