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“Since It’s About the Death of a Body, We Wanted the Language of the Film to Be Sensuality”: Mazen Khaled on Martyr

Martyr

Men touch each other tenderly in Mazen Khaled’s formally eclectic second feature Martyr, about the death of a young adult whose self-perpetuated despair drowns him on the shores of the Mediterranean. In this ethereal Lebanese mood piece, the religious interpretation…  Read more

By Dec 22, 2018

“What Moonlight Gave Us Was the Confidence to Execute Our Ideas Without Fear”: Writer/Director Barry Jenkins on If Beale Street Could Talk

If Beale Street Could Talk (Photo: Annapurna Pictures)

Writer-director Barry Jenkins solidifies his position as one of the current cinema’s most empathetic and visually (and aurally) expressive filmmakers with his third feature, If Beale Street Could Talk. Adapted from a 1974 novel by James Baldwin, the film tells…  Read more

By Dec 13, 2018

A MAGA Nightmare Scene, Marketing to Incels and Reacting Against “Performative Wokeness”: Eugene Kotlyarenko and Dasha Nekrasova on Their Reverse Romantic Comedy, Wobble Palace

Dasha Nekrasova in Wobble Palace

Wobble Palace is a reverse romantic comedy set in relationship hell tinged by the toxicity of Tinder hookups and Trump’s political rise. “One of the early ideas was to make a movie about a happy break up,” explains director Eugene…  Read more

By Oct 23, 2018

Alonso Ruizpalacios on Museo, Casting Gael Garcia Bernal For His Shortness and Never Meeting Your Heroes

Gael Garcia Bernal in Museo

Alonso Ruizpalacios’ two features to date are both about Mexico City’s recent past. The writer-director first gained international visibility with 2014’s Güeros, a black-and-white road trip movie set in the 1990s using the protests at the National Autonomous University of…  Read more

By Oct 11, 2018


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