After early success opposite Kirsten Dunst in Lifetime’s Fifteen and Pregnant, and as Jasper on the CW’s reboot of 90210, he’s gone on to build an impressive acting resume balancing television work (Hulu’s Under the Banner of Heaven) with edgy,… Read more
The phrase “word-of-mouth indie theatrical hit” sounds as outdated in 2024 as “coming soon to LaserDisc.” And yet, the slapstick fur-trapping adventure comedy Hundreds of Beavers has graduated from its lengthy festival run to become that rarest of things, a… Read more
New York-based Argentinian director Matiás Piñeiro’s work is without a doubt, a celebration of intertextuality. After continuously exploring the female roles in Shakespeare’s comedies from 2011’s Rosalinda up until 2020’s Isabella, he was drawn to a text which seemed impenetrable,… Read more
In 2012, Bob Byington won a Special Jury Prize at the Locarno Film Festival for Somebody Up There Likes Me; last year, he returned with Lousy Carter. Writing about the festival, I said of the film: Introducing Bob Byington’s Lousy… Read more
The following interview with The People’s Joker writer, director and star, Vera Drew, appears in Filmmaker issue #126 and now appears online as the film receives its U.S. theatrical release from Altered Innocence. Just as The People’s Joker was preparing to premiere at the 2022 Toronto International Film Festival, a “strongly worded letter” arrived that threatened immediate legal action if Vera Drew’s scrappy, bold feature debut went ahead with its multiple planned screenings. Warner Bros. was less than pleased that Drew and co-writer Bri LeRose based their film on a trademarked DC franchise, and it likely didn’t help that the […]
On a dreary Valentine’s Day in New Jersey during the early aughts, intersex laundromat employee and sex worker Ponyboi (River Gallo) finds themselves embroiled in a bungled drug deal. Estranged from his family and afraid of coming clean to his best friend (Victoria Pedretti) and her husband (Dylan O’Brien)—also Ponyboi’s boss and clandestine sexual partner—he decides to go on the run and permanently escape the Garden State. Along the way, he crosses paths with a rugged kindly stranger who’s shrouded in mystery and en route to Las Vegas. Just when he’s ready to hitch a ride to the desert, however, […]
Premiering in the U.S. Dramatic Competition at the 2024 Sundance Film Festival, Stress Positions—the feature debut from writer, director and star Theda Hammel—takes place during the not-so-distant summer of 2020. While this setting immediately evokes recollections of quarantine, protest movements and rapidly-changing health and safety standards, Hammel isn’t striving to present a time capsule. Instead, the filmmaker opts for a satirical take on how the pandemic shaped generational notions of social justice, artistry and personal identity, particularly among New York’s well-to-do queer fringe. Hammel plays Karla, a trans woman whose relationship with Vanessa (Amy Zimmer), her cis lesbian girlfriend, has […]
Good Condition is an eight-minute meditation on loneliness, technology and new beginnings. It marks the second collaboration between filmmakers Frank Mosley and Hugo De Sousa after their 2022 comedy short film, The Event, in which a filmmaker wakes up his roommate in the middle of the night to ask why he hasn’t watched his short film. This time, they embark on an eerie trip to the suburbs, following a melancholy man named Barry (Hugo De Sousa) trying to complete a transaction with a ghostly figure who keeps evading him. Good Condition premiered at Aspen ShortFest and Fantasia earlier this year, and […]
Dogleg is one of the best films of the year. A unique and hilarious feat of cinematic inventiveness, it follows amateur director Alan, played by Al Warren, after he loses his fiancé’s dog at a gender reveal party on the day of an important shoot. Warren also wrote and directed the film, which took more than half a decade to finish. On this episode, he tells us why he was in no hurry to complete the film, and why he has taken a much more intentional and meaningful approach toward bringing it to the audience. He takes us back to […]
Onur Tukel is a boldly independent writer-director-actor who, for more than a decade, has been making cutting edge comedies in New York City that sometimes land in the horror category, sometimes social satire, are often absurd, mostly hilarious and always thoughtful—Catfight, Applesauce, Summer of Blood, The Misogynists, Scenes From An Empty Church, to name just a few. His latest, Poundcake, about a serial killer who only targets straight white men, is maybe his boldest yet, which says a lot. In this hour, he talks about his reluctant approach toward acting in his own films, the ways he has navigated low […]