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Davey Foundation Offers Grants for Short Films; Deadline July 5

Long Time Listener, Long Time Caller

This year’s edition of the Davey Foundation Short Film Grants—which annually bestow grant packages to shorts filmmakers—comes with a first. Founded in 2013, in past years only short films made by those 35 and under were eligible for submission. That age cap’s been removed for this year’s edition. Judged only on a script basis, four grants will be awarded: two national grant winners receive $5,000 in cash, the third $2500 cash plus use of a film gear package. Additionally, a grant for Utah-based filmmakers will be awarded for $2500 and use of a film gear package. Past grantees include Laura Moss (Fry Day), Lauren Wolkstein (Beemus) and Nora Kirkpatrick (Long Time Listener, First Time Caller). For more information, click here.

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Watch: Guts, Noah Hutton and Taylor Hess’s Short Doc on the Feminist, Anti-Colonial Environmental Lab, CLEAR

Guts (Photo: ©David Howells 2016 www.davehowellsphoto.com)

“Reproducing the status quo is deeply political because the status quo is crappy,” says the Newfoundland-based Civic Laboratory for Environmental Action Research’s Max Liboiron in Taylor Hess and Noah Hutton’s sharp and inspiring short doc, Guts, currently streaming at The Atlantic (and embedded above). At CLEAR, Liboiron’s work is both deeply political as well as practical. Her environmental science examining the effect of plastic pollutants on animal and human environments and food chains poses a more-than-rhetorical challenge to mainstream ideas around recycling and environmental cleanup. From The Atlantic: In the documentary, she asks a group of well-intentioned recyclers to look closely at their individual consumer behaviors. The data on waste management, she says, suggest that recycling doesn’t do much to…  Read more

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Day For Night on The Dead Don’t Die: Director Of Photography Frederick Elmes Shoots Jarmusch’s Zombies

Fred Elmes

Fred Elmes invited me to a DI Theater at Harbor Picture Company, a post-house bustling around the corner from Film Forum, to talk about his work on Jim Jarmusch’s The Dead Don’t Die. There was just an hour left of the allotted time to finish the HDR version of the film when I arrived at the DI suite, but Fred retained his cool as he lulled us to the finish line. In my time there, he liked to vignette the edges more or less, and bring faces up or down a level or two. Usually down.  Our meeting there was perhaps due, in large part, to our mutual friend Abby Levine, a pioneer of digital imaging and Fred’s DIT on…  Read more

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I Will Always Love You: Amy Dotson’s BAMcinemafest Speech

Amy Dotson

Amy Dotson, who recently departed her position as Deputy Director and Head of Programming at IFP, Filmmaker‘s publisher, is headed this fall to Portland, where she will step into the role of Director of the Northwest Film Center and Film and New Media Curator at the Portland Art Museum. Today she gave a speech at the day of industry talks at BAMcinemafest and kindly offered the text to Filmmaker to publish below. Lotta change in the air, ya’ll. So much has happened of late. As some of you may know, I’m on the precipice of new adventures. That said, I’m particularly excited to be talking with you today but…. If I’m being honest, it’s taken reading a lot of Dolly…  Read more

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An On-Set Education: Graham Swon on The World is Full of Secrets

The World is Full of Secrets

When The World is Full of Secrets showed earlier this year at a festival for debut films in remote Khanty-Mansiysk, Siberia, its director, Graham Swon (a 25 New Face of Film in 2016), briefly became almost as much of interest to the public audience and critics there as did his hypnotic cinematic spectacular. That I was there as the only international journalist in attendance to witness Swon fielding eager questions from this newfound audience of intrigued Siberian spectators strikes me now as a fluke of wondrous good fortune. The movie’s long, discursive monologues, in which 15- and 16-year-old girls narrate bloodthirsty stories to each other at night, preserve the enveloping feeling of being told a spooky story in real time.…  Read more

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Le Cinéma Club Relaunches With Claire Denis’s Very Rare Keep It for Yourself

Keep It for Yourself

Founded in 2015 by Marie-Louise Khondji, the streaming site Le Cinéma Club relaunches today with an exciting offering: Claire Denis’s long-lost 1991 40-minute short Keep It for Yourself. The only film she’s ever made in the states, it stars Vincent Gallo and Sara Driver, has a John Lurie score and was shot in New York City. After years of unavailability, a copy was found on a Japanese VHS being sold on Australian eBay. (For more on that story, click here.) From the official press release: The opening weeks of programming are completed with other streaming premieres, rarities and films by new talents including: a restoration of Chris Marker’s The Koumiko Mystery (1965, 54 min), a beguiling portrait of a young woman…  Read more

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Toy Story 4: Woody and Buzz Embrace the Gig Economy

Forky (Tony Hale) and Sheriff Woody (Tom Hanks) in Toy Story 4

A few weeks ago, Apple dropped a staggering ill-advised promoted tweet into my timeline: “With the longest battery life in an iPhone ever, you’ll lose power before your iPhone XR will.” I enjoy thinking about death even less than the average person, so my first reaction was that I’m not particularly cheered by a poorly worded suggestion that I’ll probably exit before my technology. My next thought was that Apple had inadvertently provided a solid metaphor for the eternal franchise era: assuming all goes as planned, it is not inconceivable that there will be Star Wars movies coming out after my death, certainly not an expectation I grew up with. In live action, returning to a property that’s grown more respectable…  Read more

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Filmmaking

Image courtesy of Carolyn Funk

The 24 Films (More or Less) Shot on 35mm Released in 2018

For five years, I’ve been rounding up the previous year’s US theatrical releases of films shot, in whole or significant part, on 35mm—yes, this year’s tally is lower than any of my previous totals. The total number is unlikely to soar above 40 anytime in…  Read more

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Apr 24, 2019

Festivals & Events

Parasite

Bong Joon-ho’s Parasite Wins Cannes Palme d’Or; Mati Diop’s Atlantics Picks Up Grand Prix

South Korean director Bong Joon-ho’s dark social satire/thriller Parasite won the Cannes Film Festival’s top prize, the Palme d’Or. It’s the first time a Korean director has won the award, and jury president Alejandro González Iñárritu said the jury was unanimous. First-time French-Senegalese feature filmmaker…  Read more

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on May 25, 2019

 

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