Cinematographer Jody Lee Lipes says that shooting an actor playing twins is like learning a new filmmaking language. By now, he’s fluent. Lipes lensed all six episodes of the 2020 HBO miniseries I Know This Much Is True, with Mark… Read more
America’s fraught political present meets the less savory corners of cinema’s past in The Sweet East, the first feature directed by celebrated cinematographer Sean Price Williams. Penned with typically acerbic wit by film critic Nick Pinkerton, The Sweet East stars… Read more
With Antiviral, Possessor and Infinity Pool, filmmaker Brandon Cronenberg has expeditiously carved out a distinct, experimental aesthetic for his work. However, he has followed in the footsteps of his legendary father David in one respect—forging a lasting alliance with his… Read more
Investigating the death of a utopian vision coalesces with a survey of a “developing” dystopian hellscape in Museum of the Revolution, the sprawling, meditative effort from filmmaker, researcher and educator Srđan Keča. Through a series of charming vignettes that are… Read more
The Mantle twins may be extraordinary gynecologists, but their world is descending into chaos. Beverly, the “baby,” can’t persuade an opioid billionaire to fund her revolutionary “birthing center” in Manhattan. Elliot has fallen so far into substance abuse that she may be hallucinating murders. Dead Ringers, streaming now on Amazon, builds a six-episode miniseries filled with clammy dread on the bones of David Cronenberg’s 1988 movie. Created for television by Alice Birch, and starring Rachel Weisz as Beverly and Elliot Mantle, the story explores identity and psychosis with bloody intimacy. The series is also a marvel of technology. Playing two […]
In the new Amazon series Swarm, a fanatical devotee of a Beyoncé-esque pop star embarks on a quest to meet the singer, with a few stops along the way to dispose of those who have disparaged her idol online. Created by Donald Glover and Janine Nabers, the show hops around between Texas, Georgia, Tennessee, Seattle and L.A., but was shot largely in Atlanta by Drew Daniels. The Red Rocket and Krisha DP spoke to Filmmaker about the influence of Michael Haneke, the beauty of imperfect camera moves and Swarm’s extremely last-minute switch to 35mm film. Filmmaker: Let’s start with some […]
Agnès Godard films the opening sequence of her fifth collaboration (following four features and a short) with writer-director Ursula Meier, The Line (La Ligne), in static slow motion: Margaret (Stéphanie Blanchoud) hits her mother (Valeria Bruni-Tedeschi), who falls and collides against the keys of her own piano, rendering her deaf in the impacted ear. A restraining order charges the eldest daughter not to come within 200 meters of her mother—an invisible boundary she immediately ignores with abrasive attempts to make amends until her younger sister paints a literal perimeter around the house. Margaret hovers at a little hill at one end […]
Set in a shadowy world of scam artists and grifters, Sharper follows four characters through interlocking stories set in a modern-day noir version of New York City. From Park Avenue penthouses to abandoned warehouses, director Benjamin Caron builds a dangerous world filled with betrayals and double-crosses. Justice Smith plays Tom, manager of a used bookstore. A chance meeting with Sandra (Briana Middleton) leads to Max (Sebastian Stan), a self-professed con man. Max will encounter Madeline Phillips (Julianne Moore), a wealthy widow with designs on corporate titan Richard Hobbes (John Lithgow). Sharper is the feature debut for Caron, best known for his […]
In 1989, Friday the 13th transplanted its hockey-masked slasher from summer camp to concrete jungle for the franchise’s eighth installment, Jason Takes Manhattan. That titular promise was not fully delivered upon: Manhattan was mostly Vancouver and Jason spent much of the running time on a boat full of high schoolers traveling to the city. The newest Scream offers up a similar relocation as Ghostface follows the previous chapter’s survivors from Woodsboro to college. Again, a Canadian city (this time Montreal) stands in for New York. But this time, the killer actually spends the entire running time chasing his victims through […]
According to cinematographer Florian Hoffmeister, writer/director Todd Field often expressed his desired aesthetic for TÁR in a series of repeated Field-isms: Let’s just witness. Don’t gild the lily. Don’t make it look like a movie with a capital “M.” In other words, make the style invisible. However, Hoffmeister’s work was far from invisible to his peers, who bestowed an Oscar nomination upon the German DP for his work on the film. TÁR—Field’s first feature in more than 15 years—follows the downfall of a composer/conductor played by Cate Blanchett as she prepares a career-capping performance of Mahler’s Fifth Symphony with the Berlin Philharmonic. […]