Madeline Brewster in Cam (courtesy of Netflix)
“If you want to work in Hollywood, you must have representation,” says one industry veteran. That’s been a longstanding rule in the entertainment business for the past several decades. Despite the battle between the Writers Guild of America (WGA) and Hollywood’s big talent agencies over packaging fees, and the thousands of writers who subsequently fired their agents, and even amidst the plethora of new outlets and disruptive distribution technologies, independent filmmakers are still largely subject to the traditional forms of gatekeeping. (And directors haven’t had to fire their agents—at least, not yet.) So, that leaves emerging filmmakers still dependent on managers and talent agents to bolster their careers—in most cases, in that order. Yet, for many early and even mid-career… Read more
By Anthony Kaufman
The Edge of Democracy
Politics is confusing at the best of times. But in the age of Brexit, Trump and now Jair Bolsonaro in Brazil, it’s impossible to keep track of the fake news, alternative facts and the good old-fashioned lies, damned lies and statistics. Since January 1st of 2019, President Bolsonaro has been ruling the roost in Brazil, following hot on the heels of a president who was almost impeached (Michel Temer), one who was impeached (Dilma Roussef) and one who now keeps a prison bed warm (Lula). The political shenanigans came so thick and fast from the biggest nation in South America that it was hard to keep track of what was going on, even for Brazilians. That confusion is somewhat alleviated… Read more
By Kaleem Aftab
Long Time Listener, Long Time Caller
This year’s edition of the Davey Foundation Short Film Grants—which annually bestow grant packages to shorts filmmakers—comes with a first. Founded in 2013, in past years only short films made by those 35 and under were eligible for submission. That age cap’s been removed for this year’s edition. Judged only on a script basis, four grants will be awarded: two national grant winners receive $5,000 in cash, the third $2500 cash plus use of a film gear package. Additionally, a grant for Utah-based filmmakers will be awarded for $2500 and use of a film gear package. Past grantees include Laura Moss (Fry Day), Lauren Wolkstein (Beemus) and Nora Kirkpatrick (Long Time Listener, First Time Caller). For more information, click here.
By Filmmaker Staff
Guts (Photo: ©David Howells 2016
www.davehowellsphoto.com)
“Reproducing the status quo is deeply political because the status quo is crappy,” says the Newfoundland-based Civic Laboratory for Environmental Action Research’s Max Liboiron in Taylor Hess and Noah Hutton’s sharp and inspiring short doc, Guts, currently streaming at The Atlantic (and embedded above). At CLEAR, Liboiron’s work is both deeply political as well as practical. Her environmental science examining the effect of plastic pollutants on animal and human environments and food chains poses a more-than-rhetorical challenge to mainstream ideas around recycling and environmental cleanup. From The Atlantic: In the documentary, she asks a group of well-intentioned recyclers to look closely at their individual consumer behaviors. The data on waste management, she says, suggest that recycling doesn’t do much to… Read more
By Scott Macaulay
Fred Elmes
Fred Elmes invited me to a DI Theater at Harbor Picture Company, a post-house bustling around the corner from Film Forum, to talk about his work on Jim Jarmusch’s The Dead Don’t Die. There was just an hour left of the allotted time to finish the HDR version of the film when I arrived at the DI suite, but Fred retained his cool as he lulled us to the finish line. In my time there, he liked to vignette the edges more or less, and bring faces up or down a level or two. Usually down. Our meeting there was perhaps due, in large part, to our mutual friend Abby Levine, a pioneer of digital imaging and Fred’s DIT on… Read more
By Aaron Hunt
Amy Dotson
Amy Dotson, who recently departed her position as Deputy Director and Head of Programming at IFP, Filmmaker‘s publisher, is headed this fall to Portland, where she will step into the role of Director of the Northwest Film Center and Film and New Media Curator at the Portland Art Museum. Today she gave a speech at the day of industry talks at BAMcinemafest and kindly offered the text to Filmmaker to publish below. Lotta change in the air, ya’ll. So much has happened of late. As some of you may know, I’m on the precipice of new adventures. That said, I’m particularly excited to be talking with you today but…. If I’m being honest, it’s taken reading a lot of Dolly… Read more
By Amy Dotson
The World is Full of Secrets
When The World is Full of Secrets showed earlier this year at a festival for debut films in remote Khanty-Mansiysk, Siberia, its director, Graham Swon (a 25 New Face of Film in 2016), briefly became almost as much of interest to the public audience and critics there as did his hypnotic cinematic spectacular. That I was there as the only international journalist in attendance to witness Swon fielding eager questions from this newfound audience of intrigued Siberian spectators strikes me now as a fluke of wondrous good fortune. The movie’s long, discursive monologues, in which 15- and 16-year-old girls narrate bloodthirsty stories to each other at night, preserve the enveloping feeling of being told a spooky story in real time.… Read more
By Christopher Small
Keep It for Yourself
Founded in 2015 by Marie-Louise Khondji, the streaming site Le Cinéma Club relaunches today with an exciting offering: Claire Denis’s long-lost 1991 40-minute short Keep It for Yourself. The only film she’s ever made in the states, it stars Vincent Gallo and Sara Driver, has a John Lurie score and was shot in New York City. After years of unavailability, a copy was found on a Japanese VHS being sold on Australian eBay. (For more on that story, click here.) From the official press release: The opening weeks of programming are completed with other streaming premieres, rarities and films by new talents including: a restoration of Chris Marker’s The Koumiko Mystery (1965, 54 min), a beguiling portrait of a young woman… Read more
By Filmmaker Staff
Parasite
Image courtesy of Carolyn Funk
“Now is an Interesting Moment, When the Cruelties and Inequality are More Exposed than Ever”: Petra Costa on her Netflix-Premiering Doc on Brazilian Politics, The Edge of Democracy
Jun 19, 2019
Optimal Value
Jun 19, 2019
Watch: Guts, Noah Hutton and Taylor Hess’s Short Doc on the Feminist, Anti-Colonial Environmental Lab, CLEAR
Jun 18, 2019
Davey Foundation Offers Grants for Short Films; Deadline July 5
Jun 18, 2019
Day For Night on The Dead Don’t Die: Director Of Photography Frederick Elmes Shoots Jarmusch’s Zombies
Jun 17, 2019
I Will Always Love You: Amy Dotson’s BAMcinemafest Speech
Jun 15, 2019
What to See at the 2019 BAMcinemafest
Jun 14, 2019
An On-Set Education: Graham Swon on The World is Full of Secrets
Jun 14, 2019
Le Cinéma Club Relaunches With Claire Denis’s Very Rare Keep It for Yourself
Jun 14, 2019
Watch: “Thirst,” Gaspar Noe’s Sebastian Music Video
Watch: Caveh Zahedi’s “Not Getting Stoned with Alex Ross Perry”
