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“The Film Kept Building in Meaning Throughout the Time Working On It”: Madeleine Gavin on Editing I Think We’re Alone Now

I Think We're Alone Now

With Reed Morano’s I Think We’re Alone Now in theaters, we’re running this short interview with its editor, Madeleine Gavin, conducted earlier this year before the film’s premiere at the Sundance Film Festival. For more on the film, see Meredith…  Read more

By Sep 26, 2018

Editor Tatiana Riegel on I, Tonya, River’s Edge, Pulp Fiction and There Will Be Blood

Margot Robbie in I, Tonya

Tatiana Riegel’s first step toward becoming an Oscar nominated editor happened on the set of The Love Boat. 20th Century Fox Studios was just a short walk from where Riegel grew up in Los Angeles and around the time she…  Read more

By Mar 9, 2018

“In Time, the Movie Always Reveals What It Wants to Be”: Editor Terel Gibson on Sorry to Bother You

Sorry to Bother You

One of the breakout hits of this year’s Sundance, purchased by A24 in the festival’s last days, Boots Riley’s ambitious directorial debut Sorry to Bother You takes place in a near-feature uncomfortably close to the present. Telemarketer Cassius (Lakeith Stanfield) makes…  Read more

By Feb 5, 2018

“Advocating For the Civil Rights of Women”: Editor Kate Hackett on Half the Picture

Half the Picture

The title of Amy Adrion’s Half the Picture should be taken semi-literally: if women are half the population but severely underrepresented behind the camera, what’s being lost? Her documentary interviews a number of female directors (including Gina Prince-Blythewood, Catherine Hardwicke and Penelope…  Read more

By Feb 5, 2018


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