Just north of Mobile, Alabama is the historic community of Africatown founded by 32 West Africans who were transported to the US on the Clotilda, the last known slave ship to enter the country. Margaret Brown’s Descendant tells the story of the descendants who still reside in Africatown, as well as of the persistent power imbalance between the descendants of the slaves and the descendants of the Meaher family that chartered the expedition, who today own much of the industrialized land and factories around Africatown. Cinematographers Justin Zweifach and Zac Manuel discuss what they learned making the film and how they […]

2nd Chance continues director Ramin Bahrani’s concern with people on the margins of society pursuing the American Dream. The documentary examines the case of Richard Davis, a bankrupt pizzeria owner who invented the bulletproof vest, only to find his reputation sullied after a defective product led to the death of a police officer. Below, cinematographer Adam Stone explains how the intrigue of the subject led him to take a hands-off approach that emphasized character and narrative rather than style. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led […]

A lifestyle blog called “Lovely Everyday Life” run by the mother of a friendless tween sounds readymade for satire, and it is, but Hatching also takes it toward horror when the aforementioned tween nurtures and befriends the creature that emerges from a strange egg she finds in the woods. Cinematographer Jarkko T. Laine discusses shooting a horror film that takes place in well lit environs and the difficulties of working with animatronics. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? […]

For Sharp Stick, her first feature film since 2010’s Tiny Furniture, Lena Dunham relates the adventure of Sarah Jo, a 26-year-old virgin, as she woos the father of Zach, an intellectually disabled child for whom she cares. As the film unfolds, ideas about trauma, sex positivity and body image begin to emerge. Cinematographer Ashley Connor discusses shooting the film on an accelerated timeline and how she captured the feeling of infatuation in the visuals. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired […]

The Territory takes viewers deep inside the Brazilian Amazon, allowing them to bear witness to the ongoing conflict that has pitted Indigenous inhabitants against settlers looking to capitalize on the land. The film captures a pair of young leaders and their mentor, who defend the land with their lives, as well as settlers hoping to establish their own homestead, including those who engage in clear-cutting on their own. Director-cinematographer Alex Pritz explains how the film’s visual style distinguishes the different perspectives, his collaboration with an Indigenous cinematographer, and how his crew unexpectedly found themselves recording a settler burning down the […]

With Summering, James Ponsoldt wanted to make a film that his young daughter would appreciate, and the result is a coming-of-age story about four girls planning one final weekend of fun before middle school. They unexpectedly make a discovery in the nearby woods that they keep to themselves, and from there imagination and reality collide in magical realist fashion. Below, cinematographer Greta Zozula explains how she managed the narrative’s tension between magic and realism and how the crew managed to make difficult scenes work with limited time. Filmmaker: How and why did you wind up being the cinematographer of your film? […]

With The Cathedral, an unseen narrator relates the life of Jesse Damrosh, beginning with the dissolution of his parents’ marriage and highlighting other hallmarks of middle-class American existence. D’Ambrose lingers not on the big life events, however, but the more quotidian and quieter moments and objects that leave indelible marks on one’s memory. Cinematographer Barton Cortright explains why natural light was the correct approach for the film, and how he amplified the natural look to avoid a shallow depth of field. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes […]

In Alejandro Loayza Grisi’s Utama, an ailing man tries to persuade his elderly Quechuan grandparents weathering a drought on the Bolivian Altiplano to move away from their lifelong home and join him in the city. Shot on location, the film portrays the daily routines and relaxed pace of life as well as the climate threat residents of the Bolivian highlands face. Below, cinematographer Barbara Alvarez recounts how the climate created difficulties in production and how she captured the tension between the harshness and the beauty of the location. Filmmaker: How and why did you wind up being the cinematographer of […]

Sophie Hyde’s Good Luck to You, Leo Grande takes place largely in a hotel room, where a retired schoolteacher determined to finally have good sex meets with a sex worker several times over the course of six weeks. Cinematographer Bryan Mason discusses how he varied the film’s style as the two get to know each other and the difficulties associated with shooting a film about sex that takes place largely during the daytime. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? […]

Based on her own cinematic talk, Nina Menkes’ Brainwashed: Sex-Camera-Power uses interviews, footage of her talk, and clips from over 175 films to help illustrate how sexual assault and employment discrimination are inscribed in the visual language of cinema. Below, cinematographer Shana Hagan discusses the challenges in adequately capturing the talk on camera, the importance of color grading, and the joys of working with so many women on set. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Hagan: I was introduced […]