Cinematographers

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Insecure DP Ava Berkofsky on Avoiding “Seinfeld Shots,” Faking Coachella and Lighting Mega-Churches

Insecure

A row of symmetrically stacked airport luggage carts; the tumbling red-and-blue cylinders of a 7-Eleven Slurpee dispenser; the still life of neatly arranged condiments and coffee creamers on a diner countertop. While the romantically and professionally struggling twentysomethings that populate HBO’s…  Read more

By Oct 10, 2018

“I Only Want to Tell Caribbean Stories”: DP Shabier Kirchner on His Directorial Debut, the Short Film Dadli

Dadli

I read a book on architecture and design in the subtropics, once, a long time ago, that described the region as inherently cozy. Palm trees and big-leafed plants, it said, are made for hiding cozily; enough of them, bundled together,…  Read more

By Sep 27, 2018

“We Can Never Forget that We’re in the Apocalypse”: Reed Morano on I Think We’re Alone Now and Her Post-Emmy Career

I Think We're Alone Now (Photo: Momentum Pictures)

Reed Morano has had quite the year. She took home an Emmy this time last year for Outstanding Directing for a Drama Series for The Handmaid’s Tale. She started working alongside Blake Lively and Paramount Pictures on The Rhythm Section…  Read more

By Sep 26, 2018

BlacKkKlansman DP Chayse Irvin on Shooting with Expired Ektachrome and the Spike Lee Dolly

John David Washington in BlacKkKlansman

Early in Spike Lee’s collaboration with Chayse Irvin, the venerable director asked his cinematographer if there was anything special he needed for BlacKkKlansman. Irvin answered, “a third camera”—an extravagance on a low budget movie, but one Irvin believed would allow…  Read more

By Sep 21, 2018


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