The act of recalling our earliest sexual encounters can unleash a wave of secondhand embarrassment for the people we used to be. What we previously said, did or even desired as unyieldingly hormonal adolescents will undoubtedly incite full-body cringes for as long as our psyches choose to preserve those encounters. Yet no staggering quantity of cautionary tales can—or, arguably, should—dissuade young people from fantasizing about the ideal circumstances for losing their virginity and navigating previously uncharted sexual waters. While there’s nothing wrong with romantic idealization, the idea of experiencing pure satisfaction during a formative sexual exploit is, at the very […]
Originally published during the 2023 Cannes Film Festival, our interview with Sean Price Williams and Nick Pinkerton about their recommended feature, The Sweet East, is being reposted today as the film is in theatrical release from Utopia. America’s fraught political present meets the less savory corners of cinema’s past in The Sweet East, the first feature directed by celebrated cinematographer Sean Price Williams. Penned with typically acerbic wit by film critic Nick Pinkerton, The Sweet East stars Talia Ryder in a should-be-star-making performance as Lilian, a high school senior who impulsively runs off while on a class trip to Washington, […]
“I wanted to make something about a desire so intense that it destroys everything around it,” says Oscar-winning writer-director Emerald Fennell of Saltburn, her opulent sophomore psychodrama about class, obsession and longing set in an English countryside estate. “That locust cannibal obsession that I think we’ve all felt about someone that makes you completely lose your fucking mind.” In Saltburn, it’s Barry Keoghan’s humble and unknowable Oxford novice Oliver Quick who feels that fixation. His object of desire and fascination is Jacob Elordi’s dreamboat Felix Catton, an upper-class cool guy who welcomes Oliver into his inner circle, and later, to […]
Immersive and poetically expressive, Raven Jackson’s confident debut feature All Dirt Roads Taste of Salt chronicles the life of Mack, a Black Mississippi woman portrayed at different ages by four different performers, with a lived-in attentiveness and affection. Throughout Jackson’s non-linear ecosystem of portraits, quiet sequences, dewy visuals and sensual soundscapes, the filmmaker breaks the conventions of storytelling so naturally that you instantly recognize the confidence of someone well-versed enough in her art and craft to make her own set of rules. The seeds of Jackson’s approach and exactness of imagination were already planted in her short film, Nettles (2018), […]
Good Condition is an eight-minute meditation on loneliness, technology and new beginnings. It marks the second collaboration between filmmakers Frank Mosley and Hugo De Sousa after their 2022 comedy short film, The Event, in which a filmmaker wakes up his roommate in the middle of the night to ask why he hasn’t watched his short film. This time, they embark on an eerie trip to the suburbs, following a melancholy man named Barry (Hugo De Sousa) trying to complete a transaction with a ghostly figure who keeps evading him. Good Condition premiered at Aspen ShortFest and Fantasia earlier this year, and […]
Reviewing a boxset of writer-director Larry Fessenden’s work in 2015 for Filmmaker, I began by noting that “Fessenden can frequently be found on the outskirts of the New York filmmaking community, using his production company Glass Eye Pix as an outlet of support for fellow filmmakers.” While my summation of the celebrated horror auteur’s altruism remains accurate (the company turns 40 in 2026), Fessenden’s own films have grown tougher to get off the ground. A new film by him is therefore a major event, albeit one that happens quietly. Having made its world premiere at the 27th Fantasia International Film […]
“Unfortunately, because aging is so common and natural, we tend to think of it as destiny or something we should accept,” says biologist and researcher David Sinclair. And while the scientist’s work on aging and epigenetics is tied to discoveries in biology from the mid-20th century onwards, within the arts the theme of immortality goes back centuries. Filmmaker Eddie Alcazar, who appeared on our 25 New Faces list in 2011, is the latest to tackle man’s search for eternal life, doing so at a time when interest in longevity and even avoidance of death is contemplated by tech community thinkers […]
Todd Solondz’s indelible Happiness was released 25 years ago today. Filmmaker is reposting here its interview with Solondz, the cover story of our Fall 1998 issue. — Editor Winner of the Critic’s Prize at this year’s Cannes Film Festival, Todd Solondz’s startling new Happiness is not only one of the most challenging and invigorating independent films of the year, it’s also, by virtue of the strange politics of its release, a talking point for prognosticators everywhere concerned with the co-option of indie-film attitude by corporate-controlled majors and mini-majors. Ambitiously weaving five separate tales of modern alienation, romantic woe, and shocking […]
With credits on high-profile TV series like Suits, Star Trek: Discovery and Billions, writer-director Chloe Domont had experiences in the entertainment industry where she felt like she had to adapt to the boys club. Those experiences, as well as the fear of all she could lose if she didn’t play along, were front of mind when she was crafting Fair Play, an intense, high-stakes and increasingly nerve-wracking relationship and workplace drama with notes of ’90s erotic thrillers. But in no way did Domont want to use the film industry as a backdrop for her masterful feature directorial debut. “That would […]
In the late 1980s, Gregg Araki began making movies. He made films on a shoestring budget with a do-it-yourself mindset–not due to any kind of loyalty to the auteur theory, but the constraints of what he had at his disposal. In 1992, he made The Living End, a tale of two HIV-positive gay men, a loner and a film critic, who set off on a bloody, ferocious adventure. The film was dedicated to “the hundreds of thousands who’ve died and the hundreds of thousands more who will die because of a big white house full of republican fuckheads.” From there, […]