Shadowplay: The Artistic Benefits and Technical Challenges of Ozark‘s HDR Workflow

Jason Bateman in Ozark (Photo courtesy of Steve Dietl/Netflix)

Ozark is a “dark” show in every meaning of the word. The story of a criminal Missouri clan laundering Mexican cartel money through their riverboat casino is literally, metaphorically and photographically bleak. “Ozark is about what happens in the shadows of our society, in the underbelly, and the fear and anxiety that permeates that environment,” said cinematographer Armando Salas, ASC. “Everyone can relate to that feeling on some level—the feeling in the pit of your stomach that comes with knowing you’re doing something wrong. We try to embed that feeling in the look of the show.” Sunlight rarely reaches the denizens of Ozark’s resort community. If financial advisor-turned-felon Marty Byrde (Jason Bateman) and his wife and partner-in-crime Wendy (Laura Linney) are…  Read more


“Narratives Don’t Have Lower Thirds and IDs, Why Should Documentaries?” Marlon Johnson and Anne Flatté on River City Drumbeat

River City Drumbeat

The Ohio River Flood of 1937 killed 385 people and left a million more without a home. That same year, the Home Owner’s Loan Corporation (HOLC) drew redlining maps of Louisville to decline mortgage insurance and credit to the Black and immigrant communities hit hardest by the floods. In the “Clarifying Remarks” of one of the HOLC’s area assessments they sum up a “D” rated region: “This area, known as ‘Little Africa.’ No paved streets - low type of inhabitants.” Disinvestment still cripples the West Louisville community today. The “ninth street divide,” the demarcation between West Louisville and downtown, places into stark relief the life expectancy difference on either side of the line: 82 years east of it, 67 years…  Read more


Trailer Watch: Charlie Kaufman’s I’m Thinking of Ending Things

I'm Thinking of Ending Things (Photo:Mary Cybulski/NETFLIX © 2020)

A long, progressively disorienting drive across a snow-battered landscape leads to a relationship milestone -- meeting the parents -- in the latest from writer/director Charlie Kaufman. For Jessie Buckley's unnamed girlfriend character, Jake (Jesse Plemmons) is someone promising even as the film's serenely despondent title functions as her mantra-like internal dialogue. Awaiting in a house that seems unmoored by time are Jake's mom and dad, played by Toni Collette and David Thewlis. Said Kaufman to Entertainment Weekly, "The house represents the imagined interaction between someone you bring home to your parents — that panic that is twoheaded at that point. You’re worried about what they’re going to think about your parents, and you’re always worried about what your parents are…  Read more


“This Movie is a Cry for Help from the Members of Congress to the American People”: Daniel DiMauro and Morgan Pehme on Their HBO doc The Swamp

The Swamp

To call HBO’s The Swamp a thrilling character-based portrait of three conservative white guys might seem oxymoronic, but in the capable hands and open minds of co-directors Daniel DiMauro and Morgan Pehme (Get Me Roger Stone) it’s a completely apt description. The doc is an unexpected, up-close look at the daily D.C. lives of a trio of House members who few subscribers to HBO would ever conceive of voting for: far right-wingers Matt Gaetz (R-FL 1st District), Thomas Massie (R-KY 4th District), and Ken Buck (R-CO 4th District). In other words, it’s exactly the caricature-busting film that progressives (like myself) really need to see. With startling access, the filmmakers follow along as these Republican rebels fight — and usually fail — to “drain…  Read more


Back to One, Episode 120: Paapa Essiedu

The brilliant young British actor Paapa Essiedu speaks about the work with wisdom that belies his years. He plays Kwame on Michaela Coel’s groundbreaking new HBO series I May Destroy You. In 2016, his Hamlet at the Royal Shakespeare Company received great acclaim. In this episode he compares those two characters, who are each facing defining moments in their lives, and talks about the “conscious unconsciousness” necessary to embody them. He discusses the various ways curiosity is useful, and why it’s so important to immerse yourself in the world of the story. Plus lots more! Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and Stitcher. And if you're enjoying what you are…  Read more


How to Shoot a Film in a Global Pandemic

On the set of 18 1/2

If you’re going to get stuck shooting a film in a global pandemic, it helps if you’re already pretty much self-quarantined in a beach resort and living off product-placement steak, wine and coffee. That’s the situation I found myself in on my film, 18½, which we started shooting in early March, 2020. What could possibly go wrong? Foot Bumps and Elbow Knocks 18½ is a 70s-era Watergate conspiracy thriller/dark comedy we were filming in Greenport, New York, which is on the tip of the North Fork of Long Island (“Nawth Fawk,” as it’s known locally), about three hours from Manhattan, or a couple ferry rides north of the Hamptons. Our cast and crew all stayed at the Silver Sands Motel and Cottages,…  Read more



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