Interviews - Cinematographers


“If a Director Feels the Need to Move the Camera Simply to ‘Make It Interesting,’ It’s Likely an Indicator the Scene Itself Isn’t That Interesting”: DP Erik Messerschmidt on Mindhunter, Season Two

Erik Messerschmidt on the set of Mindhunter

When David Fincher transitioned from music videos to feature films in the 1990s, the descriptors “glossy,” “slick” and “stylized” were frequently affixed to his work. Those adjectives were often aimed as pejoratives, categorizing Fincher as a technical virtuoso who created…  Read more

By Sep 17, 2019

Emotional Exploration

Natasha Braier and Alma Har'el on the set of Honey Boy

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By Sep 4, 2019

“We Decided Early On That There was Never Going to Be A Single Lock-off Shot”: DP Erik Wilson on The Dark Crystal: Age of Resistance

On the set of The Dark Crystal: Age of Resistance

The original Dark Crystal was released on December 17th, 1982 , four days before my fifth birthday. I don’t remember exactly when my mom took me to see it. I can only tell you that when she did, the movie–and…  Read more

By Aug 30, 2019

“Imagine Making a Movie Without Tape”: DP Brett Jutkiewicz on Ready or Not

Samara Weaving in Ready or Not (Photo by Eric Zachanowich)

In Ready or Not, a bride spends her wedding night playing a deadly game of hide and seek with her new in-laws, a clan of board game magnates beholden to a curse that requires them to dispose of the newlywed…  Read more

By Aug 29, 2019

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