Interviews - Cinematographers


“A Very Old Fashioned Kind of Filmmaking”: DP Charlotte Bruus Christensen on Shooting A Quiet Place on 35mm

John Krasinski in A Quiet Place (Photo by Jonny Cournoyer, copyright Paramount Pictures)

A few months after my son was born, I took my wife to see the Tommy Lee Jones western The Homesman. If you know that movie, then you know why it was a bad idea: minutes into the film, a woman…  Read more

By Apr 20, 2018

Cotton Balls, Cling Film and Unashamed Composites: DP Tristan Oliver on Isle of Dogs

Isle of Dogs

In Isle of Dogs, Wes Anderson’s Japan-set return to the world of stop motion animation, there is a character with a face full of freckles. This seemingly incidental attribute required the film’s lead puppet painter Angela Kiely to place 297…  Read more

By Apr 11, 2018

“The Shoot was Undoubtedly ‘A Poor Man’s Revenant‘”: DP Eric Treml on The Legacy of a Whitetail Deer Hunter at SXSW 2018

Danny McBride, Josh Brolin and Montana Jordan in Legacy of a Whitetail Deer Hunter

The Movie: The Legacy of a Whitetail Deer Hunter The Plot: Accompanied by his trusty cameraman (Danny McBride), the recently divorced host of a lo-fi hunting show (James Brolin) takes his son into the wilds of North Carolina to bag…  Read more

By Mar 20, 2018

“When You Get on Set You Don’t Dream Anymore”: DP Hélène Louvart on Beach Rats

Beach Rats

Hélène Louvart, collaborating with Wim Wenders, Agnes Varda, Leos Carax, Larry Clark, et al., has shaped herself into a maven of cinematography and her name into a renown of its own. Shooting features since 1986 with, as of now, more than…  Read more

By Mar 1, 2018

© 2018 Filmmaker Magazine
All Rights Reserved
A Publication of IPF