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Allowing for Transitions: Editor Anne McCabe on the Restorative Rhythms of Marielle Heller’s A Beautiful Day in the Neighborhood

Tom Hanks in A Beautiful Day in the Neighbored

Marielle Heller’s A Beautiful Day in the Neighborhood centers on New York–based journalist Lloyd Vogel (Matthew Rhys), who’s assigned to profile Fred Rogers (Tom Hanks) for Esquire in the late 1990s. For editor Anne McCabe, who cut Heller’s previous feature,…  Read more

By Dec 10, 2019

A Love Story Underneath an Animal Rescue Story: Director Richard Miron, Co-Editor Jeffrey Star and Producer Holly Meehl on For the Birds

For the Birds

If there’s one thing we can be sure of about Kathy Murphy, the middle-aged woman at the center of the moving debut feature, For the Birds, by director Richard Miron, it’s that she loves animals. Birds in general, ducks and…  Read more

By May 31, 2019

“Nothing is More Gorgeous than When Things Get Real in a Movie”: Editor Barry Alexander Brown on Three Decades Cutting for Spike Lee

John David Washington and Adam Driver in BlacKkKlansman

As Barry Alexander Brown toiled on the editing of School Daze, he was convinced that, at any moment, he’d be found out. That someone would inform director Spike Lee he was no longer working in the indie trenches of She’s…  Read more

By Feb 20, 2019

“The Feedback Screenings were Essential”: Editor Colin Campbell on The Hole in the Ground

James Quinn Markey in The Hole in the Ground (courtesy of Sundance Institute)

The feature directorial debut from Irish filmmaker Lee Cronin, The Hole in the Ground follows the ominous goings-on after a couple and their young child move to a new cottage in rural Ireland (where their neighbors include Aki Kaurismäki regular Kati Outinen).…  Read more

By Feb 5, 2019


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