Mads Brügger in Cold Case Hammarskjöld (Photo by Tore Vollan, courtesy of Magnolia Pictures)
A conspiracy theory is meant to provide just enough information to send you tumbling down multiple dead ends, desperate for a branch of legitimacy to grasp onto. It must begin with an undoubtable event (say, the death of a famous figure) that lacks concrete evidence as to how it took place. There must be several figures who go on the record and offer conflicting reports (or provoke the sense that they’re hiding something more sinister). There must be multiple probable reasons for this event to have taken place (the famous figure had it coming, the famous figure experienced bad luck). In the end, you should be left with several possible outcomes that, if your life depended on it, you wouldn’t… Read more
By Erik Luers
The Independent Filmmaker Project (IFP), Filmmaker‘s parent organization, announced today its public program during the 41st IFP Week, including a series of over 40 panel conversations, informative workshops and screenings. IFP Week, one of IFP’s signature annual events, will take place in Brooklyn, New York from Sunday, September 15 to Thursday, September 19. The week kicks off on Sunday, September 15th with a series of panel conversations with filmmakers at BRIC, including: Keynote Presentation by Tyler Mitchell, Head of Impact at Imagine Impact “An Exciting Time” – a conversation with the creative visionaries behind TIME Studios, the recently formed premium content division of TIME “Politically Charged” – directors Rachel Lears and Alison Klayman discussing the impact of their politically charged documentary… Read more
By Filmmaker Staff
The Kingmaker (Photo: Lauren Greenfield)
The Camden International Film Festival (CIFF) announced today the 38 features, 51 short films, and 17 virtual reality and immersive experiences that comprise its 15th edition, taking place September 12-15, 2019 throughout Camden, Rockport and Rockland, Maine. “Story and Power” is the theme of sorts for this year’s festival, which aims to prompt industry-wide conversations that examine “the ways in which power structures deeply embedded in society have continued to shape the documentary field, including which stories are told, by whom and for whom.” “Our 2019 slate celebrates documentary as a reimagining of the ways we engage with stories from both near and far,” says Ben Fowlie, Executive and Artistic Director of the Points North Institute, and Founder of the… Read more
By Scott Macaulay
What You Gonna Do When The World's On Fire
Since moving to the United States in 2000, Italian-born director Roberto Minervini has become one of the foremost documentarians of the American South. His fifth feature, What You Gonna Do When the World’s On Fire?, marks a departure in focusing, for the first time, on African-American lives in the region. Shot between Mississippi and Louisiana, the film weaves together three parallel threads: a pair of young brothers, Ronaldo King and Titus Turner, whose fierce bond is evident from the jump; a musician/singer/bar owner named Judy Hill, who conducts community meetings aimed at consciousness-raising; and members of the New Black Panther Party, seen agitating against the killing of Alton Sterling. Interspersed throughout the film, shot in black-and-white (a first for Minervini), are sequences… Read more
By Lawrence Garcia
He started out as a TV host in the ’90s, but Greg Kinnear quickly made the transition to leading man thanks to legendary directors like Sydney Pollack and James L. Brooks investing in his acting talent. An Oscar nomination for As Good As It Gets followed, and he’s been making movies ever since, Little Miss Sunshine, Auto Focus, Little Men, to name just a few. This Summer he has three movies out — Brian Banks, The Red Sea Diving Resort (Netflix), and Phil, which he also directed. In this episode, we discuss the importance of tone, his penchant for playing real-life people, and how he reacts to being called a natural… plus much more! Back To One can be found… Read more
By Peter Rinaldi
One Child Nation, winner of this year’s Sundance U.S. Grand Jury Prize (and premiering theatrically August 9th via Amazon Studios), is a striking cinematic examination of China’s three-and-a-half decade long, one-child policy by filmmakers Nanfu Wang (Hooligan Sparrow, I Am Another You) and Jialing Zhang (Complicit). It’s also a stunning uncovering of the multi-layered machinations required for a government to negate reproductive autonomy. And ironically, as the NYC-based Wang herself points out towards the end of the film, advocates of China’s (now defunct) policy and the US’s (very much alive) anti-abortion stance both subscribe to a core belief in state control over female bodies. Indeed, the US as well has a long record of forced sterilizations — most notably of… Read more
By Lauren Wissot
Actor/writer/director Ruben Santiago-Hudson is the kind of artist whose awe-inspiring dedication to the work can almost be overwhelming. He won a Tony Award for his performance in August Wilson’s Seven Guitars. His autobiographical play Lackawanna Blues was a sensation at the Public Theater and went on to be an award-winning HBO film. He started directing plays (particularly Wilson’s) and is now one of the most sought-after directors working in theater. His production of Jitney on Broadway won the Tony award for Best Revival of a Play. As an actor, he can currently be seen on Showtime’s Billions and recently on BET’s The Quad. He wrote the screenplay for Ma Rainey’s Black Bottom, which is coming to Netflix (starring Viola Davis).… Read more
By Peter Rinaldi
Scarlett Johansson and Adam Driver in Marriage Story
NYFF has announced the main slate for this year’s edition, set to run from September 27 to October 13. In addition to the previously announced opening night (Martin Scorsese’s The Irishman), centerpiece (Noah Baumbach’s Marriage Story) and closing night screenings (Edward Norton’s Motherless Brooklyn), 23 titles have been announced. In addition to expected titles from established auteurs including Pedro Almodóvar, Kelly Reichardt, the Dardennes brothers, Arnaud Desplechin and Bong Joon-ho’s Palme d’Or-winning Parasite, the selection includes deeper cuts like Pietro Marcello’s loose Jack London adaptation Martin Eden and Oliver Laxe’s Fire Will Come, the third feature from the director of You All Are Captains and Mimosas. Below, from the press release, the full slate. Opening Night The Irishman Dir. Martin Scorsese, USA World Premiere The Irishman is a… Read more
By Filmmaker Staff
Robin Weigert as Calamity Jane -Photo: Warrick Page/HBO
Being John Malkovitch
Back to One, Episode 71: Jake Lacy
Aug 20, 2019
“The American President is a Conspiracy Theorist”: Mads Brügger on Cold Case Hammarskjöld
Aug 19, 2019
IFP Announces Public Programming for 41st Annual IFP Week
Aug 19, 2019
With a Focus on “Story and Power,” Camden International Film Festival Announces Its 2019 Program
Aug 19, 2019
“Move Behind the Fence or You’ll Be Arrested”: Roberto Minervini on What You Gonna Do When the World’s On Fire?
Aug 16, 2019
Back to One, Episode 70: Greg Kinnear
Aug 13, 2019
“We Decided to Treat the Policy and the Propaganda as if They Were Also Human Characters”: Nanfu Wang and Jialing Zhang on One Child Nation
Aug 8, 2019
Back To One Ep. 69: Ruben Santiago-Hudson
Aug 6, 2019
Rodney Evans on Documenting His Own, and Others’, Loss of Sight in Vision Portraits
Aug 6, 2019
Capturing Social Change through Clothing: Once Upon a Time…in Hollywood Costume Designer Arianne Phillips on Dressing Quentin Tarantino’s Latest
“It’s a Movie About LA and Driving in LA — When You Could Actually Drive in LA”: Production Designer Barbara Ling Recreates the Open Streets of 1969 LA for Once Upon a Time… in Hollywood
Watch: Not Getting Stoned with Caveh: Rick Alverson
Watch: Guts, Noah Hutton and Taylor Hess’s Short Doc on the Feminist, Anti-Colonial Environmental Lab, CLEAR
Watch: “Thirst,” Gaspar Noe’s Sebastian Music Video
