Cinematographers
Interviews - Cinematographers
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“1.66 Just Felt Good”: DP Jarin Blaschke on Nosferatu
Nosferatu
Over the course of his four feature films, Robert Eggers has gained a reputation as a filmmaker obsessed with meticulous period accuracy. After listening to Jarin Blaschke talk about moon size as a mathematical equation, it’s easy to see why… Read more
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“Perfection Can Be Your Enemy”: DP Paul Gleason on Didn’t Die
In Didn’t Die, the host of a podcast continues broadcasting even after the apocalypse, using irony to mask her fear. The 2025 Sundance Film Festival Midnights selection contrasts her podcast demeanor with her family life and takes inspiration from George Romero and Post-Impressionism. Paul Gleason wore many hats for the production of Didn’t Die. Below, he answers questions in his capacity as DP, elucidating how to navigate budgetary limitations with carefully chosen equipment and connecting the effect budget has on aesthetic to film noir and horror films. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did […]
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“I Don’t Know if We Knew Exactly Where It Would Take Us”: DPs Antonio Rossi and Ben Bloodwell on Bucks County, USA
Bucks County, USA, directed and produced by Robert May (Kids for Cash) and Barry Levinson (Rain Man; Good Morning, Vietnam) follows a pair of teenage girls, best friends with opposing political views, in Bucks County, Pennsylvania, one of the swingiest counties in a crucial swing state. The series, part of the 2025 Sundance Film Festival’s Episodics section, follows the political battles in the county through the perspective of its young protagonists. Below, Bucks County, USA DPs Antonio Rossi and Ben Bloodwell talk about what drew them to such a political project, matching two different cameras in post, and overcoming the […]
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“These Small Letters Can Cause Such Instability”: DP Paulius Kontijevas on The Librarians
The Librarians shines a light on the people on the frontlines of the ongoing war on education, focusing on the renewed wave of book bans in Florida, New Jersey, and especially Texas. The film, directed by Kim Snyder (Us Kids) is part of the 2025 Sundance Film Festival’s Premieres section. Paulius Kontijevas (camera op on Janet Planet) and Derek Wiesehahn (How to Survive a Plague, Welcome to Chernobyl) served as the film’s cinematographers. Below, Kontijevas talks about lighting and staging interviews that protect librarians’ anonymity and the beauty of light refracting through glass. Filmmaker: How and why did you wind up […]
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“A Mix of Natural Indie Style, Theatrical Spotlights and Neon Colors”: DP Dustin Supencheck on Touch Me
Following his 2022 film Hypochondriac, writer-director Addison Heimann’s Touch Me centers on two best friends (Olivia Taylor Dudley and Jordan Gavaris) who fall under the erotic spell of the same guy (Lou Taylor-Pucci). At least he looks like a guy; the truth is, he’s an intergalactic being ensconced in a human flesh suit. As the best friends vie for his affection, they gradually realize that they’re fighting for their right to live as much as love. Cinematographer Dustin Supencheck discusses his working relationship with Heimann, the importance of capturing vibrant colors and the influence of 20th century Japanese cinema on the […]
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“Capturing a Kenyan Point of View as a Central Theme”: DP Christopher King on How to Build a Library
Shiro and Wachuka are two Nairobi women who attempt to transform the McMillan Memorial Library, a whites-only library until 1958, into a modern and vibrant cultural hub. Their attempts to navigate local politics and Kenya’s colonial history is tracked in How to Build a Library, husband-and-wife duo Christopher King and Maia Lekow’s follow-up to The Letter. King, besides co-directing, also served as the film’s cinematographer. Below, he explains the importance of capturing a Kenyan point of view and why working as a two-person crew helps build trust with their subjects. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and […]
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“Draw the Audience into Johan’s World”: DP Nicolai Lok on Sauna
In Sauna, the care-free Johan falls for a transgender man, forcing him to confront his societal position with regard to gender and love. The film is the feature debut of Mathias Broe and screens as part of the World Cinema Dramatic Competition at the 2025 Sundance Film Festival. Nicolai Lok served as the film’s cinematographer. Below, he explains his choice of camera and lenses and how Sauna‘s story provided room to explore visual ideas. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors […]
