Featured

Criterion Collection to Launch Their Own Streaming Channel Post-FilmStruck

Some good news for those crushed by the looming demise of FilmStruck: The Criterion Collection, a major part of the cinephilic streaming site that’s coming to an end on Nov. 29, will be launching its own freestanding service. Their solo venture is scheduled to go live in spring of 2019, and it will act much as it did on its FilmStruck channel, with thematic programming, spotlights, retrospectives, supplemental features, double features and guest introductions. Those interested in signing up as a “charter member” — meaning you’ll be notified when the service is officially launching and receive a subscription at a reduced rate — can do so here. As for the non-Criterion sections of FilmStruck, well, there’s news for some of…  Read more

By

Watch: Olivier Assayas Discusses Ingmar Bergman’s ‘Absurdly Important’ Persona

Persona

Olivier Assayas speaks eloquently about his own work, able to talk about them both abstractly and practically. No surprise, then, that he’s as sharp when talking about other filmmakers’ films. A new video from TIFF finds the acclaimed French filmmaker — most recently of Non Fiction, Personal Shopper and Clouds of Sils Maria, and whose 1994 classic Cold Water was reissued earlier this year — talking Ingmar Bergman. Specifically he discusses Persona, the Swedish legend’s game-changing 1966 whatzit, about a caretaker (Bibi Andersson) tending to a damaged actress (Liv Ullmann). Bergman, according to Assayas, showed “that you could be both a great writer and a great filmmaker, meaning you could have the skills of a director and also be one…  Read more

By

What Makes a Good Production Designer?

[Image: Judy Becker, photo by and (c) Clarissa Bonet]

As a kid, the first and only thing I ever wanted to be when I grew up was an artist. I never got bored or minded being sent to my room as long as I could draw. I wasn’t the “good artist” at school—I couldn’t draw a superhero, or a realistic Snoopy. But I was often told (only by adults, so it didn’t mean much to me) that I had a great imagination. I had a pretty rich fantasy life and drew pages and pages of imaginary interiors, collections of objects and fashion wardrobes. If I had known what a production designer was I would have wanted to be one, but that had to wait a while. Last year, I…  Read more

By

Judy Becker’s Instagram: A Production Designer Catalogs Her Visual Inspirations

For Filmmaker‘s 25th Anniversary issue, we took note of production designer Judy Becker’s lovely Instagram, where she posts location scout photos and other inspirations that inevitably find their way into her design work. We asked her to write more about this convergence with social media and production design practice, and here’s what she wrote back. To: Filmmaker Magazine From: Judy Becker Subject: My Instagram Today at 11:34am I’m happy you guys liked my Instagram. I’ve taken photographs pretty much my whole life. I got my first camera when I was about seven, when my family spent the summer in Rotterdam, Netherlands, everyone’s first trip to Europe. My parents were lax, to say the least, and I remember walking around by…  Read more

By

Indie Memphis: Not Just an Inclusion Rider

Mr. Soul!

In Jim Jarmusch’s 1989 Mystery Train, two rock ‘n’ roll-loving Japanese teenagers arrive in Memphis, Tennessee, and make their way over to Sun Studio, the legendary recording studio once the stomping grounds for the likes of Johnny Cash, Carl Perkins, Jerry Lee Lewis, and, of course, Elvis Presley, who recorded his first song there at the age of 18. In part because of the faint replay of this scene that had lingered in my head for some years, I’ve long wanted to take the Sun tour, one of my many Memphis to-dos, which also included a bunch of famous barbecue spots (shout-out to Cozy Corner) and all the movies I wanted to see during Indie Memphis Film Festival (Nov. 1–5),…  Read more

By

“I Didn’t Want the Movie To Fall Into the Category of Just Being a Film for Other Filmmakers”: Duncan Skiles Talks About Directing The Clovehitch Killer

The Clovehitch Killer

Duncan Skiles’ new thriller The Clovehitch Killer is the kind of horror movie that gets under your skin and stays there, reverberating in the viewer’s head for hours, days, even weeks after it’s over. Its impact is all the more impressive given its low-key, understated quality. Skiles patiently, meticulously creates a mounting sense of dread without melodrama or explicit violence, relying instead on eerily stark, formal compositions and a career-best performance from Dylan McDermott. McDermott plays Don Burnside, a family man and active member of his community whose affable, slightly goofy façade masks a serious dark side. When Don’s teenage son Tyler (Charlie Plummer) finds some extremely unpleasant photos and pornography hidden in his father’s truck and shed, trust starts…  Read more

By

Outside the Box (Or, New York Is Not the Place to Be for Filmmakers Anymore): Jamie Stuart on His Move to LA.

At home in L.A. (photo: Jamie Stuart)

Filmmaker Jamie Stuart has contributed to this publication since the mid-aughts. When he told me he that after completing his NY-set one-man independent feature A Motion Selfie that he’d be moving to L.A., I asked if he’d want to contribute a final Gotham piece in the “Goodbye to All That” genre. Below, he writes about not just his move but the changing independent film culture in New York over the past decade-plus. — SM The day before the move was literally the worst day of my entire life. Popping half tabs of Valium every five hours, I spent 7:00 AM until midnight packing, shipping and gutting my apartment of 11 years — often making split decisions about what sentimental artifacts…  Read more

By

Filmmaking

Cam

“This Was the Aesthetic I’d Been into Since I’d Started Making Films”: Cinematographer Katelin Arizmendi on Lensing Cam

Alice (Madeline Brewer), the star of Cam, sustains herself as a full-time webcam model at the top of the “FreeGirls.Live” leaderboards. She aspires to break Top 50, but to do so she’ll have to descend deeper into her on-screen persona and farther from her off-screen…  Read more

By
Nov 9, 2018

 

@FilmmakerMag

  • RT @Peter_Rinaldi: Congratulations to everyone nominated for #SpiritAwards, especially the half-a-dozen (or so) super-talented nominees I h…
  • RT @Winter: Thanks to ⁦@FilmmakerMag⁩ for naming ⁦@PanamaPapersDoc⁩ in their top 10 of films to see at ⁦@IDFAindustry⁩. Look forward to bei…
  • RT @FilmStruck: Great news for film lovers everywhere! We look forward to all the amazing things @Criterion has in store with their new str…
  • RT @hortonla: "For the past decade, no issue has incited bigger battles than that of theatrical windowing". True. But over this decade, str…
  • RT @shrifilm: @FilmmakerMag .@Criterion will launch standalone service in spring 2019 -- criterion.com/channel
Subscribe
© 2018 Filmmaker Magazine
All Rights Reserved
A Publication of IPF