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Trailer Watch: Khalik Allah’s IWOW (I Walk on Water)
"The path of the math is to go fast" -- not even a year after the release of Khalik Allah's second feature, Black Mother, the filmmaker has just released the first trailer of his new feature, IWOW (I Walk on Water). The film is said to be three hours long, and the trailer length -- seven minutes -- is thus appropriately relational. Here's Allah's statement accompanying the video: Peace. From the most illest iambic pentameter visual photographer. Allah's 5% student doctor. I'm around the 85% again. Straight up Ren & Stimpy. The pitiful situation of my people is the person version of the Hieroglyphic ruins. What profits a man is a noble prophet. 4th Disciple and I rewrote the Proverbs from… Read more
Trailer Watch: Wes Anderson’s The French Dispatch
The French Dispatch
The meticulous palette, the bursts of Academy ratio, the faux literary origins, the use of the word "divers" -- Wes Anderson's The French Dispatch looks, from this first trailer, to be the most, well, Wes Anderson movie yet. As it's described by its distributor, Fox Searchlight, "The French Dispatch brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. It stars Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, Bill Murray and Owen Wilson." The French Dispatch arrives in theaters July 24, 2020. Read all of Filmmaker's Wes Anderson coverage here, including "10 Lessons on Filmmaking… Read more
“Power and Organizational Pressure Win Over Logic”: Kazuo Hara on Reiwa Uprising at Rotterdam 2020
Reiwa Uprising
Kazuo Hara has always aligned himself with the political left, but it was nevertheless surprising to hear about his latest film, Reiwa Uprising, which depicts the ascent of Japan’s newest left-wing political party, Reiwa Shinsengumi, from grassroots agitators to seated parliamentarians during the 2019 election. It is not unusual for Hara, best known for Extreme Private Eros (1974) and The Emperor’s Naked Army Marches On (1987), to take almost a decade or even longer between films, yet Reiwa Uprising follows Sennan Asbestos Disaster by just two years. That expedited time to completion was largely out of necessity: Reiwa Shinsengumi was founded in April 2019, and Japan’s general election campaign lasted only 17 days. As depicted in the beginning of the film,… Read more
“Can’t Tell That to the Landlord”: Abel Ferrara on The Projectionist, Tommasso and Crack City Terminator
The Projectionist
Abel Ferrara is a hurricane. And like a hurricane, it is close to impossible to anticipate where he’s going to go at any given time. More than that, any hope of influencing the outcome of either is well beyond the limits of human control. Admirers with the good fortune to spend some time with the man can attest that getting Ferrara to stick to the script is largely a fool’s errand. In my case, it was because he had two new movies (The Projectionist, Tommasso) playing at consecutive festivals (Doclisboa, the Viennale) I happened to attend. At a certain point you have to accept that what you will get will, at the very least, be freewheeling in the extreme. One thing… Read more
“Sometimes Directing is Not Saying Anything and Just Putting Vodka Shots in Front of People”: Luis López Carrasco on El Año del Descubrimiento at Rotterdam 2020
El Año del Descubrimiento
At a festival as big as the International Film Festival Rotterdam, early screenings are essentially shots in the dark. There is no buzz yet, and most films have little written about them or are by filmmakers whose previous works have received relatively little exposure. I opted on the second day to give Luis López Carrasco’s El Año del Descubrimiento a shot partly because I had heard of his previous feature, El Futuro, but mostly because its 200-minute runtime helped it to stand out amid a slate of films I knew next to nothing about. From the very beginning, its use of split-screen gave me flashbacks to watching—of all things—Chelsea Girls, and I felt confident I had a made good decision.… Read more
“…We Wanted Our Cameras to Listen and Play Witness”: Emily Taguchi and Jake Lefferman on After Parkland
After Parkland
On Valentine’s Day 2018 the community of Parkland, Florida was irrevocably transported into the headlines. That was the day when a 19-year old gunman walked into the Marjory Stoneman Douglas High School and took the lives of 17 of its students. In the aftermath of the horrific event news crews descended as grieving parents and children struggled to find footing in a new reality. And while a great many reporters packed up once the soundbites ran out, veteran journalists Emily Taguchi and Jake Lefferman stayed behind -- and got to truly know the fathers and mothers and siblings, the significant others and best friends, and the survivors who lived to bear witness to a nightmare they still struggle to awake… Read more
Digital Wanderlust: On Wim Wenders’s Until the End of the World
Solveig Dommartin in Until the End of the World (courtesy of the Criterion Collection)
Two major anniversaries in digital technology happened in 2019. October 29th marked the fiftieth year since the first message was transmitted via ARPANET, an early network of computers developed by the U.S. Department of Defense and hosted at universities including UCLA and Stanford (where the message was, respectively, sent and received)—a relatively pat and mutually agreed upon milestone for the beginning of the internet as we know it. The other anniversary—the thirtieth birthday of the World Wide Web—is much less decisive: You might notice people celebrating the thirtieth year of the internet’s most transformative application well into 2021. A quick Google search for the “25th Anniversary of the World Wide Web” delivers articles published in 2014, 2015 and 2016. The… Read more
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